compelling "message picture" with good performances from both Sylvia Sidney and Spencer Tracy and deft direction from Fritz Lang. 'Fury' is tautly dramatic and not without lessons for a modern audience, but it still falls just a little short of masterpiece status.This was Lang's first American film, the studios were presumably in fierce competition to sign him to a contract and seems clear that MGM was quite proud of itself and thought they could safely fit the Austrian master into their mold while also revisiting some of his past successes. 'Fury' is by no means a remake of 'M' but it does share some key themes. However, the style is a marked departure from the director's German work and the Hollywood treatment keeps this film from being as compelling as its older brother.Hailing from the Midwest as I do, the Hooterville Junction take on small-town America rankled with me a bit. Gossipy housewives and self-important businessmen are played for laughs and then suddenly turn into a howling mob bent on the death of a man against whom the "evidence" is literally peanuts. It's a serious matter, as we're later reminded by the prosecutor's speech about the number of lynchings in America's then recent history, it should never have been treated lightly.

Being what the ethnic community refers to as a 'skip' - anglo-saxon Australian. Nothing I've seen on Aussie T.V. surpasses this show. But then again, I'm a larrikin and a mug.Who would have ever thought that the 2nd generation 'choccos' would create their own subculture and create a unique show like this. Banjo Patterson & Henry Lawson would turn in their graves. Even the Sydney characters of C.J. Dennis at the turn of the 20th Century weren't as rough or uncouth as Paully,Sleek (the elite), Bobo and Habib. And that new flower of Australian womanhood, Toula just cracks me up every time she appears.In a lot of cases, Australians throughout history have been rebellious and couldn't give a tinker's toss what other people think of them. What you see is what you get down here.To the creators of 'Fat Pizza' - Welcome to the fold fellas...Forget that "New Australian" label. You're as Aussie as they come.

Being an Australian it may seem typical that of course I'd like "pizza" but not true. I was at first skeptical of the show but grew to love it, although the filming and acting is not "crash hot", overall thats what makes the show funny! Some jokes might be hard to relate to for non-Australians. Words like "yobbo, look mate, hooroo, stooge etc, etc are used. Give the show a chance your bound to love it!!!10/10

What I love the most about this comedy is the way it embraces ALL character stereotypes you could ever imagine and puts them into one show. This takes Australian humour into the 21st century, and without sounding like i'm taking it too seriously, it is actually very indicative of the current state of multiculturalism in Australia, and especially Sydney. I love the way it explores virtually all subcultures around today - ethnics, celebrities, gays, models, goths, druggies, criminals, whatever... The cameo appearances are very funny, and seeing Bernard King playing himself was a definite highlight for me, as well as the characters from Prisoner Cell Block H. I especially love Maria Venuti as the interfering Italian mother, and the character of supermodel Claudia MacPherson is a total crack-up. The (probably intentionally) bad acting only serves to make this show even funnier. Check this show out when it returns to SBS in mid-2000, it's hilarious.