Alice's Adventures in Wonderland
Alice's Adventures in Wonderland
| 20 November 1972 (USA)
Alice's Adventures in Wonderland Trailers

An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.

Reviews
tforbes-2

I finally got to see this production recently (2012), and in spite of the limitations, I found it a delightful film. I guess my opinion runs counter to many reviewers here, but I'll give my reasons:--First, in spite of the modest budget, this film has a lot of heart. Having made a Batman fan film myself, I know. The script itself adheres to the original story line.--Second, the John Barry score. I find the music memorable and haunting.--Third, the supporting performers. The film is blessed to have the talents of such people as Peter Sellers, Spike Milligan, Sir Ralph Richardson, (a pre-"10") Dudley Moore and Roy Kinnear, among others. --And then, there is Fiona Fullerton! She brings a real intelligence to the role, and has a presence that reminds me of US teen actress Debbie Watson, whose career was really at its peak in the mid-1970s; I find both performers engaging. Unlike Ms. Watson, Ms. Fullerton had a more substantial career, but she too has pretty much left acting. And we are the poorer for it.I remember the time when this film was released, and it was not a period conducive to family musicals. Back in early 1973, when this was released, it seemed that the grittier the movie was (sex and violence), the more successful it would be. Family films were on the outs, quite unlike today.And that's a pity. While this film may not have had the CGI or other computer effects of today's films, this was a British film made during an era in which the industry was dying. And what was produced here was and is indeed a gem! Now, I hope that a restored version can be produced for Blu-Ray!

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jonathanruano

Sometimes a movie's triumphs work against it. The triumph in this remake of "Alice in Wonderland" is its magical opening sequence, where we see Victorian haughtiness and manners, the wonders of the imagination, and perhaps even the suggestion of Dodgson's repressed sexual interest in the young Alice Liddel all manifest themselves in less than ten minutes. The expectation created in these wonderfully crafted scenes, aided by John Barry's music score, is that we shall see something truly magical once Alice arrives in Wonderland. Then after arriving in Wonderland, we soon realize that every scene is going to be pretty much like the last one: a bunch of actors dressed up in costumes and singing forgettable songs. The bright colours, the sense of wonder and magic, and witty dialogue -- which existed in the memorable, albeit flawed, Disney version -- have been completely drained from this picture. This film does little for the imagination and fails even more miserably as entertainment.

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Cheese Messiah

This version follows the classic story faithfully, if a bit unimaginatively. As the original is itself somewhat loose structurally, it makes any film version inevitably seem rambling. I know of no cinematic version of Alice in Wonderland that completely successfully overcomes this. This 1972 is usual in that respect. The set design is perhaps too closely modelled on the original Alice drawings, and as such, it is colourful and lavish although it looks rather dated and stagy by modern standards. One major drawback (which seems consistent with all the other Alice films) is that the songs are completely forgettable. A very youthful Fiona Fullerton is convincing as Alice, and a fun aspect of the film is to guess the identities of the heavily made-up cast of well-known actors, some of whom are more easily guessable than others.

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Blueghost

When I saw this film back in '72 I was impressed with the high production values, cast, characterizations, and special effects. Imagine my excitement and disappointment when several companies (notably one calling itself the Platinum Disc Corporation) put out editions which were simply a dupes from an old 3/4 inch tape: A battered broadcast print version which used to circulate among the independent television market many years back.The icing on the cake is a missing segment during the tea party sequence (approximately 20+ frames were snipped, most likely because of a tear in a badly handled print). In addition the film was originally shot in widescreen (2.35:1 ratio), but the tape, and subsequently the DVD, is pan-and-scan. These factors are coupled with a grainy image and scratchy sound track makes watching this otherwise fine children's film a real chore.The upside is that another company, Force Video, has recently released a remastered widescreen version of this family favorite. Regrettably, at the time of this writing, I could only find a region free version in Australia, but hopefully a world wide reissue will not be long in the offing. But, as with every upside there's always a downside. And regrettably Force Video's version is no different, because where the image and soundtrack of have been restored to their original glory, the video transfer is little lacking. Not much, but it's there. And even though the disk itself is region free, the information is formatted for PAL-CAM video. Which means you'll be able to watch it outside of Australia (and the U.K.), but only on a high end multimedia display or computer monitor, both of which'll show some of the transfers shortcomings (the image is somewhat jagged around the edges, and the sound fades in and out on the left channel). But even with those limitations, it is by far the absolute best release of this film to date.Versions to avoid; 1) Platinum Disc Corporation; this fly by night firm cranks out discount DVDs for the sole purpose of grabbing the dollars of the uninformed. Before seeing any DVD at a price that looks too good to be true it's because it's either a pirate or a Platinum Disc issue. And true to form their edition of Shaftel's "Alice's Adventures in Wonderland" is no different. It's merely a dupe to DVD from the old broadcast print. Avoid this one at all costs.2) Screen Media Films; it's pretty much the same print as Platinum's, but there's a little more footage prior to the film's proper beginning, showing Republic Picture's "Eagle" footage and Gold Key intro. Truth be told this film is about 1% cleaner than Platinum's. It's barely noticeable, but if you're familiar with how films are made, and give both versions a careful screening, you can see where some frames are slightly cleaner than the poor release. In the end it's a wash as both versions are just as bad as the other, though the DVD transfer is marginally better (I guess the company felt that gave them license to say their version was "remastere"; even though it isn't). Avoid this one also.Screen Media seems to have gone to some effort to get a better authoring of this film (verse it competition), but the film itself still isn't as sharp as it should be. In addition, even though the sound track has been cleaned some, the score still wavers, meaning the track itself has suffered damage (probably during the initial telecine transfer some 30 years ago). Though, for what it's worth, you don't really notice it when the actors are speaking, just when John Barry's hauntingly beautiful score is playing. On the other hand Force Video's version has crisp audio, even though there's still the left channel anomaly I mentioned earlier.The film itself, staring the then very young and very pretty Fiona Fullerton, tells Lewis Carroll's story, and does so in a very compelling way by immersing the viewer in a surreal world. Showing the audience a world full of wonder from a child's perspective. Fullerton herself, as talented as she is, strikes me as being a bit old for the part. Checking her data shows that she was 16 years old at the time of release, which means she was either 14 or 15 during principle photography. For myself that still seems a bit old for an actress attempting to portray a little girl, but Fullerton's acting ability sells the role to the audience. Combined with a very talented supporting cast the characters are brought to life in a delightful rendition of Carroll's tales. Shot in Todd-AO 35 the film image has a kind of rustic feel to it that adds to the mystery of the world Fullerton's character must discover.In short, the film itself is very much worth viewing, but if you come across a version that's priced under ten dollars American, then do yourself a favor and check the back of the DVD case. If it isn't presented in widescreen don't waste your time. Wait to find a better version so you can enjoy it with your family :-)

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