What is with these people who give such wonderful reviews of this show.? I became a viewer with high expectations having seen Stuart Whitman in big budget westerns such as Commancheros with John Wayne. This show -first of all- had poor lighting. Did anyone bother to pay the light bill?Often...the action, (which was very little, not enough for a half hour much less 90 minutes) was at night and you could not even tell what was going on . The cast was total stereotypes with Percy Herbert, Randy Boone, and Jill Townsend. It appeared that the entire show was filmed on one acre of desert and a saloon. This was no ..Virginian- which had everything- great acting,plots, guest stars,unpredictable big budget production..It was the same thing every week, 5 minutes of action at the end.Stuart Whitman would chase some psycho villain and get either shot or beaten up terribly and miraculously survive. ..The sheriff didn't seem to live anywhere just roamed around This show has poor melodramatic plots.And CBS became cheap and used the same theme music on every western on TV

The 23 (90 minute) episodes of the CBS television western "Cimarron Strip" were originally broadcast during the 1967-68 television season, running from 7:30PM to 9PM on Thursday nights. In 1967 a 90-minute time slot seemed reasonable as "The Virginian" (1962-1971) had enjoyed considerable success with this expanded running length; 248 episodes in total. And before that "Wagon Train" made a portion of its episodes this long. Unfortunately for "Cimarron Strip", by 1967 the television western was on its way out and viewers never really warmed up to the show.Unlike "The Virginian" and "Wagon Train", "Cimarron Strip" is not structured in the anthology style, a format better suited to the longer format because it emphasizes guest stars and a large cast of intermittently appearing characters. If anything "Cimarron Strip" went to the other extreme, focusing on only two regular characters and a single theme; the other regular cast members rarely appear in anything more than supporting roles. While this narrow focus is a poor match to the longer running length, it is also what makes the series so special. If not television's all-time best western, "Cimarron Strip" is certainly the most ambitious. The episodes are set in the 1880's and revolve around the interplay between Marshall Jim Crown (Stuart Whitman) and Dulcey Coopersmith (Jill Townsend). Crown is a somewhat world-weary lawman tasked with maintaining law and order in the vast Cimarron Strip (named after the Cimarron River and comprising parts of Oklahoma, Kansas, Colorado, and New Mexico). Dulcey is a compassionate and caring young woman from the East who has inherited (from her father) the local inn; a combination saloon, boarding house, and jail. Dulcey's innocence and goodness inspire the otherwise disillusioned Marshall, who in turn protects her from what he can and tries to put the rest in perspective for her. Dulcey is obviously symbolic of the arrival of civilizing forces to the frontier but in a larger sense she represents the loss of innocence process anywhere and anytime. The series is in many ways her coming of age story. It doesn't hurt that Townsend is hauntingly beautiful, with a refreshing natural look and a hair-style that swept the country during and after the premiere of the series.Moral ambiguity is the other regular theme, with guest stars often redeeming themselves with a final act of personal responsibility. Typically these characters are portrayed as individuals who have had to subordinate their basic goodness in order to survive in this tough environment.Almost every episode included several top quality and well-known guest stars, whose performances were always up to the task.Then again, what do I know? I'm only a child.

I remember Cimarron from its first run in 1967, and now I watch it when I can on EWST. The acting was at times over the top, the violence gratuitous, and Stuart Whitman's slurring of his lines always provided a chuckle ("Ged me muh gun, Dulzzz-y!").Most humorous are the opening and closing scenes in which Whitman tries to ride a horse. As the horse goes full gallop across the plain, the actor appears to be doing all he can to stay in the saddle, body stiff, arms flailing up in the air. In one shot he even looks terrified, and in another he appears about to slide off the saddle! On the other hand, I do agree with the other commentators that the characters were relatively complex, with shades of gray rather than all good and all bad, which is how they are depicted in modern Western movies. Also notable is that it appears (at least in rerun) to have been filmed in somewhat washed-out color, thus adding to the gritty feel of the show. This is another technique that is popular in today's cinema (e.g., the remake of "3:10 to Yuma").On the whole I rate this show a seven: for the unintentional laughs, complicated characters, and always an interesting storyline.

I still remember the almost mystical episode where a mysterious something was killing folk just outside the perimeter of the town, leaving their bodies so mutilated that no-one could identify whether death was caused by man or beast. Cimarron Strip was like a western version of the Twilight Zone, instead of being the cartoon town which every other show had the Strip was its own place, far removed physically from the rest of the west and far removed in philosophy and execution from the rest of western TV shows. You never knew what complex psychological problem would come riding into town each week. Marshall Jim Crown stalked the Strip like a six-gunned God and town maiden Dulcie was the fairest of the fair. In TV Heaven, they show this every day. They should - there's never been another western like it.BB