German underground director Olaf Ittenbach's first full-length feature is an almost plot less shot-on-video movie with bad production values and great special effects. Splatter fans will get their money's worth here with a never-ending stream of gore effects which first show up around the half-hour mark and never let up from there. Despite the low budget and amateurish nature of the movie the special effects are actually very good and to a professional standard. The film features tons of mayhem with lots of arms and legs being chopped off, impalings, guts falling out, chainsaw dismemberments and the like. Blood and gristle flows everywhere and the last half an hour of the film goes way over the top with non-stop carnage and murder as Ittenbach turns into a demon and goes around slaughtering all of his family members and friends in various splattery ways.Unfortunately as a viewer I need something to go with my special effects, like a story perhaps or some action a la BLADE II, another showcase for gore which worked due to a tense plot and great fights. BLACK PAST doesn't have a story, at least after the first half an hour. The excuse for all the mayhem is a cursed mirror which causes a man to murder his own child in the prologue and which Ittenbach discovers in his attic. Immediately his girlfriend dies and returns as a zombie to haunt Ittenbach in scenes which are directly lifted from THE EVIL DEAD, right down to the disturbing laughing noises the girl makes as she attacks him. Whole sequences are copied from the Raimi classic as well as other effects and shots being lifted from EVIL DEAD 2 and DEMONS. After cutting his girlfriend's head off for the third time, Ittenbach is temporarily relieved of the horror, but begins to suffer nasty nightmares including a horrible bit where he slashes his body all over with a straight razor.At this point he turns into a gooey monster and the blood flows until the credits roll. Outside of the gore effects, BLACK PAST shows little imagination. Here, Ittenbach is obviously acting more as an effects technician than a director, concentrating on the elaborate mayhem at the expense of pace, story or dialogue. The acting is appalling but this is to be expected; what I didn't expect was to be bored by the latter half of the film. Disturbed, disgusted perhaps, yes, but not bored. Sadly the gore is all samey and once you've seen ten minutes of it it doesn't hold much interest. Occasionally some imagination pops up (the bleeding doll/burning pram scene) only to disappear again in another exhausting welter of blood and guts carnage. BLACK PAST deserves ten out of ten for the brilliant SFX but one out of ten for everything else.

But I didn't get one. Instead, I get a debut film from gore master, Ittenbach, back when he was a teen. Yes, you heard folks, Ittenbach was at his teen years when this was made, and boy did he have a sick, twisted mind; and he does prove that by making the most god- awful of debuts, BLACK PAST, which wants to be the new EVIL DEAD (the movie that stars Bruce Campbell, that stunk too), because he drags scenes too long, like when Thommy (why is there even an H I will never know) kills his girlfriend, who was suddenly possessed by the devil of the mirror he stupidly took from a wooden box, that keeps coming back and we just wonder where we've seen this already. Now let's get to reviewing to this "video". The acting is terrible. Ittenbach might not have heard of a take, because these people cannot act. The story isn't even good, like really? A mirror with a dark past which is possessed by the devil by what? We never know because this movie lacks logic. There is tons of gore (like if you want to call it that) thrown over this movie you might want to be screwed over by it, but sadly I'm not one. The main character, Thommy is a whiny idiot. How's it going over there being a drama queen, you bad actor? What? You're not as good as Tom Savini?

This is Olaf's debut flick and just like his others, it's chock full of of the grue. Well, not chock full, but when it gets violent, it gets seriously gruesome. Yeeeaaaahhh, baay-buh!!Story revolves around young Thommy ((with an H)played by Olaf) who's falling in love with his dream girl. All is well until Olaf discovers a chained up chest in his attic that holds a mirror and a diary of sorts telling some very grim stories of the houses' past. Not thinking any of the mirror besides it looking cool, he hangs it up. But this mirror isn't like any other mirror. It's wicked evil. Hell, it's even evilly wicked. Things start going awry fast and the mirror is starting to set up poor Thommy into going down the same the paths the old inhabitants of the mirror went through. Uh-oh spaghettios! Black Past was a pretty solid debut for Olaf. The only real gripe for myself was the pacing of the film. There were some scenes that were complete wastes of time. Just shots of Thommy walking here and there. Or him just sitting there. That may work with fantastic acting, but since there wasn't any here, it was very tedious. There were a few nice scenes of splatter before the hour mark, but once it hits the 1:00, it's pretty much clear sailing in a sea of red.With nods to Evil Dead and probably a couple other flicks, Olaf seemed to know what he was doing right from the get go. If you're a fan of his other flicks, there's no reason not to check out this one as well. One of the more memorable splatter debuts, and a must see for fans of the messy-kind.

Among the other German homemade-splatter videos, Ittenbach's BLACK PAST is one of the best: very well done, especially if you consider all the limits of the video technology at that time. The same can be said about the special effects, entirely done by Ittenbach himself: they're quiet impressive and realistic, not like the red paint and cardboard used by Schnaas in his debut video (of the same year) VIOLENT SH*T. The cinematography and the acting are on a amateur level, but this is obvious and we can't blame it. The story is maybe a little bit slow at the beginning, but its short running time (something like 45 minutes) gives it a good rhythm and keeps it away from becoming boring.