Shaka Zulu
Shaka Zulu
TV-14 | 24 October 1986 (USA)
SEASON & EPISODES
  • 1
  • Reviews
    jacqueestorozynski

    As someone who is very interested in the Zulu nation and having read many books on this subject particularly The Washing of Spears by Donald R Morris- I was looking forward to watching the DVD box set. I had caught odd episode repeats on TV and wanted to view it properly. However, I was disappointed with it. The editing was appalling. SCenes suddenly ended as the screen went black and new scenes started without any natural chronology - I assume to fit in adverts on TV. Whole scenes of the tribal episodes had the use of the Zulu language without subtitles so there was no explanation of what was happening. Additionally, some of the local actors used had such thick accents they needed subtitles when speaking English and some of the acting was very stilted and wooden. Also the battle scenes although they had a cast of thousands looked artificial. Warriors were dying all over the place with a bit of tomato sauce and no real injury. Shaka saves a warrior who has a spear in his back, when he meets him later there is no scar. The fighting had no real explanation about who hey were fighting. One minute he is taken in by someone, then he is with someone else. The scenes with the usual stockpot of English actors who always turn in a decent performance were good as one would expect. I particularly liked Edward Fox who dropped his Edward 8th mannerisms for a change. Henry Cele looked majestic as Shaka so was well cast, but the scenes in his younger years were awful. Dudu Mkhize as Nandi, SHaka's mother gave the best performance in the whole series. It seemed neither a film nor a documentary but as it was apparently made in South Africa before the end of Apartheid at least it let the magnificent Zulus relive their history

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    njmollo

    "Shaka Zulu" the ten part mini-series is an interesting mix of good film-making and bad film-making. Certain scenes are beautifully done and perfectly paced while others seem to be the work of a bored and untalented film student. The late William C. Faure's talent as a director really starts to shine when the story is told from the Zulu point of view. For instance, the love scene between Nandi and Senzagakona at the river is beautifully played and executed. The scenes with the young Shaka are generally over played and poorly directed. All the scenes with the British are of a poor standard especially the pontificating and condescending opening scene with the Zulu King and Queen Victoria. The best British scenes are the ones involving Christopher Lee. The acting is generally of a very high standard. Edward Fox is as good as always. He plays his part with dash and honesty rarely seen nowadays. Robert Powell is his usual studied and self-conscious self. The beautiful Dudu Kkhize portrays Nandi and for the most part she is very good.The most remarkable performance has to be that of Henry Cele as Shaka. It is hard, if not impossible, to imagine anyone else in the part of Shaka. He is simply perfect in every aspect and is a surprisingly good actor. It is possible to empathize with Shaka, even understand him and this is because of the towering performance given by Henry Cele. He lets you inside the mind of this despot and translates his pain, confusion and arrogance. This has to be one of the best pieces of casting in cinema history. Conrad Magwaza gives a great performance as Shaka's father, Senzagakona. He plays the part with confidence, comedy and charm.The production design and costumes for the Zulu sequences are first class. Also a remarkable amount of historically accurate material finds itself within the script and this has to be commended. The death of Shaka is open to interpretation but it is generally believed that a relative killed him either by stabbing him in the back or poisoning.The contrasting styles of film-making that abound in this production are a shame. An inept scene usually follows an excellent one and visa versa. I am sure this was partly due to the tight scheduling and production constraints.The musical score is dated and histrionic. A low quality keyboard orchestra pervades scenes that need no accompaniment and destroys certain well-crafted moments. The songs are pretty cheesy as well. With the wealth of extraordinary Zulu music that exists, it is a shame that the score could not have utilized its rhythms and instruments to a more satisfying degree.Having so little African history on film, this mini series has to be classed as a classic. The whole experience is rewarding, exciting and surprisingly refreshing.

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    trevillian

    It seems that the best actors were the tribesmen, done on location, and very graphic on the gore. Could tell right away that this wasn't American Television. The Aussie's and New Zelanders, definately make better mini-series than we do.

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    Nazi_Fighter_David

    When Nandi and her unborn child are saved by the ancient witch doctor, he proclaims: "A force has been generated that in time will rock the foundation of the African sub-continent."Indeed the prophecy shaped the event and Shaka was the ruthless founder of southern Africa's Zulu Empire... In less than a decade, the paramount chieftain of the Zulu clan revolutionized the techniques of tribal warfare and fashioned an efficient and terrifying fighting force that devastated the entire region...Set against the emergence of British power in Africa during the early 19th Century, the film provides some valuable insights into comparative cultures...Shaka (Henry Cele) is a man of considerable height, thin, with athletic body and white teeth who can read and write... He is a great warrior, tactically, strategically and physically... He rearms his army with a long-bladed, short-shafted stabbing spear, which forced them to fight at close quarters... He goes for extermination, incorporating the remnants of the clans he smashed into the Zulu, making it increase with numbers and power..The Mini-Series begins with a letter to the British king (George IV) regarding the Zulus' potential threat to the Cape Colony... In an attempt to intimidate Shaka into an alliance with the British empire, the Secretary of War sends a delegation to inner African to meet with the fearful warrior...We see: The meeting of Nandi, an orphaned princess of the neighboring Langeni clan and Senzangakona, the chief of the then small Zulu tribe... They are instantly attracted to each other... Nandi becomes pregnant, at the same time as Kona's wife, but the marriage did not last... Their marriage violated Zulu custom, and the stigma of this extended to the child...The couple separated when Shaka was six, and Nandi takes her son back to the Langeni, where he passed a fatherless boyhood among a people who despised his mother and makes him the butt of endless cruel pranks... He grows up to be bitter and angry, hating his tormentors... The Langeni drove Nandi out, and she finally found shelter with the Dletsheni, a sub-clan of the powerful Mtetwa...Shaka rules with an iron hand from the beginning, distributing instant death for the slightest opposition...While en route to Shaka's capital, the crew's doctor saves a girl who is in a coma and nearly buried alive by her tribe... Impressed by both the deed and their horses, Shaka agrees to meet with the crew... And so begins the clash of two cultures, two different worlds...Shaka, seriously wounded for saving an unknown warrior (King Dingiswayo), is nursed to health by a beautiful Mtwetwa girl...Shaka, believing in total annihilation, joins the Mtwetwa army and creates a dangerous weapon for the African warfare...Shaka grants Port Natal, with its ivory rights, to the British crew after he is saved by the crew's doctor from an assassination attempt...Shaka's mighty army saving the British delegation in a battle against thousands of Ndwandwe warriors... To test the alliance and allegiance of the British delegation, Shaka orders them into battle alone against the Ndwandwe warriors...With his mother's death Shaka becomes openly psychotic... Shaka rules by the sheer force of his personality, building, by scores of daily executions, a fear so profound that he could afford to ignore it... Set against the spectacular panorama of the Zulu tribal homelands, and with graphic violence and frequent nudity, "Shaka Zulu" is a tremendous epic Mini-Series, chronicling the rise and fall of one of the most famous South Africans who has already passed into legend...

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