Meteor slams into Tokyo bay covering the city is a weird shell. Inside the dead begin to rise and one girl fights to rescue the living and stop a mad general looking to use the dead for his own ends.Forerunner of the modern shot on video gore films this is a "serious" (well at least compared with say most Sushi Typhoon films) film that was done on the cheap by people with more passion than perhaps talent. It reminds me of the late 80's scifi films from America. While certainly wild and crazy it's more interesting as an artifact rather than as film I'd watch again for enjoyment.I'd take a pass.

The early 90's weren't the best of times for horror. Theatrical films were becoming more scarce, and even calling horror movies horror (the dreaded "Suspense Thriller" tag) was suddenly dirty. Plus, people were tired of the same old hack and slash and endless sequels. That's why home video was now the place to go for the large part. Studios like Full Moon, Troma and others flourished in this era, offering horror fans something that usually wasn't good, but at least proudly called itself horror. One of the burgeoning things to come from this was V-Cinema, a Japanese style of direct to video releasing that saw some of the more outlandish and outrageous titles come into play. One of the films released in the earlier part of this era was Kazou 'Gaira' Komizu's 1991 zombie flick "Battle Girl: The Living Dead in Tokyo Bay."A meteor crashes into Tokyo Bay, leading to a strange cloud being emitted and covering the city-turning many of it's inhabitants into flesh eating zombies. To make things worse, survivalist gangs now roam the city, and the military isn't exactly doing much to help the situation. There's only one person who can save the day, and it's a girl named Keiko (Japanese Female Wrestler Cutie Suzuki, who certainly lives up to her name), who dons a hi-tech body armor suit complete with guns, the ability to give her superhuman powers, and all kinds of gizmo's. In the process, she finds herself being hunted by a group of advanced killers, and discovers some dark government secrets.Though he didn't write it, "Battle Girl" is a bit curious considering that some of Komizu's prior works ("Entrails of a Virgin" and "Guts of a Virgin" for example) were notorious for how grotesque, perverse and all around politically incorrect they were. That's because this movie is a rather dry affair, with only small dashes of gore and not an inkling of nudity on display. In some ways, that's a shame (though it is a bit nice to see a movie from him that doesn't barrage you with sexual violence for a change), because a bit more gore would have made this a more enjoyable affair. The films is also far too short (only 74 minutes in length) and at times feels like a movie with some big ideas that is unable to accomplish all it wants because of it's length.There's still some fun to be had out of the film. The synthesizer score by Ra is a lot of fun, and adds to the almost comic book like atmosphere of the whole thing. The low tech special effects also add to it's charm, especially the meteorite itself, which brought back fond memories of watching 70's-90's genre pictures from Japan-if I had seen this as a teen, I would have thought it was the best movie ever made. The zombie make up is competent enough, and the movie also tries to get away with some political commentary about nationalism (though it feels a bit odd to have critiques of the military in a movie that so lovingly shows off gun play and explosions.) Oh, and while the fight choreography isn't up to muster, it's nice to see Joshi (Japanese Woman's Wrestling) stars deliver Spinning Back Breakers and Tombstone Piledrivers.As a whole, "Battle Girl: The Living Dead in Tokyo Bay" is a slight affair, and is anything but essential. That out of the way, it's a decent time waster with some bright spots that appeal to the 16 year old in me, and should be seen by fans of Japanese zombie flicks, though it's not as fun or over the top as later movies. Look at it as an appetizer

From the mind of one "Guts & Entrails Gaira" comes this low budget zombie flick based on a meteor crash in Tokyo Bay. The aftermath of which (including a gaseous cloud & "cosmic contaminant") leads to a virus inflicted upon the dead--thus giving them new life--meaning bad news for the living, who may yet become living dead themselves...Military takeover of the blackened city in shambles juxtaposes the few remaining radicals, wayfarers, and renegades living by the laws of nature and survival... A traveling van of misfits in particular. The mad scientist General Hugioka oversees experiments on the living to build a monster army to rule the world... Keiko & military-general-father Ita fight for justice and deliverance in a seemingly hopeless situation... Corrupt authority wishes to keep the disaster hidden, so that it may extend its deviant killings, torture, and horrific medical experiments... Can Keiko & Ita save Tokyo? The world?Our lady, Ms. Keiko, with the help of her father's custom designed leather-clad-body-suit, tailored to her specifications--apparently also capable of bolstering feminine superhero type powers--and microchip technology used to communicated with one another--takes on the gang of walking dead corpses and evil military dictators to the death! The monster army can't stop Cutie Keiko either... And this film generally feels like a waste of time in between the laughable fight scenes, $2.00 shoot outs, bad acting, obligatory wrestling moves, but hey; it's got a nice aesthetic touch & i found it to be charming. Not to mention the denouement... Oh, the ending that's not much of an ending. *frown*As for deeper meaning of the content at hand, there does seem to be some nationalistic, anti-torture, and politically motivated commentary on display here (see Hugioka's rambling speech near the end). And for such references, it deserves a higher mark than the average trash fare, but maybe I'm reading things into it to justify a higher rating. In sum: If you want a fun flick similar to Romero's "Dawn of the dead" spliced with a semi-sci fi premise and cyber punkish elements, then this is for you.P.s. "Japan can't be saved by your humanism!"6.5/10

a so-so zombie movie from japan. if you like zombie movies, i guess this one's not bad. it never really excels, even within the genre, but...it's not bad. well, put it this way: some of the zombies had some cool makeup and there was some cool atmosphere. those two things are the true essentials of a zombie movie - alone, they don't make it good, but their absence will always make it bad. unfortunately, the plot just kind of goes into a downward spiral after the first 30 seconds, and some of the later stupid things include: 1) a maniacal military guy hellbent on controlling the world (to save japan's reputation?), and 2) half-mutant, half-zombie "monsters" which were spawned by simply injecting humans with the zombie virus and mixing it with other virii. this enables them to grow things like Wolverine-esque metal claws. no, i don't understand it either, but this IS from the same people who brought us the wonderfully-yet-bewilderingly bizarre gift of anime. oh, and the fight scenes...ugh. no, i won't go into them. but if you like zombies, you won't do too badly picking up this corny-but-entertaining flick from asia.