Twin peaks at first is like a lot of David lynch's work. Let's say you need to watch most of his films 2 times round to get an understanding of them. When I watched the pilot for the first time I felt like I was a part of the twin peaks community. The show does such a great job in combining genres. From the pilot to the last episode of season 2 I was intrigued by everything. I think the reason for me being so intrigued by twin peaks is not quite understanding everything at first and then later on having it all make sense. A big part of twin peaks is the beautiful soundtrack by Angelo badalamente. Without the soundtrack twin peaks I think would be very different as each scene has a stylish song playing to set the scene. For example the black lodge has the arm dancing to badalamete's dance of the dream man. Twin peaks is by far my favourite tv series and really do hope lynch makes a fourth series.

Nearly every episode of "Twin Peaks" has good, or even great, moments in it. Also nearly every episode of "Twin Peaks" has about 30 to 35 minutes of filler: inconsequential scenes that do not advance the plot. If you do not adjust to this type of storytelling, you will not finish the series. So let me tell you right now: if you want the best it has to offer, you must watch the pilot, and episodes 1.3, 2.7 and 2.9; these will give you closure to the Laura Palmer murder. After episode 2.10, the series seems to lose its bearings: the main "replacement" storyline, Windom Earle as Dale Cooper's nemesis, is not nearly as interesting; comic relief, plot digressions and "guest" characters overtake the proceedings. Many of the principal characters have little to do, or are even written out. And then we have the final episode, in which David Lynch probably tries to recreate the experience of drug tripping, but basically he cannibalizes himself and gives you a bad trip. But do not despair! As I said, there are things to appreciate in every episode. The performances are amazing, especially by Kyle MacLachlan (whose Agent Dale Cooper is a unique creation in the history of TV) and Laura's killer, all the women are extremely beautiful (44-year-old Peggy Lipton may just outshine them all!), and Angelo Badalamenti's score (in all its orchestrations) is haunting and magical. *** out of 4 for the series as a whole.

I've recently started to watch Twin Peaks for the first time and I can say it already found its place among my favorite TV shows.My highlights of the show:The characters are so real. None of them really look like they are acting.As if a mutual mystery and weirdness spell was cast on all the characters, as a result they all act in equally weird ways. I have never seen such a masterfully organized orchestration of acting in such a similar tone.At times it makes you giggle non stop, at some scenes it makes you feel like you are being tortured, a torture that gives pain but you enjoy it at the same time and don't want it to end.Every single character plays their role in their scenes as if they are the lead character, at least the scenes create such an impression on you.Twin Peaks may not seem charming to some viewers, but if you like it, you will like it a lot.

How does one begin to describe the series that is his absolute favorite and of which he firmly believes that it remains the most genius and unique piece of television heritage of all times? Perhaps with the obvious statement that every single episode is a mini- masterpiece; - a true feast for all senses that puts you in a kind of magical trance throughout its running time and even long after it's finished. I recently finished watching the series integrally for the third time. The first time was when it first aired on Belgian television in the early nineties. Since I was only 11-12 years old around then, many of the surreal aspects and expressionist trademarks were incomprehensible for me, and I also vividly remember that my parents strongly disapproved of me watching a show that dealt with prom queens being murdered and midgets talking backwards! And yet, even though I didn't capture perhaps half of what was going on, I principally remember that I was lured to the screen as soon as I heard the ominous tunes of Angelo Badalamenti's fantastic theme music and gazed at the show in sort of hypnotized state. The second time I watched the whole series was around 10 years ago when I insisted to introduce "Twin Peaks" to my then-girlfriend who never heard of it. She wasn't very enthusiast and gave up after only six or seven episodes of the first season. The relationship didn't last, not coincidentally I reckon, but I did complete the series on my own and became even more obsessed with the events and the many versatile and intriguing characters that live in the titular northwest lumber town. My third viewing naturally got inspired by the news of the new season – "Twin Peaks" is back after 25 years – and the hope that it'll quickly become available here in Europe as well. I'm not in the habit of writing user comments for TV- series, but I felt it was appropriate to make an exception for the greatest one ever made. "Twin Peaks" is the brain child of master filmmaker David Lynch, and anyone even remotely familiar with his repertoire ("Eraserhead", "Blue Velvet", "Lost Highway") knows that his imagination is unlimited as well as unpredictable, and that his style is inimitable as well as astounding. Even though "Twin Peaks" is far more accessible than the vast majority of Lynch's movies, overall weirdness and unworldly atmosphere remain primary factors in the pilot feature film and all 30 episodes. "Twin Peaks" is at its most brilliant when it's surreal, but the series is equally brilliant when the events are more rational. The basic premise is the search for the murderer of the 17-year-old local beauty Laura Palmer. When her body is discovered, wrapped in plastic nearby a lakeside shore, the sleepy and seemingly idyllic little lumber town is turned upside down and the darkest secrets of several eminent and less eminent town inhabitants gradually come to the surface. The local Sheriff's department, led by Harry S. Truman (that choice of name alone is awesome), receives the help of the slightly eccentric but mainly amiable and coffee-worshiping FBI agent Dale Cooper. How can the solving of only one simple murder case keep you glued to the TV- screen for one and a half seasons, whereas other detective/thriller series solve similar crimes in less than one hour almost every week? The short and simple answer would be that "Twin Peaks" is unlike every other show and every episode brings forward new surprises, unexpected revelations, enigmatic sub plots and dark new edges of familiar characters. The murdered Laura Palmer is a perfect of this herself. When her body is found, we – as well as most of the townsfolk – assume that she was regular teenage girl with normal interests and worries, but a few episodes later it becomes painfully clear that Laura was everything but a prototype teenager. This goes for practically every character and event in "Twin Peaks"; - nothing or nobody is what they seem, making this the most unconventional soap opera ever made. Even when the murder of Laura Palmer is resolved (allegedly the main reason why the viewing rates dropped significantly and the show got canceled), and the story primarily revolves on the cat-and-mouse game between Dale Cooper and his old nemesis Windom Earle, "Twin Peaks" continues to spawn creative and compelling inside stories. I could easily write a full-length review for each episode or an extended essay on every single supportive character of this show, but nobody like to read that much, right? I'll narrow it down to stating that every tiniest detail is worth discovering and every resident of Twin Peaks is worth getting acquainted with. There's a fantastic balance between nightmarish imagery and comical reliefs, there's the ideal mixture between surrealism and straightforward action/suspense and there's the underlying yet omnipresent ambiance of good versus evil. The episodes directed by David Lynch himself, six in total including the pilot film, are undoubtedly superior to the rest, but every director or cast member that worked on "Twin Peaks" truly surpassed him or herself. Same goes for the downright stellar ensemble cast. Most of these actors and actresses will be forever linked to their characters here, and they can be proud of it too! I'm in love with every woman that lives in Twin Peaks! Since age 11, I had a crush on Donna, Shelly, Audrey, Nora, Laura, Maddy, Josie, Annie, as well as a peculiar fondness for Nadine and the Log Lady. As for the men, well, I'd sure love to have a cup of coffee and a chat with the entire Sheriff's department, the Bookstore Boys, the Northern Hotel management and even the unreliable crooks. The show is more than 25 years old and still doesn't look the least bit dated. Can't wait to see the 2017 season!