Having looked forward to seeing this film for quite a while, I was quite let down when I finally managed to view it. Andersonville is a story that needed to be told, but this telling of the tale rattles and rambles trying to find its sense of direction. The production suffers from a rather poorly written script and mediocre acting. There were some decent scenes, and a few good performances, but by and large this was a rather jumbled, boring, over-long, predictable mess. It could have been, and deserved to be, so much more.So unless you really have to see a movie about this notorious prisoner of war camp, I'd give this one a miss.

My opinion is that Andersonville is the best Civil War movie ever made, period. As a former Civil War reenactor, I'm not going to sit here and nitpick at all the "mistakes." Were there mistakes? Sure. The timeline was a little fuzzy for one. But that does not detract from the power of this movie. The guards were not well fed regulars either, but so what? You don't have to take a test after watching this movie!I think the REAL factor in Andersonville being such a great production was the fact that you had no real "name" people involved. Fredric Forrest may have been the biggest name in the film and is a career role actor - but WHAT an actor! These guys busted their balls for this film and it really shows. I heard one reenactor complain that the characters seemed "cartoonish," and I don't buy it. I bet he was refering to Jan Triska who played Wirz. Well, read up on Wirz. I think they got it pretty close.Forgive me, my reenacting brethern, but alhough Gettysburg was a tolerable film (I got to be an extra in that) and Gods and Generals was a disaster, the problem with these productions was the fact that they relied way too heavily on reenactors. Reenactors are NOT actors! They were used most effectively in Glory, not so well in Gettysburg, and Gods and Generals? Don't want to even go there. Andersonville followed Glory's success formula in using reenactors as background with small parts filled in by them (my buddy Martin Leibschner playing the banjo in the Raider camp was a good use of the talent reenactors can bring to film).Frankenheimer must be given a lot of credit, as should the writer. The script did get a little cheesy here and there, but not enough again to trash the overall production. Jarrod Emick (sp?) as Josiah Day did a nice job, but until that point he had been a stage actor mostly, and his voice inflections projected that. Still, he did a great job. Peter Murnik as Limber Jim added that "mystery character" to the film well (as the real Limber Jim who was at Andersonville is a mystery to history). Again, I can't think of one lame performance by any of the key actors here. They put 110% into the job and I commend them for it. And whoever was involved in the set design was on the ball too. To try and recreate that place was no small task.I remember a reenactor bitching because for the "filling" of the stockade for the wide shots, they had to use women and even cardboard figures. Big frekin deal! When they are dots on the screen, did it REALLY matter?I can't see this movie being topped in terms of a Civil War period piece. Hollywierd is always bent on turning just about every period piece into some type of romance for the younger target audience. Andersonville is certainly a refreshing change of pace to that drill.

The movie Andersonville was one of intense drama. The historical subject matter made the film all the more pertinent to society today. Man against Man, Brother against Brother. That is what the Civil War was, and Andersonville was its worst. Men treating other men like animals and game for sport. The utter despair. The terrible suffering.Andersonville is set during the Civil War, in the south, in a Prisoner Of War camp run by the Confederate Army. The story depicts the conditions of suffering that the Union soldiers endured while held captive. The best and the worst of humanity is shown in this film as the viewer is shown all ends of the spectrum of pain and suffering.Peter Murnik's character, Limber Jim, was the voice of conscience in this film. Jim was the one who finally stood up to the injustice that other Union soldiers were enacting against their fellows. It was Jim who rallied the troops to a riot to stop the "Raiders" from continuing their carnage. Not a single 'Peter' scene went by without the viewer sensing the intensity. He portrayed it in his face, in his demeanor and most of all, in his eyes. In this film, Peter said so much without uttering a word. The look he gave in his eyes told the viewer the intensity of his feelings. His determination. His desire to see the wrongs righted. In a sense, Limber Jim was one of the saviours of this film. His standing up to the injustice he witnessed and lived through, enabled his fellow prisoners to also rise up and change the world around them, as small as it was.In spite of the fact that this was a film and an artistic production, the real Andersonville shone through. The viewer came away knowing the despair that the Union soldiers felt and lived. There was no question that humanity, as a whole, had been wronged by the cruelty that took place at Andersonville. The human race came away from Andersonville worse off for having realized that we could fall so far from the very civilization we pride ourselves on creating to treat other fellow human beings the way the Union soldiers were treated.Andersonville actually existed, and does so today as a Federal Park and tourist attraction. This movie is a very good link in telling the tale that so many never got to tell. The actors, staff and crew of Andersonville did such a magnificent job that anyone seeing this movie will know what it was like to have been there. They will know the suffering, the pain, the disease, the despair. The cast and crew are to be applauded for their efforts.In his bio, Peter lists Andersonville as one of the projects he is most proud of. And, well he should be. He did an excellent performance and is to be commended. It will go down as one of the favorites with his fans. Once again, Peter's genius comes shining through.

"Andersonville" is John Frankenheimer's most pivotal step in his quest to regain a perch on Hollywood's "A" list of directors, and he is in true Frankenheimer form in this latest of TNT, Civil War-oriented mini-series. Quite simply, it's about a group of Union soldiers and their span of a year doing hard time in the most infamous of Southern prison camps, and one of the most infamous of prison camps in recorded history, Andersonville, Georgia. Andersonville the prison is literally a fenced-in cesspool of humanity: it's grossly overcrowded, there's not enough food to go around, there's no shelter from the heat or cold, the creek used for drinking water is the same used as a latrine by the camp's entire population, and, on top of all this, there's a vicious gang of marauding prisoner's that prey on their weaker counterparts, taking their clothing and what little food they may have for themselves. I began watching this film expecting a smaller, tamer, less original version of "The Shawshank Redemption", and at several points you'll think likewise: we witness acts of both harsh brutality and stirring compassion, and follow our hero's as they decline physically and struggle to succeed morally. But the period setting and the freshness of the subject make it appealing more often than not. What's interesting about this big-budget, well-hyped production, though, is that the entire cast are relative unknowns, the lead role being held by a young Broadway actor named Jarrod Emick, who's acting demonstrates he is just that: a Broadway actor. He projects his voice and over-emphasizes words as though onstage, and when a dramatic monologue is in order, his facial contortions rival the worst case of constipation one can imagine. The length of "Andersonville" is a problem, as after awhile it just runs out of stuff to say, and appears to be chipping away at the minutes until the conclusion. After all, how many scenes can one sit through of watching deteriorating men rot away in sheets of rain or stifling holes in the ground . . . look for a deliciously vicious role by Frederick Coffin as the evil prison gang's leader, and William Sanderson as his cowardly right hand man. There's also a small role by William H. Macy as a Confederate prison inspector who discovers the camp's horrors and condemns it . . . great score by Gary Chang.