Battle Cries
Battle Cries
| 03 November 1999 (USA)
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A woman in the fourth month of her first pregnancy fights to save the baby while being treated for breast cancer.

Reviews
runamokprods

Quietly moving and powerful, this story of a young woman finding out in rapid succession that she is pregnant, but has advanced breast cancer is handled with both and raw honesty and film- making delicacy that would have eluded a melodramatic Hollywood studio approach. The choice facing her is a terribly difficult one – take the most aggressive therapy course, but lose the baby, or hold off radiotherapy until the baby is developed enough so that she can have a Cesarian birth, while perhaps hurting her own chances for survival. Karin Viard is lovely in the lead, bringing a wonderful mix of strength and vulnerability. A movie about a small triumph of the human spirit, in spite of the rebellion of the human body.

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Bob Taylor

Full disclosure: my mother died of cancer, and I was around to watch her sink lower and lower over three years. So I know about the desperate self-delusions that the patients and their families go through. The vacations that are planned and never take place. The career choices that are put on hold for now, but really forever. The attempts at reconciliations between family members that don't bear fruit. I guess I've seen it all.I liked One True Thing because it was hard to watch the family suffering, and Meryl Streep was excellent. My Breast, with Meredith Baxter, was a simpler story, but still effective. Pialat's La Gueule ouverte is perhaps the strongest of them all--the emotions that family feels are sometimes terrifying in their violence. Solveig Anspach just isn't up to this standard. The numbing scenes of chemo, and the consultations, with the doctors seeming to agree when they really don't, go on far too long. We get it, no need to underline the message.Karin Viard has become a real star over the last few years, and she deserves the Cesar she won for this role. Julien Cottereau, with his Prince Mishkin air, impressed me as the brother who would rather be anywhere but near his sister. I just wanted to see more passion, less dumb acceptance of life's dirty tricks.

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eclectic

My wife died of cancer and I lived through a situation in some ways very similar to that depicted in this extraordinary film . I can vouch for its truth. As a work of art it captures the awful complexity of the reactions of those near a person suffering from serious illness, and the way they become a sort of appendage of the technology which may, or may not, save them. The perfomances are excellent. It enlarges one's perception of the world and people, and one cannot ask more of a film than that.

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Gilles Tran

Though serious illnesses are commonplace plot enhancers (and easy tearjerkers) in many dramas and melodramas, there are actually few movies that deal with the disease condition itself. In "Philadelphia", for instance, the hero fought against the system more than against AIDS. In "E.R.", we suffer a lot with the patients but the doctors are still the heroes. "Haut les coeurs!" (that could roughly be translated as "Be brave!") tells the story of Emma, a young woman who learns at (almost) the same time that she is pregnant and that she is suffering from an advanced breast cancer. We follow her, and the people around her, during her private war against the disease. We share her hopes, doubts (will she be able to keep her baby), and terrors. It's hard to say that such a movie is "pleasant" and the subject is not of the popular kind. There are many reasons why one would want to see it, though. The first is the documentary aspect : it is largely autobiographical, and rarely we have seen on movie such a detailed account, both at technical level (how the war is fought) and psychological (how people react, doctors, friends, lover, brother). This not an abstract disease, but a real one, and a strong reminder that there's not romanticism in fatal sickness. In one funny, though terrible, scene, Emma's tells what she thinks about Nature's sadistic ways of killing people to a "natural health" supporter. The other reason is that it's not a documentary, but a fiction, and an efficient, even suspensful one, with lighter moments. Like any good fiction, it also works at a more symbolic level. How can we cope with impending death ? How can we help our loved ones ? Karin Viard's portrayal of Emma is unforgettable and put her definitely on the top of the contemporary actresses....

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