The Odyssey
The Odyssey
| 24 March 1968 (USA)
SEASON & EPISODES
  • 1
  • Reviews
    Nikole

    I went through the sign in process just to write my plea -- why can't we see this again. I watched it on late night TV in the early 70s. I'd come home from my evening shift job and stay up just to enter this magical world. I have never forgotten it. It was narrated in English, it has a slow breathable pace, a dignity, a timelessness. Who reads these reviews? DVD production is a cinch these days -- surely it still exists in some archive somewhere. What would it take to give it back to us? Who must we ask?

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    asterisk

    The Odyssey as a book is a masterpiece of world literature by itself. Sadly enough, every movie version of Homers epic, hardly make any impression on me, and from comments below I can see I'm not the only one.But seeing this version was entirely different experience. I don't know why, but no movie ever awake in me such sense for longing, nostalgic, a feel for time that past by, like this series. I was delighted to find Italian subs for deaf persons & translate it to my native Serbian.Latter, on my vacation on Kefalonia & Ithaca, I'v got desire to translate to English, and partly as a homage to Bekim Fehmiu who commit a suicide at that time in Belgrade. With only few minor diversions from Homer, F. Rossi made this series as best adaptation of any classical work, as by my opinion.Omittion of Scylla & Charibdes was probably due to budget constraints. Also, displacing the episode with Lestrygonians into openings of Odysseus story (& reducing Odysseus fleet to one ship), he cunningly enable himself easier & cheaper (but equally effective) performance.In places where he change Homer (ex.suitors decide to string bow day after failed competition), he does so artistically, that I have impression that even Homer would congratulate him. With obviously only two constructed ships (one large & one small-that of Telemachus), he accurately depicted on of most famous sea voyages in history.Unique depiction of ships, cities, Trojan horse or Odysseus bow just adds to astonishment. Dialogues are special thing in this series:natural, proverbial, romantic & never boring.Actors plays in such manner, that I cant remember anyone who deserves any critic. This series also affect me to look on another works of Franco Rossi. Thus I watch Eneid (1971), which is mostly deficient comparing to his previous work (ie Odissea), but have nice description of destruction of Troy & still its only full film version of Vergil epic.My recommendations.

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    carlo4444

    I'm Italian and when I've recently looked again this film I astonished for its beauty: the first time I was 10 years old and I liked it, but today I can appreciate it with adult mind and feelings. Now I can understand it was a masterpiece of a special season of the Italian cinema (Pasolini etc.), by that time gone. The Hollywood epic films are good...for fun. Perhaps this 'Odyssey' had no English version because is not enough funny... not suitable for pop-corn and coke audience. However suitable for Homer pathos and existentialist reflections.In Italy was recently released a very good DVD version: INTEGRAL, with excellent colors. You can find it in some file sharing, but it's Italian only, and without subtitles. Too bad: also the dialogs and the voices of this film are remarkable.

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    rosacaron

    It's very simple to qualify that movie: "A PURE MASTERPIECE". This opinion is formulated for the following reasons: the performance of the actors, they seem to be citizens of that epoch, 1100 B.C. They personalize perfectly the characters. A second reason is that the poetry expressed by Homere in his poem is well given by the production. Among others the narrations made by the chorus give a particular atmosphere that makes us party of the artistic rendition. Third reason: the reconstitution of the decor is absolutely perfect, in Mediterranean regions, where the action of the poem occurred. And most of all, the emotion is on the rendezvous. I repeat my appreciation: "A PURE MASTERPIECE".

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