I first saw Bone aka Housewife back in high school (over ten years ago) after a friend dubbed for me his VHS copy. It was a scratchy print, yet it didn't stop me from being mesmerized by this film. The movie stars Andrew Duggan and Joyce Van Patten as Bill and Bernadette a down on their luck Beverly Hills couple that one day find a rat in their pool. As usual, they have no luck getting a hold of pest control but guess who shows up instead? None other than Bone, played by Yaphet Kotto, a psychotic, intimidating, yet lovable black man with paint stains on his shirt. Bone kindly gets the rat out of the pool and then takes Bernadette hostage. Bill is sent on a mission to withdraw all the money from his account(s) or Bernadette gets it (in more ways than one). To give away anything more would be criminal. Watching the gorgeous new DVD of this was like falling in love all over again. Yet, I couldn't help but think there's no way in Hell a film like this could get made today. Here's why: a) It makes you sympathize with a potential rapist. b) A scene of a woman, Jeannie Berlin, talking about an incident of child molestation before hopping in to bed with Bill is one of the films most hilarious moments. c) Bone's character truly challenges so-called 'racial tolerance' amongst a liberal couple. There's no way you could get a masterpiece of agitation like this released by the P.C. Gestapo that currently runs Tinseltown. Owned! In my opinion this is Larry Cohen's best. God Told Me To comes in a close second. It shows what a truly visionary, subversive director he was before cranking out mediocre works like Phone Booth. What happened Mr.Cohen? Maybe Brain DePalma knows. Yaphet Kotto gives, as usual, a knockout performance. Mr.Kotto is an amazing, underrated actor whom I'd love to see get a starring role again. Oh wait, did I mention how cool the soundtrack is?

In my opinion, this film was before its time – by about 5 years. If only it had been made in 1977, I wouldn't have bothered renting it and would have saved myself $3 and 90 minutes of tedious American culture bashing. 'Bone' attempts to be a vehicle for social commentary. White, upper-middle class people who have settled in Southern California from the east coast have become bored and shallow; their lives are as empty as their joint bank account. *yawn* An African American comes along to shake them out of their lethargy. Racial tensions, sex, and murder ensue. If the plot strikes you as cliché, superficial, or boring, then you're with me.None of the characters is likable really. This is what happens when a director is determined to exploit rather than explore people. On top of it all, Bone, the interloper-rapist-lover main character, turns out to be a figment of . . . two people's imaginations? Reality not very apparently becomes fantasy at some point in the movie – you get to decide where – and then reasserts itself, I guess, at the end when murder is committed, although how, since it's been fantasy so far, is unclear. But when a director plays the exploitation/fantasy card, rationality goes out the window. Some folks might find this disclarity entertaining. Me, I think it's cheap.

BONE (3+ outta 5 stars) Very odd film that gets better and better the more times you see it. The plot sounds like an average thriller... but the movie is really a comedy... a very black, very subversive comedy. A well-to-do middle-aged couple (Andrew Duggan, Joyce Van Patten) have their bickering interrupted by a mysterious, threatening black man (Yaphet Kotto) who seems to come out of nowhere. He ransacks the house, looking for money. After coming up dry he sends the husband to the bank to withdraw some cash... if he doesn't come back in an hour he is going to rape the wife. Well, the husband takes the opportunity to run out on his wife and have a one night stand with a crazy woman he meets outside of the bank. The wife and her captor, in the meantime, actually begin to form a bond... and soon take off after the errant husband to seek their revenge. Or do they? Excellent performances and dialogue. I was a little taken aback by the movie the first time I saw it because I wasn't sure where it was going... so you'll need to keep an open mind to fully appreciate it. Why was Yaphet Kotto never a big movie star? He OWNS this movie! (Then again, he pretty well owns EVERY movie he appears in.) Classic opening dream sequence of Andrew Duggan selling used cars filled with gruesome accident victims!

Oh man, this film is good. Beautifully acted, the entire cast seemed to understand their place in the movie perfectly. Some very strong social observations are made within as well, making Cohen's script work on multiple levels. The way everything has a surreal feeling to it, it almost feels like a dream the whole way through. And where did Yaphet Kotto come from, and where did he go in the end? Very mysterious, but it all fits into the dream, possibly the dream of the son in Vietnam? I haven't been so excited about a comedy in awhile, this film needs to be seen. Rating: 35/40