I love the book and I've seen almost all the filmed versions, from the Upper East Side setting of Cruel Intentions to the 2nd Korean version, Untold Scandal, but I have to say I was a little disappointed with this one.Firstly, I love Catherine Deneuve but I just couldn't take her in this role! The Marquise de Merteuil is only supposed to give the impression of coldness. Ms. Deneuve is a solid block of ice all the way through this film which makes it difficult to believe anyone would want to bed her much less enjoy it and even less be willing to give their lives for her! Contrast that to Glenn Close's portrayal in the Stephen Frears film and you'll know what I mean.And secondly there is poor Rupert Everett. If I could imagine the Vicomte de Valmont I would certainly have him look like Rupert but again his acting has just too cold! Going back to Frears, what made John Malkovich so perfect in the role was that he was so imperfect! John isn't classically handsome but he's charming and that is what he brings to the role. Even though we know the guy isn't hot we have no problem believing he can score with the ladies, even against their better judgment and numerous protestations, because he's just smooth like that! And what is more we feel badly for him when when he loses Madame de Tourvel and is betrayed by the Marquise.I never once believed Rupert's character felt any real pain. He just seemed like a big, handsome evil Robot! It would have made more sense and been less surprising had he just gone on a rampage and killed everyone in the movie! On a positive note, Rupert's French is beautiful, the soundtrack is marvelous and the costume design is fabulous!

I saw this on DVD, with French sub-titles (I'm learning French).I'm absolutely amazed at the number of commentators on this site who disliked this production. I've seen four versions of the work, and in my opinion this is by far the best. It is ravishing to look at, the story is compelling and presented with great clarity and sophistication, and the acting is outstanding. Yes, Catherine Deneuve was too old for the part. But she didn't look it, or act it; regardless of the date of her birth, she retains an allure that I for one would find difficult to resist if I had the honour and good fortune to meet her. As for Rupert Everett, who cares about whether he's used botox or not? He's got exactly the right sort of snake-like ability to fascinate and attract. And both of them can actually act. I think it's one of Catherine Deneuve's very best performances, probably because of the quality of the screenplay with which she had to work.I found it compelling from the very first moment, and I'm about to buy the DVD.

Oh Lord, this was really bad! You think with all those marvellous actresses and actors and this brilliant story, nothing can go wrong, but - they marred it completely.Starting with hilarious miscasting (Catherine Deneuve is far too old and not sensuous enough), over boring, wooden dialogue to incompetent camera work - there is one scene which has two of the leading characters talking to another, and you don't even get to see the face of one of them!Shifting the story into the present may be an interesting idea, but the script does not take the simplest care in adapting to this.See another version of this, the Stephen-Frears-film if you can. But do miss this one!

How could a big splashy TV-event starring the combined beauty of Miss Deneuve, Miss Kinski and Miss Sobieski and the reptilian charm of Mister Everett miss?By being rather dull and boring. Somewhat based on that stalwart tale of love, revenge, lust and hate 'Liaisons Dangereuse' the story takes place in a kind Swinging Paris and casts French Idol Deneuve as the Real Wicked Witch of the West. And that's the major fault of the otherwise adequate show: Miss Deneuve, looking alarmingly like Ivana Trump in decay, is much, much too old (and, I'm sorry to admit, old looking) to be credible as the most amoral woman this side of the Channel. Mister Everett fares a little better, but not much. Poor Nastasja Kinski! Once a glamorous and talented star she is relegated to a mere piece of furniture. And Miss Sobieski (said to be the great-great-great niece or something like that of Jan Sobieski, who defeated the Turks in the battle of Kahlenberg and so saved Vienna in 1683) appears rather frumpy and plumpy. No sings of her remarkable talent she demonstrated in the much underrated damsel-in-distress shocker 'The Class House' not so long ago.All in all: a monumental waste of time and money. Even Roger Vadim fared better with his less-than-adequate modern version of de Laclos' glum tale.