I sincerely miss movies like this. There are a few lame sequences like the car in the warehouse, but the premise of this movie is very appropriate to today, and the cast and crew pull off a very exciting action movie. I found the movie very rewarding, and worth the extra length needed to tell the whole story. Yes there is methane in LA, which is why the rail was cancelled. The ecology tie-in is spot-on. Ecology-friendly politicians are opportunists and a lot of politicians and eco-propagandists run around with chickens with their heads cut off, but this movie makes it quite clear that individuals under pressure will always make the right choices. Cigarette smoking is another important theme, since smoking was about to become virtually illegal in California, and it is what the Aliens needed to simulate their home environment.

I am a huge fan of "evil aliens" movies, plus I absolutely loved the original TV series from back in the day. So of course I was ready to really enjoy this flick. Egad! What a woofer! Nothing you haven't seen numerous times before -- hey, the premise works! it's entertaining in theory! -- but when you've got such low-quality acting, cheesy effects, a meandering script ... blah! The only thing it had going for it was Richard Belzer practically in a reprise of his "cigarette-smoking man" role in "Puppet Masters." It takes a real conspiracy of incompetence to make a "body-snatchers" themed movie utterly fail, but they managed to achieve it with this one. No surprise they never revived the TV series if this piece of dreck was the pilot.

The original INVADERS series from the 1960s was exceptional and very engaging. So, I was thrilled in the 1990s when it was announced that they were making a new pilot movie for a new series. I made super-sure to see it and enjoyed every minute. It was pretty faithful to the original ideas and plot and I looked forward to the shows. And I waited,...and waited,...and waited. It seems that this movie just didn't spark enough interest and so the idea of a new series was killed. It's a real shame, as I loved the notion that aliens had landed and were slowly taking over the Earth and no one seemed to know or care. And, each week the hero would try, often in vain, to get everyone to wake up to their insidious plan. Too bad. The people that made this film really did do well despite inspiring little, if any, hoopla about the series.

The Invaders by Quinn Martin with Roy Thinnes was successful because, in my opinion, we never saw the true form of the alien beings from a dying world.....There were also certain rules that we learned about what they were and their terrestrial limitations. We learned, for example, that they had taken human form and had to remain in that form while on Earth or they would die. They had been here for untold years before David Vincent's fateful encounter with them one dark night on a lonely road at a deserted diner, thus they had infiltrated positions in society from a prostitute in a bar to positions of power within the Department of Defense. They could be men, women, and even children. Paranoia was rife because one could not be certain that anyone from the paper boy on his bike to a high ranking politician on telly was human. In every way they looked and behaved like normal human beings.We also learned that the aliens did have limitations that could reveal their identity. Though they had the outward appearance of being human, they were very different inside: They had an irregular skeletal structure, no heart, and no blood; when cut, they would not bleed. An X-ray, blood test, or any number of medical procedures would quickly disclose their less than human nature, however a simple test was just to take a pulse which would give the appearance that they were dead even though they were fully conscious and ambulatory.They had to regenerate periodically to remain in human form. Only in human form could they breath our weak 20% mixture of oxygen for limited periods of time before they would have to regenerate; pure oxygen would bring on an instant requirement for regeneration. They knew their limitations and would regenerate long before the need became critical. When, on occasion, the need became critical, they would begin to return to their alien form, but since they could not live on Earth in their native form, they would die before the transformation was complete. Either by design or happenstance, they would incinerate at the moment of death in our atmosphere. Before they could turn to their native form, they would begin to glow (an indication that they were dying and that incineration was imminent). Thus they could be killed as easily as any human, but since David Vincent's need was not just to kill them individually, but to have a living specimen to prove to a disbelieving world that they were here and the nightmare had begun, and since their dedication to their purpose and anonymity was greater than their fear of death, he just could never bring off a perfect disclosure.IN THE FILM VERSION, we were given the hype that this would answer the question of what became of the aliens and David Vincent in the quarter century since the show was terminated without catharsis. The reality was that the only hint of a tie-in was the presence of David Vincent for what amounted to a cameo appearance in the first and second part. They did not have the polished human appearance of those in the series; they looked and behaved like whacked-out zombies and instantly drew suspicion that all was not well. The rules were all changed and they made the mistake of trying to show the aliens in their native form. This killed the mystique and violated the principle that THERE IS NOTHING THAT THE EYE CAN BEHOLD THAT IS AS HORRIFIC AS THAT WHICH CAN BE CONJURED IN THE MIND. With the series, we each had a mental vision of what they looked like that was far more terrifying than the Hollywood magicians could give us at their best, let alone the 1950s style, rubber masked freaks that were offered here.Artistic infidelity is not just limited to book to film translations. The film version of the classic television series of The Invaders shows that in various media, some things do not lend well to artistic license and should be left in the form for which they were designed.