Directed by Michael Gordon, with a story by Arne Sultan and Marvin Worth, an adaptation by Marion Hargrove and a screenplay by Ira Wallach, this 1960's style romantic comedy is lightweight fun. It stars James Garner, Tony Randall, Howard Duff, and Howard Morris as four New York businessmen, and co-commuters from Greenwich, who pitch in to rent an inexpensive bachelor pad for their first and future liaisons and end up getting a high class apartment complete with a beautiful blonde, played by Kim Novak; she's a sociology graduate working on her doctorate thesis "the adolescent sexual fantasies of the adult urban male". Garner's character is divorced and lives with his mother (Jessie Royce Landis)Every Thursday night, bachelor Fred Williams (Gardner) spends his evening after work with three fellow commuters from Connecticut: advertising executive George Drayton (Randall), investment specialist Doug Jackson (Duff), and accountant Howard McIllenny (Morris). Each of these others have wives, the latter two also have children. None of them gets any respect at home: Fred's mother Ethel (Landis), with whom he lives, pesters him about marrying again; George's wife Marge (Janet Blair) can complete his sentences without listening to what he's saying; Doug's wife Toni (Anne Jeffreys) is the perfect housewife who's raising perfect children and is always concerned with keeping up appearances, so she won't let him fix things around the house on weekends; and Howard's wife Joanne (Patti Page) feeds their three growing boys like "kings" while she forces her husband to diet with her. The men have grown bored of bowling and other activities such that they've been hanging out at Slattery's (William Bendix) bar on Thursdays instead. One night Fred's boss (Larry Keating) enters to pick up a redhead he's going to take back to his in-town apartment. This gets the bridge playing commuters to talking about setting up just such an arrangement for themselves.Naturally, Fred is elected to find the ideal place for these planned affairs. Not really wanting to be party to such an arrangement, Fred takes his boss's advice to "shop" for a place way out of their $200/month price range in order to tell his friends that he'd tried, but he couldn't find a place. Unfortunately, Fred visits a pricey apartment that the manager (Jim Backus) hasn't been able to get rid of, because a famous model (?) had committed suicide (or been murdered) in it. Backus is funny as he tries to convince Garner's character to "take my (apartment), please". He calls George to tell him the "good" news and instructs him to tell the others to meet him there after work. George says that the next thing they'll need Fred to do is to arrange for a 25 year old blonde to "outfit" it. Fred refuses saying that advertising is George's business and if he can't figure out how himself, perhaps he should put an ad in the paper. Fred starts drinking while waiting for his friends to arrive; they're late because George didn't believe that Fred could have found the perfect apartment for only $200. Meanwhile, the doorbell rings and when Fred answers it, he's greeted by Cathy (Novak). The film's funniest scene follows - a slightly inebriated Fred believes that Cathy has answered George's ad and Cathy, curious for her own as yet to be disclosed reasons, decides to stay and then play along once she sizes up Fred's friends.On cloud nine, the three married men enthusiastically discuss who gets which night while Fred looks uncomfortable. They also devise stories to tell each of their wives as to why they're giving up their Thursday night with the boys but still need one night a week for creative education in their respective fields. Cathy phones her sociology professor Dr. Prokosch (Oscar Homolka) to tell him she's figured out a way to write her thesis about men. He warns her against the danger of these men really wanting to "get physical" with her, but she tells him that "good girls" like her are experts at avoiding such entrapments. Fred actually visits Cathy on Sunday to discuss his discomfort with what she's getting herself into, and the seeds of a romantic relationship between the two of them are planted. On Monday night, Cathy is able to tap into George's true desire to have someone listen to him. On Tuesday night, Cathy has appliances and other household items for Howard to fix, and on Wednesday night she's cooked a dozen things for Howard to eat. Hence, she maintains platonic relationships with each of them, and they're too scared to admit to the others that "nothing happened". Ruth McDevitt plays a nosy neighbor who thinks she lives next door to a brothel. Obviously, she sees and hears (innuendo) more than what's going on, which she reports to her husband (not credited).Meanwhile, the wives are happy with their husbands "out of the blue" shows of affection until Ethel tells them that their men are probably being "skunks". She recommends that they hire a private detective, Mr. Bohannon (Fred Clark), to learn the truth, which they do. Fred is struggling with his feelings for Cathy, given the kind of girl he thinks she is, and commiserates with Slattery. Dr. Prokosch suspects that Cathy is enamored with Fred and also suggests that she interview the men's wives to get "both sides of the pillow" for her thesis. Bohannon investigates. Fred eventually figures out what he wants and finds out that Cathy wants him as well. He invites her to Greenwich where he's the little league baseball coach of his friend's kids. This sticky situation leads to an eventual showdown with everything coming to a head in the zaniest of ways at the apartment, with all the major characters and a couple of the minor ones. The resolution is predictable. The final scene includes Zsa Zsa Gabor as Fred's boss's latest squeeze.

I saw this movie on TCM, got a copy and I can't stop viewing it. This movie is set in the earlier 1960's when sexual material/theme could be discuss in movies, not like the 1930's through the 1950's where the morality codes kept husband and wife in separate beds, and kissing was limited to six seconds. I enjoy this movie about four men approaching middle age trying to spice up their "Boys' Night Out" with a 24 year old blonde, but they are mostly talk, and the blonde (Kim Novak) realized that they are all talk and played along, except she falls in love with the only bachelor (James Garner) of the group, and he also falls madly in love with her, now the fun start. He wants out, so he can be with her and to marry her, she also want him, but the three other guy have other ideas, they don't want to lose their "24 year blonde" on "Boys' Night Out". She don't want them, she want James Garner, and he want Kim Novak, you get it? I won't spoil it for you, get this movie, you won't regret it.

Just looking at the lovely Kim Novak is enough for any man (or woman). She most convincingly plays her part in this comedy romp from 1962, a very dated 1962 film at that, although the premise and, really, the events, are timeless. Who can ever tire of her beauty. James Garner was so handsome in his youth as well. We also see the delightful Anne Jeffreys. I enjoyed this comedy and recommend it. It is a rather pleasant not so over the top comedy and an enjoyable film. I repeat again, whatever Kim Novak is in a movie, she brings not only her spectacular beauty but a marvelous acting ability. The dresses she wears in this movie are terribly outdated, but I recommend the movie for one and all.

Coy little foreshocks of the coming sexual revolution rumbled through Hollywood when Camelot was in sway. One of them, Boys' Night Out, is a fitfully amusing sex comedy in which (it's of course understood) there is no sex.Four flannel-suited soldiers of commerce commute from Connecticut to work in Manhattan; three of them – Tony Randall, Howard Duff and Howard Morris – have wives and families while the fourth, James Garner, is divorced. They stay in town every Thursday, their big night out which generally consists of their sitting around nursing beers because they can't think of anything better to do.Fast forward: They pool their allowances to share the costs of a swank bachelor pad equipped with Kim Novak (who, out of her mauve phase, looks washed out in the bold ‘60s colors she sports). They divvy up the nights of the week to play playboys. But far from the full-service playmate they expect, Novak's doing post-graduate field work in sociology. (Her thesis: `Adolescent Fantasies Among Adult Suburban Males.') She manages to keep the evenings chaste – and her research a secret – by giving the guys what they really want: a chance to bitch about the job (Randall), to potter around fixing things (Duff), to eat the foods he's deprived of at home (Morris). Only Garner wants something more, because he's fallen for her.No flies on the three wives, however, who hire a detective to find out what their husbands are really up to in town. At this point the movie devolves into full-tilt farce, pitifully lacking in laughs. But the whole thing is dispiriting. That love-nest, for instance, in all its garish bad taste, exposes a sheltered, Hugh-Hefnerish idea of luxurious decadence. And the lives that the men try to escape from, only to return to, seem bleached of any satisfaction: they get to cut loose only on the train shuttling them from their humdrum jobs to their humdrum wives (who, meanwhile, stay home dieting and drinking). Isn't it disingenuous, then, when the movie presents its neatly wrapped resolution – everybody back home in the proper bed – as if it were the happiest of endings in the happiest of all possible worlds?