When TV first came to my mountain town in 1952, I never missed an installment. The Norths brought into my little livingroom a bright shining married couple that just about embodied 1950's styles and ideals. Nonetheless, seeing even a small sampling 65-years later still entertains. It's a personality series that depends heavily on the charisma of its two stars, which Denning and Britton supply, in spades. Looks like the four stories that I recently viewed were mainly ordinary, except for one "Reunion" that deals with nuclear holocaust in rather daring fashion. So the series may not be as airbrushed as the early 1950's suggests. Filming is done in conventional high-key lighting, with little hint of noir. At the same time, production values appear on the budget side, with outdoor studio sets substituting for the real thing. Still, Pam is well upholstered in styles of the day, that is, when women still wore fancy hats. But what I really like is the North's sign-off where they break the proverbial "fourth wall" and smile at the audience. It's like they're saying "We had a good time, hope you did too". I sure did, Pam and Jerry, and much thanks for then and now.

As a fan of old time radio, I've observed that early television was often simply radio drama with pictures slapped on. "Mr. & Mrs. North" follows that pattern. Richard Denning and Barbara Britton are charming in the lead roles and the mysteries themselves aren't bad. My major beef is the pacing of the show. It spends an inordinate amount of time on opening and closing credits, builds an intriguing mystery, and then because of the 30-minute length (reduced by the need to include commercials) hurriedly wraps things up in the last 30-60 seconds without a satisfying denouement. Somehow, many radio mysteries of the same length managed to be more complete. A solution might have been two-part episodes, but that innovation apparently was uncommon at the time "Mr. & Mrs. North" was made. Still, it's a pleasant and wholesome diversion, superior to many other early TV shows available on dollar DVD.

Mr. and Mrs. North had a great run on the radio, but in the early days of television, production companies didn't spend much money on such silly things as cameras, directors, or editing. Barbara Britton and Richard Denning are good as the leads, but the guest stars are mostly of the quality of your typical high school production. As a matter of fact, the two stars are what make the series watchable. To be fair, compared to most of what was on TV at the time, this is actually a decent show. Really this can only be recommended for fans of the radio series, the novels by Richard and Frances Lockridge, or old-time TV in general. Please beware of the cheap DVD versions released by TV Guide through Genius Entertainment. They overdub horrible, newly recorded theme music over the opening sequence and closing credits that does not fit at all. I'm sure the original music was much more enjoyable... at least it had to be less annoying!

I just recently purchased a DVD containing three episodes of Mr. and Mrs. North I wanted to see because I was 8 or 10 when this show was popular and I wanted to see how much things have changed. Well, of course, they've changed enormously! The writing, directing and acting reminded me of some early Saturday morning theatrical serial dramas I've reviewed in recent years. I now remember that anyone in Hollywood with any success in movies didn't want to be associated with TV in any way whatsoever, unless it was Edward R. Morrow's interviews or Ed Sullivan's variety show. I can see why. The individual lines for each role, moment by moment, only sounded remotely like they were in the same story, as if the script had been cut-and-pasted like a ransom note made in the last hour before a deadline. As a writer, that was what offended me the most.But as person I was offended by obvious gender roles. Barabara Britton was of course very charming and beautiful in the role of the only person in the cast with any real brains whatsoever, but Richard Denning's role - as well as any other man for that matter - was that of ignoring or discounting absolutely anything his wife or any other woman had to say. The men were also written to look and sound like idiots. In the mid-fifties, according to my history teachers, no one was trying to make social commentary or anything deep on TV because of the paranoia of the McCarthy Era. So, I'm forced to believe these observations are simply of clichéd, predominating, formula ideas that were over-used in TV and movies both during that time. It's fascinating to me that these gender attitudes were considered normal and healthy - even funny - in their time, but today only serve to make the men look stupid. If these were the prevailing attitudes, why was the stupid little woman written as the only real sleuth? These flash-backs are nostalgic but annoying.