Peter Kaye is spectacular as a docker. The perfect fit. Would have expected much more gear in the house. Pallets of food, containers of spam panda licorice.. just to name a few of our fallin' goods. The premise is great. Made me homesick and i haven't lived in Europe since 1970. The fashion and the audio tracks are glorious.. i know smoking is frowned upon and bad language is outlawed but it was the only noticeable items missing. The seventies was horrible .. every person smoked, everywhere.The "Humor" is priceless in most situations, nothing can prepare you for how well this scheming comedy was forged. Hope a second season comes out from the shadows soon. Best family comedy in a very long time. Could become a classic if treated just right.

It is the 1970's and Danny Baker's (Laurie Kynaston) parents are thoroughly estate people. In the states we would say to be nice they live in subsidized housing or to be a bit unkind, they live in public housing. His dad Fred (Peter Kay) is a bit of a wheeler dealer (not a thief but not one to pass up a good deal even if it might skirt the law) and one of the boys; his mom Bet (Lucy Speed) longs for a more regular and "moving up" life. Frequently it is dad's down to earth quality that saves the situation. Or exacerbates it but general with "good" consequences, not always but . . . . The series has some of the characteristics of a picaresque novel as Fred (Spud) relies on his wits to move along, has a tough time holding on to a job, and while in the later episodes there is a story arc (making sure the daughter has a nice wedding), by and large the adventures—especially of Danny —are incidents from his life growing up South London and are meant to amuse. Danny and his friends get in and out or trouble with usual high spirits, but on occasion a consequence can be serious: one such ends up with the death of a mate (friend). I know, this doesn't sound like a comedy but it is. When Danny goes to a show with his sister and her boyfriend, he is looking forward to it as the cast (Hair) has nude scenes. But when the dancers go offstage (completely nude), and Danny gets hit on the cheek by a loose penis, I just about fell off the chair laughing. And watching Fred and the other dock workers try to outwit the new breed of dock security workers before the docks begin to shut down is bittersweet as they try to liberate some sherry but confuse sherry with sherry vinaigrette. While Danny might not be a fan of school, he is a fan of the "future studies" class taught by the smoking hot Miss Blondel which sets up a conflict of choices between football (soccer) and the possibility of being in the photography darkroom with Miss Blondel. And when you find out how Teddy Arsewhole got his nickname, you will be laughing so hard you will be in tears.What we have is a nostalgic look at a time (not unlike any cultural/economic shift) when manual jobs were being lost; and the incursions of newer technology (VCR's for example) had not yet had a major impact. You don't have to be British to enjoy this series but some of the thicker accents could make an American wish for subtitles in English. Regardless, it's a great show in the vein as "Moone Boy," The IT Crowd," or "Spy" (Darren Boyd). If you get a chance to see it then be sure to catch it. Currently running on Acorn TV. And the soundtrack is beyond great.I understand a second series has been commissioned; but this really works as a one off.

This series has been something of a surprise hit with me. I gave a miss initially, but then watched episode 1 on the BBC Player and was hooked. It moves at a good pace, interweaving the various threads throughout the episodes and across several episodes. The casting and acting is top notch all around. They've recreated the 70s superbly, too, and it really rolls back the years for those of us who are almost the same age as Danny Baker (I'm a couple of years younger). In addition, the music from Squeeze really fits the bill, along with a superb 70s soundtrack.And ignore all that nonsense about Peter Kay's cockney accent. It doesn't matter. He does a great job with the role of Danny's father.All in all, a great watch. I hope they push ahead with series 2. I read that Baker and Pope are already working on the second series.

As a long time fan of Danny Baker and a reader of his two brilliant autobiographies I was really looking forward to seeing Cradle To Grave. The first episode was spot on. It introduced us to his family (including his dad 'Spud' and his mum Bet) and his mates in a logical but amusing way and was choc full of funny, charming incidents. My favourite being the story of the rare green tonic trousers who were begrudgingly lent to a friend who dies and was laid to rest in said strides. Others included a visit to the West End to see the hippy musical Hair only for the young Danny to be slapped in the face by a too-close dancing male member. The tone was right, the costumes were right, the music was perfect (of course it was, this is Danny Baker), the scenes were not too long and the focus was always on Danny (nicely played by Laurie Kynaston) who was more-or-less in every scene.But I have to say that by contrast the second episode was a little disappointing (sorry Dan). Out went the episodic nature which copied the book so well and in came some long-winded scenes focusing on Danny's mum and dad taking a cut-price caravan holiday (Spud's idea of giving Bet a good time) and going to a civic dinner. The former was like an outtake from an early episode of Only Fools and Horses with Spud and Co turning into stock BBC cockney caricatures and I happen to know that the latter story was not taken from Danny's life but from a caller who rang into his successful BBC Radio London show. She was invited to a works "do" and unintentionally ended up dancing with her husband's boss causing much embarrassment. Her version of it was very funny, sadly Danny's version, via Jeff pope, via Peter Kay somehow lost something in the translation. And therein lies the problem, stick to the truth and it's works. Start to tinker with it and it is in danger of failing.So please, please let the remaining episodes go back to the superb style of the first one and focus on the young Danny and his mates. The real Danny, the one we know and love, with just occasional references to Spud's antics otherwise Cradle To Grave could be in danger of morphing into The New Peter Kay Show (although I suspect Peter had a hand in the writing).Looking forward to see the young Danny meeting Elton John, Freddie Mercury and Marc Bolan in One Stop Records, the "David Essex" incident and of course Blackie the dog!