Boomerang
Boomerang
R | 30 June 1992 (USA)
Boomerang Trailers

Marcus is a successful advertising executive who woos and beds women almost at will. After a company merger he finds that his new boss, the ravishing Jacqueline, is treating him in exactly the same way. Completely traumatised by this, his work goes badly downhill.

Reviews
bernardoarquivo

By the time "Boomerang" was made, Murphy was completely out of his mind with fame and fortune. He thought he could do it all. He had written the story of "Coming to America", "Another 48 hours" and "Harlem Nights" (which he also directed), and even though these last two ones tanked miserably he probably thought he was Welles or Chaplin and continued writing, directing and producing his own stuff. On the side he was recording albums, acting in Michael Jackson' videos and whatnot."Boomerang" was officially directed by Reginald Hudlin but we know Eddie was obviously pulling the artistic strings. In his first major attempt at the romantic comedy genre, he wrote the screenplay, called his buddies, the best looking actresses in the business and starred in the movie.The end result is exactly the same as "Harlem Nights": great production, wonderful cast, beautiful wardrobe, cool songs, OK direction, screenplay and dialogues... terrible.The jokes - keep in mind at that time we had just gone through the 80's, a golden time for Eddie and his movies - go from mildly amusing to dumb, just bad and simply awful. Some of them are disgusting. Others are weird and wrong. There's a scene where it looks like Eddie is trying to be Spike Lee and shows him and his buddies ridiculing a snobbish white clerk.The sex scenes are ghastly and the romance part is particularly embarrassing because we know Eddie wrote it. How insanely cocky and conceited do you have to be to write dialogues where women will talk about your charm, your beauty and your sexual prowess? Also, his dialogues with (the absolutely stunning and perfect) Halle Berry are beyond pathetic.Eddie nearly destroyed his career trying to be an actor, writer and director. He was saved, four years later, by Jerry Lewis' "Nutty Professor". He never directed again. Years later he wrote "Norbit". Another flop. Eddie is a comedic genius. I've been his fan for 35 years. But he should know by now he can't write or direct.On the positive side: best performance by Robin Givens ever. It's a shame she was never given a proper chance to act. She's excellent.

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Rocketeer_Raccoon

For a long time I've always knew and remembered about this film because it features the hit song "End Of The Road" by Boyz II Men but never really watched the film itself. Well, at one night I decided to dive into this movie to see what this Rom-Com film is like. Oh...well after watching the entire film I can honestly tell you now that this movie is actually bad, it's as bad as Steve Irwin getting a stingray barb up the life force. It just baffles me that such a classic song would be featured in a train wreck of a film like this.The story is as boring as a soup opera and the film is severely lacking in the comedy side of things, the things that are supposed to be funny are just not. Sadly the funniest thing in the movie was this strange disturbing advert they show mid way through the film to promote the company. The worst character in the whole film is Strangé (Grace Jones), she dresses up like a freak and all she ever talked and shouted about was dirty sexual things and rudely calling out different people in an restaurant "gay" after Marcus (Eddie Murphy) declined her ridiculous offer of sex.Bottom-line, Boomerang has too much romance, is plain boring due to the lack of comedy and the story just wasn't very interesting.One last thing, why is the movie called Boomerang? There's no Australians, kangaroos and boomerangs in this. If the movie were a boomerang, I would throw it away into a bin.

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bent-mathiesen

A man have a high class life style, chases women, have sex with them and check their feet _after_ sex to see if she is the perfect one...Do yourself a favor - so not waste time to watch this movie. Watch another of Eddies movie - or a newer with Hally Berry.It tries to hard to be funny, and is not. - The sex scenes are boring, don't deliver. - The romance played just have no substance.All the classic personalities are there, the man who uses women for sex, the woman who uses men for sex, power play at the C-level, the parents, the friends, the best friends who like same girl, the beautiful sweet girl, etc. It has all, but no real story and fails to put substance into anything.It tries too hard to be funny, sexy and romantic - and is not. After ca 1.5 hour of misplaced racial humor, bad jokes on sex and romance we get to the end, Thanks....Skip 1.5 hour into the movie and just watch the last part. Here the beautiful girl get captured by the main actor who finally realize that he loves her - and that while having sex with another girl.However, I feel sorry for the sweet innocent girl, to get the man who only have been using women for sex until then - and only judging them based on the toes on their feet.

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brooksduane54

The Eddie Murphy romantic/sex comedy "Boomerang" is, quite simply, a thorough and total joy. Murphy portrays longtime womanizer Marcus Graham with his usual charm and poise. Halle Berry is absolutely appealing and absolutely warm as the girl who prompts Marcus to clean up his horny act. Martin Lawrence and David Alan Grier provide ingratiating and stylish buddy-support. Lela Rochon and Eartha Kitt are, respectively, magnificently kittenish and magnificently cougar-ish as women with whom Marcus scores. Yet the film's greatest asset, its leading lure is Robin Givens's portrayal of Marcus's boss/female counterpart Jacqueline Broyer. She is by turns sexy and stylish, sultry and commanding, seductive and polished. We immediately see why Marcus falls under her spell and, when she dumps him, not only do we not turn against her, we admire her independent spirit and her no-bullshit attitude. Really and truly, by and of itself "Boomerang" is a sexy, charming, absolutely joyous romantic/sex farce; with Robin Givens on board, however, it achieves genuine cinematic greatness.

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