Such an incredible look into the possibility that the poor policemen were in purgatory. At first when I began to watch this film from a certain perspective it all started with one of the policemen who went to the washroom because he felt sick to his stomach. Then he noticed a frog sitting in a soap dish. Not very terrible scene one would think, except he realized where he was. By a single clue that stood just behind him in the shadows. A singular entity that was watching all of them making sure they would all make their way to the abandoned mansion where their story begins. Inside an old house where horrors lay in the guise of a latex party turning to pure evil as cannibals eat corpses or bathe in vats of excrement along with one of the captured policemen having his small intestine ripped out by their watchman/host. It held me captive because of the saw emotional status of each actor/character wallowing in self pity tied up by chains only to be torn apart piece by piece wondering what they ever did to deserve such a painful death while on duty. What did give me the only clue as to how they all ended up in purgatory was the ending. Where one of the younger policemen killed his host and escaped the mansion only to be run down and killed by a police lorry carrying the very same people or partners he started out with landing in a shallow lake... stranded like the first time. The story was magnificent as was the music that fit each scene with absolute miserable dread. The gore had its own style. Not a slasher type of film but a box filled with specific amendments laced with a harmonious stench that fools your nose making you think you can smell their fear. It was a rather idyllic tale of horror, fear, terror and heart thumping darkness that one wished they could wake up from. When this first hit the screens in Turkey, most of the patrons walked out or threw up in the aisles because of how the gory scenes were presented. Nothing was left to chance with this once in a lifetime thrill-fest. I can definitely say this is for horror fans and not for the feint of heart. If you scare easy or cannot stomach gore of this caliber then do not watch this.

The films centers on Arda, a young policeman who lost his brother as a child. He is cared for by the police chief who he calls uncle. We have a long scene in the beginning with dialogue that sets things up for later in the film. While out, the group of cops get a call to go to a different part of the city they don't patrol. They have an accident, but manage to find their way to an old precinct headquarters used during the Ottoman age.About an hour into the film we discover they are in the Inferno, a plot spoiler given to us in the stock film description.From what I can find, Baskin means "raid." This has been called Turkey's "Hellrasier" and I would agree with that from the torture point of view. The hell master is creepy looking at there are a lot of frogs in the film, either to show us a plague of frogs or to promote "Hell Comes to Frogtown." While the horror and torture aspects were good, watching a Turkish film with English subtitles prevented me from getting to know the one dimensional characters, or caring.Guide: F-word, sex, nudity.

Only the 8th Turkish film to ever be released in the United States, and director Can Evrenol's feature film debut, Baskin is a grisly ride through layer after layer of hellish dreamscape.The story follows five Turkish cops as they kill time at a small local restaurant. When they respond to a radio call for backup in the mysterious town of Inceagac, they don't know what they'll encounter, but a black mass was far from their minds…** SPOILERS! **I'll admit, this movie surprised the hell out of me. It's been sitting on my Netflix queue forever and I just never thought it would be up my alley, but I was happy to be proved wrong.I am fascinated with the concept of Hell — it's part of the reason I loved Event Horizon so much. It's just deeply terrifying on a level that I can't fully describe. So when I realized that Baskin focuses so heavily on it, my interest was immediately piqued. And I don't say this often — and honestly, I usually hate when other people do — but anyone who thinks this is simply a "gore fest" or "torture porn" for its own sake either obliviously or willingly missed a whole ton of symbolism along the way.The two halves of this movie differ greatly, but I think they work well together. The first half focuses more on the cops' relationships to each other, specifically that of Arda (Görkem Kasal) and Remzi (Ergun Kuyucu). We find out that Arda's parents died in a car crash and his uncle entrusted Remzi with taking care of him. But their bond goes deeper than that, deeper than most can relate to. The scene with Remzi coaxing Arda to truly see — the room darkening, as if tunnel vision has snapped into effect, and slowly filling with water — was mesmerizing, and added some fantasy aspects to the film that I didn't anticipate. The shot of Arda underwater with the giant, doll-like hands reaching for him… brilliant (and worth the half a night it apparently took the crew to capture it).Speaking of which, the entire film was shot in 28 nights — not a single daytime scene — and it did wonders for the mood, and the dread, that permeates the whole film.They didn't go into great depth getting to know each character, but I think they did a decent job letting us get a feel for everyone. Watching them all escape into singing (and dancing) along with a song on the radio was among my favorite scenes of the whole film.The abandoned building where they find the lone police officer banging his head against a concrete wall is terrifying enough on its own — just as a physical structure it is so obviously filled with horror — but when they step inside their fears are not only confirmed but amplified. The depravity they find within the walls — severed limbs, bloody bodies wrapped tightly in plastic sheeting, rusty chains hanging from hooks in the ceiling — was like something out of a Clive Barker story. And yet somehow the spiraling staircase down into the utter blackness was almost worse than any of it, knowing and yet not knowing what was within that abyss.The master of ceremonies — The Father — was perfectly played by Mehmet Cerrahoglu in his first ever movie role (he had no previous acting experience whatsoever). His unique look is due to an extremely rare medical condition — said to be one in 30 million — and it's just a trick of the camera that he doesn't appear as short as he truly is. I thought he was fantastic — the calmness, even the delight, with which he delivers his lines is chilling, and he's got some great ones (it's no surprise that the character of The Father was inspired by a mash-up of Colonel Kurtz and Pinhead).I'd consider myself to have a pretty strong constitution when it comes to blood and guts, but the gore in this movie was tough for even me to swallow. The actual content (tortured, blindfolded bodies with severed limbs; forced sex; intestines being casually pulled from a large open wound; eyes being gouged out) paired with the aesthetic of the shots (all reds and blues, dark and gritty with candles as the primary light source) was intense to say the very least. But, hey, we're in Hell — what do you expect?But ultimately, I loved the depth of the plot. I loved the dream sequences, the symbolism, the references to religion and culture, to sin and machismo, to fate and death. I loved how open to interpretation the ending — and many other scenes — were. I loved, in a way only a horror lover can, feeling like I was in the midst of some kind of fever dream, waiting to be jolted awake and back into a more secure sense of reality. Highly recommended!

Baskin is really terrifying from the beginning to the end. Psychological horror elements were set intelligently to assist its atmosphere. I was very surprised to see a different kind of horror movie since Turkish horror movie industry was always focusing on that genie topic. Its a brave movie that can change your perception of the hell. It is disturbing the audience by cannibalism, gory-porn and demonic ritual influences. Also it presents one of the best OST album in horror movie genre. I think Baskin catches that deep-immersing atmosphere thanks to its soundtrack. They are well made and perfectly integrates within the story. Can Evrenol is a must-follow director if you're a horror movie fan.