The Bonfire of the Vanities
The Bonfire of the Vanities
R | 21 December 1990 (USA)
The Bonfire of the Vanities Trailers

After his mistress runs over a black teen, a Wall Street hotshot sees his life unravel in the spotlight; A down-and-out reporter breaks the story and opportunists clamber to use it to their advantage.

Reviews
Leofwine_draca

THE BONFIRE OF THE VANITIES has gone down in history as one of the worst movie flops ever made and I'm inclined to agree. I have no interest in the material and I only watched this because De Palma directed; the director does his best to keep things interesting but unfortunately he can only do so much with the material and other than the opening tracking shot there's nothing very impressive here.The story is slow and long-winded and full of unpleasant characters. Bruce Willis is in it for name value but feels badly miscast in the role of the writer. Tom Hanks looks uncomfortable throughout and his character comes across as false and artificial. The less said about Melanie Griffith and her dreadful performance the better.The film just sort of drags on and on without ever achieving anything. I understand how it's supposed to be a satire of wealth and fame and the yuppie culture but the humour falls flat and the whole courtroom drama thing is dragged out to the degree that it becomes really boring. Other than the novelty of seeing Morgan Freeman in an against-type role this really is a pointless exercise.

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Mr-Fusion

I've never read the source novel for "Bonfire of the Vanities", so I can't view the film version in an adaptation context. But I can look at this as a movie that features a laundry list of capable actors and a skilled director and ask, "What the hell is this?" All this talent wasted on something so meandering, on-the-nose and comically unfunny? Sherman McCoy is supposed to be an unlikable character, and they go out and cast Tom Hanks? And Melanie Griffith over Uma Thurman? Honestly, this thing was doomed from the first step.On the plus side, Morgan Freeman steals the entire thing (although his percentage of screen time is woefully lacking). And F. Murray Abraham does have the one funny line. That's right, one. The satirical wit herein isn't rapier, but more plastic spoon, and it just makes the whole movie a grind. Some of the worst pacing I've seen in a while.If you do decide to suffer through this wretchedness, immediately go out and read Julie Salamon's "The Devil's Candy", which is one of the most scintillating behind-the-scenes books out there.Unbelievably more rewarding than the movie.3/10

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tomgillespie2002

Tom Wolfe's sprawling novel about the aftershocks of a hit-and-run in 1980's New York set out to capture the corruption and self- promotion that seemed to dominate the decade, with every power player in the city, and every hanger-on trying to achieve personal triumph, latching on to the media and cultural frenzy to benefit their own personal agenda. It's a remarkable novel; bleakly hilarious but meticulously detailed. A movie adaptation was always going to be dangerous territory, and Brian De Palma's resulting film, that flopped both critically and commercially, is a confused mess. The complete failure of the film may be somewhat cruel and not wholly deserved, but De Palma goes for all-out comedy, failing to grasp Wolfe's subtle satire completely.Tom Hanks plays self-styled 'master of the universe' Sherman McCoy, a Wall Street broker who enjoys every material comfort that life can offer, living in his huge apartment with his ditsy wife Judy (Kim Cattrall). During an eventful night with his mistress Maria Ruskin (Melanie Griffith), they take a wrong turn while heading back to her apartment and end up in South Bronx. Sherman gets out of the car to clear the road when he is approach by two black youths, and a misunderstanding leads to Ruskin accidentally running one of them over. They flee the scene, but once the story of a rich white man almost killing a poor black kid breaks, the likes of Reverend Bacon (John Hancock), a Harlem religious and political leader, Jewish district attorney Abe Weiss (F. Murray Abraham) and hard-drinking journalist Peter Fallow (Bruce Willis) rear their heads to twist the ongoing s**t-storm to their own benefit.Despite some nice tracking shots and sets that really do capture the tacky glamour of the 80's, the movie's biggest downfall is the casting. The two leads, Hanks and Willis, are woefully miscast. McCoy is a loathsome character, a WASP-ish high-roller in an increasingly capitalist country, but Hanks is one of the most likable actors around. He looks visibly uncomfortable in a thinly- written role, and only takes control of his character in a scene in which he clears his apartment by unloading a shotgun played mainly for laughs, which at this stage of his career was Hanks's shtick. Fallow in the novel is a manipulative con-man, twisting the unravelling story through his newspaper in order to keep his job and make a nice paycheck along the way. But De Palma only seems to have picked up on his heavy drinking, meaning that Willis swings a bottle around and narrates the story, playing the role of spoon-feeder without playing an active role in story or convincing as someone who could get to his position.But then again, De Palma's movie doesn't exist in the real world. Arguably, the ensemble of characters in Wolfe's novel were caricatures, but they were well-rounded characters, and being inside their heads meant that we could understand their motives, something the movie entirely ignores. So we get the likes of Bacon, Weiss, lawyer Tom Killian (Kevin Dunn) and Assistant District Attorney Kramer (Saul Rubinek), all key players in the novel, reduced to scowling or bumbling onlookers, while McCoy squirms for our amusement and Fallow tells us what we're supposed to be thinking. Occasionally its an all-out pantomime, which would be forgivable it was funny or insightful. Yet when Wolfe calls for pantomime at the climax, the movie delivers a ridiculous speech spoken by Judge White (Morgan Freeman), informing us that decency is what your grandmother taught you.www.the-wrath-of-blog.blogspot.com

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okky-1

From what I can tell all the negative comments about this movie stem from the fact the book is far superior and that the movie doesn't do it justice. I have not read this particular book but I have read many other Tom Wolfe novels and he writes some damn good yarns so it is not surprising the movie isn't as good. It can be hard to translate a good piece of fiction into a comparably good movie.All I can say is that I laughed out loud in a lot of parts and admired the movie for what it is. A very good piece of satire. This movie had all the main elements of a society in decay and shows the true nature of the majority of people. Mankind is ultimately out for themselves and people will do what they can to get ahead no matter who they have to step on to get there even if it means lying and causing grief to innocent people. The amount of pretentious prats in this movie reminds of many people I know. This movie had it down pat when it came to showing the exact nature of politicians. They really don't care. They just want to get re-elected so they can keep their snouts in the public trough.So don't listen to all the nay sayers on here this is a very good movie and will have you entertained for a couple of hours. In reality this movie is a 6.5 to 7.0 but I rated it an 8 to provide some compensation for all the harsh critics on here.

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