Garbo had retired long before I became a cinema-goer but I heard about her all my life and eventually I caught the odd performance - Queen Christina and Grand Hotel spring to mind - on TV and saw for myself what all the fuss was about. As a Billy Wilder fan I watched Ninotchka over and over but that was about it until this week when I bought a boxed set of six of her talkies. This, of course, was the first one, produced right at the dawn of Sound in 1930 with all the attendant problems connected with new technology and yes, it is static and yes, it is an obvious stage play adapted crudely for the screen but above and beyond this is GARBO, a towering presence, the personification of charisma and yes, she does render everything else inconsequential. O'Neill didn't do happy endings so it's not the faithful adaptation of his Pulitzer prize-winner that it might have been but here again Garbo makes that academic.

In New York, the alcoholic skipper of a coal barge Chris Christofferson (George F. Marion) receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson (Greta Garbo) telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter.Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt (Charles Bickford) and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past. "Anna Christie" is the first talkie of Greta Garbo and a heartbreaking story of a young woman that finds redemption through love. I bought the DVD with both versions of 1930 and 1931, and the version in English is restored and has additional scenes in the beginning and in the ending; however, Jacques Feyder's version in German is better than Clarence Brown's. My vote is seven.Title (Brazil): "Anna Christie"

This movie is a toned-down adaptation of the play by Eugene O'Neill. The main problem with the movie is the portrayal of Anna Christie. In the play, Anna Christie is a whore. She is explicitly described as being as such. This point is crucial to the story. Yet, when Greta Garbo enters the movie, her attire is anything but garish. She simply does not look like a hard-bitten street-walker. As for Greta Garbo, she is absolutely beautiful. She is the star of the movie. She is exquisite and her performance is superb. Marie Dressler's performance is wonderful too. As far the male actors, their acting is stagy and hammy. This movie is definitely dominated by the female performers and it is because of them that this movie is watchable. Nevertheless, by toning down the dialogue, the movie loses the dramatic power of the play, and although the movie is good, if it had stayed true to the original story, it could have been great.

This version of Anna Christie is better than the earlier silent version starring Blanche Sweet, though it is not a huge improvement. Unlike the earlier film, this one has expanded the father's mistress' role into a larger and comedic one starring Marie Dressler and the production values are a bit better overall. This isn't to say that I loved this movie--mostly because the story just seems very old-fashioned and corny but also because Dressler's comedic performance in some ways detracts from the focus of the film. However, in 1930, this sort of melodrama starring Greta Garbo (in her first sound film) played very well, but by today's standards, the acting at times just seemed "over-the-top" from time to time. Despite this, the story still is pretty compelling and the film is quite watchable.This film, by the way, was a "pre-Code" film. This means that the film was very racy by standards imposed just a few years later--with plot elements such as prostitution and some minor cursing. Those not used to the pre-Code films might be surprised by all this, but films made up until about 1935 or so often had nudity, violence and plot elements that NEVER would have been allowed in later years.Oddly, the DVD version of this film offers BOTH the original American version and the German version that was made concurrently starring a German-speaking cast. In the early days of "talkies", some studios (such as MGM and Universal) often made duplicate movies by using the same sets at night after filming wrapped for the day! In some cases, they had Hollywood actors phonetically speak the lines in different languages (Laurel and Hardy made some of these--in which they spoke in Spanish along with Spanish co-stars). And, in others, an entirely new cast was used (such as with the Spanish language version of Dracula). In the case of Anna Christie, Greta Garbo made a German language version with all new co-stars that is supposedly better than the American version. HOWEVER, the DVD did include this German version but with absolutely no subtitles or dubbing! So, as long as you are willing to watch an entire movie in a language you don't understand or know German, it's a waste having it on the DVD. Why didn't they include English language captions?!? I would have loved to have seen it in this case, but am not willing to try to guess at what they are saying--my knowledge of the language just isn't good enough to understand everything that's being said!