Boiling Point
Boiling Point
R | 16 April 1993 (USA)
Boiling Point Trailers

Red is an aging scam-artist who's just been released from prison together with Ronnie, a young and not-so-bright hoodlum who is easily manipulated. Their new business is to organize fake-money sales and then kill the buyer to take his money; but when Ronnie kills an undercover secret service agent, his partner Jimmy Mercer vows revenge and is given one week to catch the killers before being transferred. Written by Giancarlo Cairella

Reviews
HandHStudios

With everyone battling each other over this movie, I just had to put my own say in it as well.Boiling Point is a movie that I got for free on a giveaway shelf. There's a reason it was on that shelf.Boiling Point has less action than any other Wesley Snipes movie I've ever seen. A documentary about real boiling points would've had more thrills than this wannabe actioner.Almost nothing about this movie made me want more. Wesley Snipes put on an okay performance, but nothing more than marginal. Dennis Hopper acted weird the whole movie with over-exaggerated hand movements that made his character very off-putting. Except for a few killings, there was literally no action in this movie. The story could've been interesting, but instead it moves slow and lags at many places. The cinematography was nothing interesting, no better than any other average movie. And the script was dull and didn't move the story at all.Overall, this movie was well beyond average, not Snipes best at all. Even The Art of War (and we all want to forget he was in that) wasn't as bad as this movie. This movie has already found its way to giveaway shelves and $.99 bins all over the country. Take that as a warning.HandHStudios Rating: 2.5/10

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PeterMitchell-506-564364

Here's another movie that fails to satisfy. When judging by it's bold cover, you'd think this was a sure guarantee for action. You've been mislead again folks. This is basically just a revenge story, with cop, Snipes after an aging scam artist, Hopper, perfect here, who's into money laundering, making his own cash. For those who didn't know, this is sort of a prequel to that 86 hit To Live And Die In L.A. which makes this film look duller than an empty casket. Even a slimy character from that movie is resurrected here. Hopper has good support, not from from Snipes though who's on a revenge driven journey to kill Hopper, who shot down in his partner in an undercover operation. Hopper's protégé, Viggo Morttessen fits the bill of character here. It's great to see him play vulnerable where he hooks up with old ex who assists in his criminal exploits. Watch for Tobin Bell a.k.a Jigsaw as a ex con Snipes questions. He gets information from Bell in return for letting him gets some vitamin C outside in the prison grounds. You don't realize how many films Bell has done before his trademark role in the Saw movies. Boiling Point falls under that "Why bother making this movie category" There's hardly any action. Hopper is funny though in this, a player sort of character, doubling his sexcapades with Lolita Davidich and Valeerie Perrine, a real veteran of film. He kind of partly makes up for the loss of action and suspense that's minute. The gas explosion with the junkie was a surprise though. Filmed in 93, this was Snipes's year as this was one of four four films that came out of his. Never has music at the start, fitted the title so imperfectly, as in that Jennifer Lopez film, Enough. My long lost friend was late returning this flick where he owed 75 dollars. With this movie, the video store clerk should of just let him off. Don't be duped by this one. May'be just copy the video cover and blow it up, as a poster.

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Rodrigo Amaro

I skimmed through the other reviews about this film and it's unbelievable that none of them made mention to "To Live and Die in L.A.". First of all, both films were based on novels written by former Secret Service agent Gerald Petievich, and if you look closer the plots are very similar: there's a whole police investigation on a dangerous counterfeiter, then there's the death of an undercover agent and his partner will revenge his death doing whatever it takes to get the bad guy. And once again, it's all criminals doing fake money and spreading all over...Los Angeles!But the thing "Boiling Point" doesn't imitate from Friedkin's movie is the quality, the surprises, the plot twists. And there's so much life in that movie that it's really difficult to make something so close to it. Not to mention that Warner changed the game and edited down the film in order to generate a bigger hit after their success with another movie with Wesley Snipes, who plays the hero in this one. Maybe this could be a different kind of film with an unusual approach on the villains played by Dennis Hopper (in one of his best efforts I must say) and the then unknown Viggo Mortensen (who plays one of the most deadly and mean guys I've ever seen) as the original project conceived by director/writer James B. Harris was.Most people don't like comparisons but it's hard not to. One must compare to have a full idea of what's going on. The main difference between "To Live and Die in L.A." and this in terms of plot is that the bad guy is quite sympathetic despite his frightening looks and his strange yet confident walk. We kind of trust this guy because there's worse guys than him, people of whom he owns a lot of money. We look at him, thinking he might kill someone just to get what he wants but no, he refuses to do so, even when we're sure he's about to do it. Willem Dafoe in "To Live..." was a real artist who used of his kraft to be a criminal but he was also a unmerciful stone cold killer. What connects both films is one character named Max Waxman (here played by Jonathan Banks), a corrupt lawyer who meets his fate in the other movie. "Boiling Point" is a fine movie, although a little bit dated, more dramatic than what's not supposed to be. The few action scenes, the engrossing tension built in all the business transactions scenes worth the view just as seeing the good cast giving solid performances. Dan Hedaya, Paul Gleason, Lolita Davidovich, Seymour Cassel, Tobin Bell, James Tolkan made the show very enjoyable. Entertaining but only just another average picture. 7/10

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fcoalvarezdiaz

The good and evil are presented as the two faces of the same coin, just notice the bad guys and the policeman crossing their paths from the very beginning. The sense of justice and comradeship is carried out by the policemen up to the last consecuencies. All the characters are draw with a few but deep brushstrokes. One can't but feel pitiful for the destiny, in same cases dull, that each of the protagonists carve out for themselves. Life in this film is presented in a crude way but also considering the profoundest and better feelings of each of the figures. Of course there is more that is worth to be seen and all of it enveloped by a much appropriate and wonderful song as well as filmed with agility.

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