This was so funny I would class it in the same bracket as I'm Alan Partridge (series one) and Twenty Twelve in the modern comedy series. The characters work so well together with the only downside being character of Martin Brown-ironically played by the best actor (Fenton-stevens) in the series so much so the character did not return for the final series... Each episode tended to focus on a different topic which meant the jokes remained fresh.. Watching again 25 years after the show first aired it could be argued the show had dated slightly but comedy of this type does tend to although IMHO it remains superbly funny. It was probably best to end after three series which at least meant the show bowed out whilst the quality was at its best. WELL RECOMMENDED

With its wall-to-wall soaps, crass quiz shows, tacky news coverage and brainless reality series, the launching of Rupert Murdoch's 'Sky T.V.' in 1988 led some commentators to gloomily predict the beginning of the end for British television. 'K.Y.T.V.' was a retaliatory strike against this new threat; by ridiculing Sky's output it hoped to stave off the tidal wave of 'dumbed down' dross. The first edition featured the striptease game 'Gettem Off!' and a pop show hosted by Ernie Wise and Eddie 'The Eagle' Edwards. A World War Two tribute had presenters who clearly had no idea what they were talking about, and reconstructions of famous wartime events done with shop window dummies. The series grew out of the Radio 4 comedy 'Radio Active' with the same cast reprising their roles. Funny though it was it failed to have the intended impact. Terrestrial television eventually decided 'if you can't beat 'em, join 'em'. 'K.Y.T.V'. was British television's last scream of despair. Before the lunatics took over the asylum...

This spoof of the then embryonic SKY TV satellite network surfaced just after UK Television was deregulated in the late 1980's. This meant that the whereas up to that point you'd had 4 television channels, regulated by government to control content and quality and of course free to view (bar the licence fee that funded and indeed funds the BBC) – now anyone in theory could add a t.v channel onto the new satellite based service. In 1989, despite the promise of more channels and therefore more choice, the curious euphemism for repeats, SKY was still considered a bit of a joke – in contrast to the relatively high quality of Terrestrial broadcasting and the pool of talent it had monopolised for 50 years, SKY seemed tacky and low-brow by comparison – toe curling (un)original programming acting as water breaks between streams of cheap US imports, lashings of repeats (something people had always complained about – now they were willing to pay to see them) and as I recall,dreadful Euro stations that no-one wanted to watch – one channel was just a burning fireplace. KYTV sent up this absurd low-brow Daily Star bullsh*t. Coaxing the proles by buying up all the football and therefore bribing them with their own money to take up a service they'd previous enjoyed for nothing, SKY appealed to the viewers worst instincts. Why watch original comedy, documentaries and domestically produced drama made to quota when you could pay £30 a month to see wall to wall movies, footie and of course tits on some of the more racy German T.V networks? Deayton, Atkinson-Wood and co. made it all look very funny – appalling programmes, shameless advertising, terrible presenters. Why KYTV seems even better now than then is that it predicted something no-one could imagine, that one day 10m people would be subscribing to the visual equivalent of dysentery. Who in 1989 would have believed that by 2006 SKY would be a major player in the UK TV marketplace and that despite being no better now than it was then, it would have convinced enough people to pay to support its sports monopoly and maintain a network that offered no original content – just ream upon ream of stuff ripped from the US broadcasters thus allowing Sky to keep its costs down and make maximum bread for News International and that Australian American Scrotum that sits on the top of the cash pile. Meanwhile TV has become more niche marketed because everyone in UK broadcasting wants us to become American – apparently we don't want channels with varied schedules, catering for a variety of audiences; that's akin to some kind of antiquated lunacy. Now audiences decline, hundreds of channels sprout up with nothing to show thus more repeats, low budgets, rock bottom quality programmes and of course no innovation because the market makes risk to, er, risky. That's the current state of play and that, not KYTV is the real joke. If it went out today it'd be part of the Sky Digital package.

KYTV was probably one of the greatest(and most underrated) British comedies of the last fifteen years. The premise was simple: set around a TV station the show is a satire on the sensationalism of such tabloid stations - of which there are now many.The writing was clever, witty and, in places, extremely subtle. Ironically, it could also be coarse and very base.The production values for the time were excellent. It's a shame that British comedy has fallen so much since this high point with paltry pretenders to the KYTV mantle such as `The Day Today' falling far short of the mark when placed up against KYTV(although taken purely on its own merits, `The Day Today' is a pretty good show). Much of the humour and attention to detail(or, for want of a better term, reality) present is noticeably British, as opposed to the American style that has crept into BBC productions since then (benefits of an Irish viewpoint there!).The quality of performance is excellent also, with every actor giving just the right performance.If you're after a good side splitting laugh, you'll find it in this show. 8)