Despite reading a review that did not give me much hope I went ahead and watched it for the SECOND time. Okay its been reworked a bit and not quite true to the story but the performance is young and very fresh. I particularly enjoyed Gillian Anderson as Miss Haversham what was great was one minute she looked haggard then the next shot in the same scene had her looking stunning.Very effective. The Pip character was just the right amount of smouldering,young sexiness needed, look forward to seeing more of Mr Booth, Estella was so cold and so good,her soon to be husband was a super baddie. Great to see Mr Suchet playing the Lawyer,Orlick was excellent too.Ray Winstone was an added bonus and brought some real originality to this great Dickens story. Loved it, even better the second time around.

Fine work of all of the cast relating a story that has been told so many times, that you cannot expect to feel it fresh and deeply touching, but they do. The journey of young Pip from simple kindhearted boy to knowing, kindhearted man is so capturing that, although knowing the story, I couldn't stop asking myself "what will happen at the end". The richness of the human soul have always captured me and in the this beautiful story you can see it all in one go - betrayal so bitter that makes a heart full of pride so angry and mean as to destroy several lives in a cold, premeditated scheme vexing deeply two young hearts, but mostly its own designer. You will see avarice and ambition of twisted little souls. But mostly you will see kindness - perfect scene in ep1-you will see friendship, honest and lasting, and you will see love, above passion and simplicity. I love Dickens and his way of unfolding his characters, so I was very pleased to see the series keeping close to his book, but in a fresh way suited for the understanding of 21st century audience. I very much recommend!

Another example of BBC scriptwriters attempting to 'improve' on classic works of fiction, hence the existence of previous Christmas failures like THE TURN OF THE SCREW and WHISTLE AND I'LL COME TO YOU. GREAT EXPECTATIONS follows in the footsteps of those unwise productions and turns out to be another utterly forgettable adaptation.This miniseries is laid out over three hour-long episodes and yet contains less depth and material from the book than the shorter David Lean version. Much of the comedy from the book (like the bit with Joe not knowing where to put his hat) is excised, leaving this a maudlin, pretentious experience. New, endless scenes of characters arguing or sitting around tables are not a substitute for genuine penmanship.Although the production looks good, with some excellent atmospheric shots of Romney Marsh at the opening, like THE OTHER BOLEYN GIRL the whole of the action takes place in only a handful of locations, which soon becomes repetitive. Where's the hustle and bustle of Victorian London, the feeling of another era brought to life? Not here, certainly.Of the cast, there's little to write home about. Douglas Booth (PILLARS OF THE EARTH) is adequate as Pip and Ray Winstone makes an excellent Magwith and deserves more screen time. Gillian Anderson's Miss Havisham is horrible, and not in a good way. She seems to be channelling the White Witch, talks in a silly little girl-voice and is about twenty years too young for the part. It's a pantomime performance and the worst I've seen of this actress. Vanessa Kirby's Estella is certainly not the woman that "any man would want to marry" and David Suchet and Mark Addy are both wasted in nothing roles.A distinctly lacklustre Dickens that takes away the very life and voice of the author, leaving only bland characters going through the motions.

I don't want to go into too much detail or else it will be thoroughly spoiled. I anticipated this adaptation for months, being a great Dickens fan, especially after the BBC's magnificent adaptation of Bleak House.Similar problems always arise in these adaptations, both suffered from an absence of some key characters (although the latter had more episodes, and didn't suffer as a result) so here as a result the character development is not as it should have been.I was impressed however by how much of the plot they fit into just 3 episodes over Christmas, and the pace was terrific. There were flaws in the script, where Bleak House took plenty of quotes from the novel, this didn't and therefore doesn't feel as fleshy or ultimately, Dickensian. Why change the best form?I commend the cinematographers. One really felt the setting as it was written. Now onto the major successes and faults; casting.Douglas Booth as the protagonist tried but came off as a bit too wooden. He also looked far too attractive (which of course is not an insult) but it didn't really work.It is nice to see Claire Rushbrook again. Not seen her since Secrets & Lies. She was very convincing as Mrs Joe. Shaun Dooley was excellent as Joe Gargery, as were Harry Lloyd as Herbert Pocket, Jack Roth as Orlick, David Suchet as Jaggers and Ray Winstone definitely brought great life and humanity to the dreaded Magwitch.My hat though must go off to Gillian Anderson, although many have thought her wrong for the part, let me explain why she was so good and right for the role.Although Miss Havisham has been typically played as elderly, and her age is never specified really in the book, she was almost married as a teenager, and the time passing would place her in her forties, to early fifties. This makes Anderson, if anything, TOO YOUNG for the role, and the original "best" Martita Hunt, was only some years older. Of course she has been aged by her style of existence. Anderson did look more worn and ethereal as the series progressed. People also seemed to have a problem with her voice.I see the childish voice as her being trapped in her 18 year old self, which presumably is the age she was jilted, so like the rest of the house, time stopped at that point, which is why she had a similar childish outburst when her relatives visited. I think Anderson's performance therefore is rather genius. One can really feel the angst, anger, regret she feels. I would have preferred a more dramatic apology to Pip in the end, but I suppose it was more subtle. Anderson again impresses in a Dickensian role, showing something completely different to her outstanding portrayal of Lady Dedlock.It is her impressive work which for me gives this a 7 over 6. Oh and the intro sequence was quite beautiful. Slightly disappointing but overall an engaging adaptation, with a brave effort by Anderson which should really be recognised by BAFTA.Dooley, Roth, Winstone and Lloyd should all create some buzz too.