Bandit Queen
Bandit Queen
NR | 30 June 1995 (USA)
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Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phooland Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.

Reviews
Peter Young

Bandit Queen is a difficult film to go through. In the famous world of Bollywood's song and dance, this biographical feature is certainly a breath of fresh air in terms of storytelling and honest filmmaking. Shakhar Kapur handles the subject with great sensitivity and visible empathy towards the main character of Phoolan Devi, whose life story is impossible to even listen to. What this woman had to endure is beyond imagination and is harrowing to watch, but her survival is an inspiring triumph. Bandit Queen is disturbingly realistic, and I can totally understand those who don't like it, because we do not watch films to see reality, but rather to escape it. The movie is by no means entertaining, the story is bitter and excruciating, but there are many lessons one can learn from watching it and, at the very least, realise how privileged most of us are. The film is excellently acted, with Seema Biswas proving her mettle as an actor of extraordinary talent and compassion. Her portrayal is a world-class act on a level of its own, and she totally immerses herself in this most difficult role and life story. May no person ever have to go through what this woman went through to justify the making of a notable biopic of this sort. Kudos to Kapur for an impressive effort. Watch it if you can, expect zero entertainment and just treat it the way you treat documentaries. You might be impressed, if not rewarded.

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sydneyswesternsuburbs

Director Shekhar Kapur has created a gem in Bandit Queen.Starring Seema Biswas who has also been in another classic bollywood flick, Company 2002.Also starring Nirmal Pandey.Also starring Rajesh Vivek.Also starring Raghuvir Yadav who has also been in another classic bollywood flick, Salaam Bombay! 1988.I enjoyed the violence.If you enjoyed this as much as I did then check out other classic Bollywood flicks, The Attacks of 26/11 2013, Rakhta Charitra 2010, Rakhta Charitra 2 2010, Nh10 2015, Madras Café 2013, Black Friday 2004, D-Day 2013, Gangs of Wasseypur Parts 1 & 2 2012 and Shootout at Lokhandwala 2007.Also check out a classic Lollywood flick, Waar 2013.

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Cinish Narayanan

Having seen a number of Bandit movies, this one offered the true story of 'Phoolan Devi' but there was not a lot of new content. The movie does not work too well actually. Phoolan kills 24 innocent thakurs out of hatred for two thakurs and finally has to surrender due to heavy police attention. When Phoolan surrenders, the crowd cheers but why? The movie does not show Phoolan doing a lot for the people. Phoolan belongs to Mallah community and that is perhaps the reason for the support as I presume the Mallah community is quite big. The movie also shows Phoolan' s hatred for her husband but does not convince us why there should be such deep hatred. There are minimal scenes of Phoolan's bandit action too. The movie might have restricted itself to the notes from Phoolan's jail diary which in itself might have been incomplete. Well, that is something that the movie maker needs to handle and complete.I think I liked 'Paan Singh Tomaar' better which was a more complete portrayal.

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sweta

This movie IS a great movie, because it is well crafted, taut and keeps you glued all the way through to your seat....HORRIFIED. However, it is a very one-sided story. It shows Phoolan to be a wonderful, chaste woman who was always victimized and is in that way a typical bollywood portrayal of a wronged woman who rises from the ashes of her humiliation to wreck vengeance on those that wronged herBesides, I am not entirely convinced about making a movie about a real, living person who has been through hell and is forced to relive it just because a movie director thinks it is a story worth telling. All in all, a typical MASALA movie.

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