A pleasant enough Air Force propaganda piece, with appropriate thanks to this branch of our country's military service in the closing credits; it also includes all the requisite elements for a CinemaScope production – impressive widescreen shots of the titled aircraft taking off, landing and an in-flight refueling, and even some impressive aerial shots of North Africa (including the Pyramids). Its story and the dramatic elements that hold it together are fairly rote and not particularly compelling.It begins with a 19 year-old Natalie Wood, playing the daughter of Karl Malden and Marsha Hunt, and being courted by 40 year-old Efrem Zimbalist Jr.. Of course, Malden's character isn't too keen about it while, surprisingly, Hunt's doesn't seem to care. The fact that Malden plays a career master sergeant mechanic that doesn't trust nor respect flyboy Zimbalist Jr. (per their history during the Korean War six years earlier), who's now his commanding officer, is a regularly recycled plot point as well.Then again, the film's message is meant to convey the value of the B-52 to our nation's security to the audience of its time (during the Cold War) whereas other superior dramas (Strategic Air Command (1955) and, later, A Gathering of Eagles (1963)) were focused on the U.S.A.F.'s leadership challenges.Directed by Gordon Douglas, its screenplay was written by Irving Wallace from the novel by Sam Rolfe. Movie fans will recognize Dick Elliott, Juanita Moore (don't blink or you'll miss her), and Stuart Whitman among the uncredited actors in the cast.

Interesting as well as tedious film at times , though . The picture contains a silly and boring love story ; being designed to showcase the US Air Force's brand-new B-52 Stratofortress bomber, including actual footage of jet plane and as such the studio received complete cooperation from the Air Force . As the B-52 Stratofortress bombers weighed 500,000 pounds and could fly at a speed of 650+ miles per hour and travel 17,000 miles without having to land and they could refuel in mid-air . This aerial drama deals with Sgt. Chuch Brennan (Karl Malden who steals the show as expert sergeant) always disliked playboy and hotshot, Col. Jim Herlihy (Efrem Zimbalist , he replaced Tab Hunter) . Now Chuck has even more reason to, Jim is dating his daughter, Lois (Natalie Wood ,during shooting, she was named "Miss Stratosphere of 1957" and "Sweetheart of Castle Air Force Base") . This movie's dedication shown at the end of the film states: "With grateful appreciation for the cooperation of the United States Air Force we proudly dedicate this picture to the crew chiefs and ground personnel , the indispensable men who contribute so much to our airpower." This is a family drama , including an usual love story between a pilot colonel and a gorgeous young with her sergeant father objecting , interwoven with nice aerial footage of B 52 maneuvers . This film is a Warner Brother official studio tribute to the B-52 Stratofortress bomber air craft and the United States Air Force. This was apparently the first film in which the US Air Force's new B-52 Stratofortress bomber was featured. It appeared in a number of films afterward, notably A Gathering of Eagles (1963), Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb (1964), and By Dawn's Early Light (1990). Good quartet protagonist as Karl Malden , Efrem Zimbalist , Natalie Wood and Marsha Hunt . Although Natalie Wood received star billing with her name above the title, she actually only had a minor part . Fine plethora of secondaries , many of them uncredited , such as Ann Doran , John Doucette , Stuart Whitman , Bing Russell , Will Hutchins and recently deceased Juanita Moore . Colorful cinematography in Cinemascope by William H. Clothier , John Ford's usual , it was shot on location in in Merced County (California) Air Force base . Thrilling as well as rousing musical score by Leonard Rosenman . The motion picture was professionally directed by Gordon Douglas. This is one of various and professional works of his long career as filmmaker . He was a Hollywood veteran director, directing early movies such as ¨Little rascals¨, ¨Spanky¨. He was an expert on adventures genre as ¨Black arrow¨ and ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward ; but he's mainly specialist filmmaking Western , his first was ¨ Girl rush (1944)¨ and in the 40s directed ¨Doolins of Oklahoma¨ and ¨The Nevadan¨ for duo Harry Joe Brown-Randolph Scott . He went on directing Alan Ladd's vehicles as ¨Iron Mistress¨ and ¨The fiend who walked west¨ which resulted to be a Western rendition to ¨Kiss of death¨. In the 50s he proved his specialty on Western in the films starred by Clint Walker as ¨Fort Dobbs¨ ,¨Yellowstone Kelly¨, ¨Gold of seven Saints¨ and about legendary bandits as ¨Doolins of Oklahoma¨ and ¨Great Missouri raid¨ . After that , he filmed ¨Chuka(1967)¨ that bears remarkable resemblance to ¨Only the valiant¨ , the remake ¨Stagecoach (1966)¨ , and the superior ¨Rio Conchos¨. Douglas usually worked for Frank Sinatra in various films such as ¨Lady in Cement¨, ¨Tony Rome¨, ¨The detective¨ , ¨Robin and the 7 Hoods¨. Bombers B 52 , rating : Passable and acceptable , 6 . Well worth seeing .

I didn't really know what to expect when I started watching this but I am glad I made the decision to do that.Karl Maiden plays an experienced Air Force crew chief who's job it is to keep the planes flying. He has spent some 20 years in the air force when he gets an offer to work for a company for multiple times his current salary. His late teens/early 20s daughter is very vocal about him taking up this offer and his wife is leaning towards that as well. So he decides to put in his resignation papers with the Air Force but they take some time to go through.At the same time major changes are taking place on the base he is stationed at. An old acquaintance, a man who Maiden's character is not too fond of due to past events, becomes a senior officer at this base and the unit is chosen to become the first one in the US Air Force to take delivery of the new B-52 bombers which they must now get to know. Everybody wishes for him to stay and help out with the new planes and he decides to do that until his resignation papers are processed. During this time, quite a few things happen, both in his personal/family life as well as some adventures with the new planes.What I liked about this film is that the drama isn't forced or too overbearing. It is more down to earth, if even to say realistic and something one can relate to. Another huge bonus is that the film had the full cooperation of the Air Force so there are no miniatures or painted backdrops. All the planes are real (quite surprising that they'd feature America's latest achievement in aerial weaponry in a film as much as this) and the sets are actual air bases. Its a pleasure to watch all this big hardware moving around.If you like films about the air force with a bit of personal drama thrown in, this is quite good.

Gives great Airplane, and great Natalie Wood. Plot? Historical accuracy (in the "how the USAF worked" sense)? Naaaa. But: So what? Is it less accurate than Alfie, Goldfinger, Hamlet, Spider Man, Fahrenheit 9/11? Certainly not. Fact is, you can watch it with the sound off and lose very little. A lot of it looks like my childhood on USAF AFBs here and there. But just for the record, it takes a professional screenwriter to create and amplify the significance of the hypothetical "enlisted vs. officer" conflict. Only a Martinet(who rarely makes it past 1Lt)or a damn fool idiot (~academy puke...many of whom learn better) fails to understand that all airplanes fly not on Bernoulli's equation or jet fuel, but on sweat. Guess who's? Ask any combat pilot.Eagerly awaiting a DVD release...my off-HBO VHS is about worn-out (same for Strategic Air Command...just bought two copies of The Hunters DVD just to emphasize flyover country interest).