Anton Chekhov's play 'Uncle Vanya' has been re-written and transplanted to turn of the century South Wales in this production, which is directed by Anthony Hopkins. For all of the many translations and rebirths of this 'comedy' by the great Chekhov, this one seems to work best. There really is very little linear storyline, but it is filled with the author's recurring themes of unfulfilled dreams, boredom, longing for an elusive future.The plot (!) is really a discourse among the players: Ieuan Davies (Anthony Hopkins) is a bored older man who spends his days drinking and talking with his small family and servants on the country estate owned by Professor Alexander Blathwaite (Leslie Phillips) who comes for a stay with his beautiful wife Helen (Kate Burton) for whom Davies lusts and pines. A doctor (Gawn Grainger) visits, stirs discontent while mixing in family gossip and caring for the victim of a mine explosion. The bulk of the dialogue is centered on some fine expositions about women's rights, class inequality, and Davies' boredom with life, his aborted chances on having a significant life, and his longing for a future that seems as elusive as the summer breeze that fans the tea garden in this wistful, atmospheric setting.To enjoy 'August' the viewer must be in the mood for conversation, wit, banter, and ensemble acting, and given those prerequisites, this film is a joy. Hopkins gives a magnificent performance, loathable and lovable, and the entire cast is so polished that the play becomes chamber music. Hopkins not only stars but also directs (not always successfully attending to the small details of action), and also provides the musical score - no mean feat! Not a film of action this, but rather a summer reverie piqued by subtle comedy. Grady Harp

I had never heard of this film about a year ago, which I feel quite ashamed about. It was directed by Anthony Hopkins and also starred the great man himself. The largely Welsh cast act well and couldn't be replaced by anything better. The plot focuses on the life of Hopkin's character, his small family (mother and niece), his boredom with life, his missed chances and his undying love for a visitors wife. This film has many fine moments which can invoke thought in you, especially when Hopkin's breaks down in tears at the end. I would recommend this film to anyone if not only for Hopkins but for the story itself.

An accomplished major film directorial debut for Anthony Hopkins, a beautiful piece of work, accompanied by a wonderful score, also composed by Hopkins. But one must wonder, as with the adaptation of any great work of art, why it was necessary. "Uncle Vanya" has been masterfully translated, it seems superfluous at best to rewrite it. As with Shakespeare, the transposition into a new landscape need not be accomplished through a completely new script. This being said, however, it is always pleasing to see a project so close to a person's heart as this obviously was to Hopkins' come to such beautiful fruition.

Having seen A Country Life, another film based on Chekhov's Uncle Vanya, I have to say I preferred August. While both of them have taken the story to another setting and another time, I was swayed by the compelling performance of Anthony Hopkins (and perhaps his direction, too). Kate Burton was beautiful and enigmatic, and I couldn't help but see glimpses of her famous father slipping through, after just viewing Becket the night before. August had all the elements of Chekhovian drama: unfulfilled dreams, boredom, longing for an elusive future. The entire cast was magnificent, and Hopkins was amazing as usual. He brought so much to the role -the finest actor today!