Blood and Sand
Blood and Sand
NR | 05 August 1922 (USA)
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Juan is the son of a poor widow in Seville. Against his mother's wishes he pursues a career as toreador. He rapidly gains national prominence, and takes his childhood sweetheart Carmen as his bride. He meets the Marquis' daughter Doña Sol and finds himself in the awkward position of being in love with two women, which threatens the stability of his family and his position in society. He finds interesting parallels in the life of the infamous bandit Plumitas when they eventually meet by chance.

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Reviews
Jaco Wium (jacowium)

My print runs under just under an hour which is obviously inferior to the regular 80-minute version or the longer Kino print, so I'll focus on the presenting of the tale instead of commenting on aspects of characterisation, cinematography, etc.There is nothing extraordinarily unique about the plot or the intrigue itself - it even resembles the classic Greek Tragedies to some extent: poor kid makes good, becomes national hero, earns himself a true family but then the true test of his character comes when temptations are served to him on a platter.I do approve though of the WAY the story is told. There are instances of foreshadowing (I'll give no details to avoid spoilers) and a parallel subplot serving to muddle the clear distinctions between villain and hero we are so used to seeing in regular blockbuster fare. At the same time, enough tension is maintained to keep the viewer interested unto the end.It is no mere plot-driven movie either - director Fred Niblo leaves the viewer with enough food for thought to reflect on the nature of society, and man's penchant for self-destruction through cruelty and lust. I am no connoisseur of silent movies such as this one but I thought the actors and actresses were very capable and the three main actors (Valentino, Naldi and Lee) certainly do not lack the required screen presence to make human dramas like this work.It is perhaps debatable whether Blood And Sand represents the finest of Niblo's and Valentino's careers but it can be taken for granted that they must have been very proud of their efforts here.

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Petri Pelkonen

Rudolph Valentino (1895-1926) plays a bullfighter Juan Gallardo 'Zapaterin', who is really good at what he does.He falls in love with Carmen, played by Lila Lee (1901-1973), a girl he's known since childhood.But then an other woman shows interest on him, a true vamp who goes by the name of Doña Sol, played by Nita Naldi (1897-1961).And of course Juan becomes interested of her, too.Soon his loving feelings turn into hate.This woman just won't let go.Eventually Carmen finds out what has been going on between Juan and this woman.In the end, Juan is dying after a bullfight and Carmen is there by his side, Doña wouldn't care less.Fred Niblo's Blood and Sand from 1922 is a brilliant silent movie with some drama, romance and sport.The actors do a perfect job.Rudolph Valentino is marvelous.He was a teen idol of his time, who was idolized by half the world.He died tragically awfully young in 1926 to blood poisoning.He was only 31 and half the world mourned.Nita Naldi and Lila Lee are both very beautiful and they also could act very well.In the silent days the eyes had a big part, and in this one they all handle the eye work perfectly.And the dramatic music makes it all better.Blood and Sand is a thrill for all the Valentino fans and for those who don't require any dialog in the movie.

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Schlockmeister

Most people picture Rudolph Valentino from his earlier roles in "Four Horsemen Of The Apocalypse" or "The Sheik". In this movie, Valentino plays a Matador in Spain and the story traces his rise and fall. Yes, he certainly was handsome and you see traces of his definate appeal here. For me, though, the movie was stolen by "the other woman", Dona Sol. She tarts her role up real well and plays it very broad, almost shockingly brazen for it's time. The scene where she tells Valentino that she longs to fell him beat her will make us wince, then she bites his hand while while in a semi-embrace in order to raise his passions. All stuff that seems pretty extreme for the typical innocent silent movie woman roles. The ending will be no surprise, it is telegraphed and alluded to many times during the movie. It's not Rudy at his absolute best, but I can recommend it.

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Sleepy-17

You know the story even if you've never heard of this movie: young man becomes famous and starts cheating on his wife. Good characterizations and vivid backgrounds can't save the tired (even for its time) plot. Bullfighting scenes are more curious than exciting. Director Niblo's talents do not shine as brightly as in Ben-Hur 3 years later. The 1941 remake is better.

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