'Chimera' is an extremely short-running (4 episode) horror drama from the early 1990's.The ideas are so sinister and horrific that they might have been penned by Nigel Kneale.Set in Yorkshire, in the north of England, a supposed fertility clinic is being used as a front for inter-species experiments, using eggs and sperm from unwitting patients. The result is a chimp-human hybrid that escapes during the first episode and runs amok with a large knife in the 'clinic', eviscerating everyone it finds. So, we begin with a frightful crime, and the rest of the series entails a sinister who-done-it as to the nature and capture of the culprit.The viewer doesn't know the killer's identity, there is only a clue from a screaming, violent spectre that may or may not be human, and may or may not be sane, being bundled out of a van and into the facility.This is the kind of programme at which British television could often excel. The ideas are so vile that they grip your attention as they unfold. It's science-fiction (or it was then) it's a slasher-horror work with hints of Frankenstien, it's a who-done-it, and it's a conspiracy theory.Sadly, the programme inevitably suffers from under-funding and limited production values that have always dogged British television. Lighting, camera-work and script could all have been a lot better. Even so; the 4-hours allotted to it's presentation is just about equal to the plot threads and discovery whilst still making for a worthy watch. The beast itself is rather campy in its final denouement and might have benefited from some of today's CGI, or better still - a little of Rob Bottin's animatronic magic.Worth a watch if you can find a copy of the mini-series. An abridged movie of the same material called 'Monkeyboy' is little more than a trailer. It has all of the - now - inadequate highlights and omits most of the slowly-developing tension. Avoit the latter.

Now here's a review that I never thought I'd be adding to my list of rare slasher movies. Could a feature length edition of a four-part series that was aired way back in 1991 on the comfort of a Sunday evening's television really be classed a slasher flick? Surprisingly the answer is yes. I remember watching Chimera as a ten year old child and being absolutely petrified by the sights I was witnessing. Many years later as my love for horror grew, I often reminisced about Lawrence Gordon Clark's opus and was enthusiastic when I discovered an ageing copy at a video store under the alias of Monkey Boy. Chimera had launched to much critical acclaim in the United Kingdom and I wondered whether it could survive the stark condensation from a four hour runtime to a measly length of a hundred and four minutes. Chimera launches with a suspenseful set-piece, which was drastically shortened from the sequence broadcasted on television in 1991. In its original format we were given a huge amount of development into the lives of the opening victims, whereas in this shorter version, the characters are slaughtered almost as soon as they are introduced. It all kicks off in The Jener Clinic - a remote fertility surgery in the Yorkshire countryside. A van pulls into the car park and out jump four panic stricken workers. They drag something screaming from the back of the vehicle before silencing it with tranquillisers and carrying it into the complex. Although we don't get to see the struggling aggressor, we can tell from its screams that it's certainly not human. As night sets in on the clinic, the alarm is raised when an unseen someone begins stalking through the surgery and slaughtering the staff Michael Myers-style with a carving knife. The unseen maniac escapes the location, leaving behind him a mess of butchered corpses and flames. The following morning we are introduced to Peter Carson (John Lynch). Peter is apprehended by Police whilst on his way to the clinic in order to meet his ex-girlfriend, Tracy. He is forced to identify the nurse's mutilated corpse, but when he asks for answers he is given the run-around by the senior detectives. Visibly frustrated at the lack of information he is given, Peter begins to suspect that the Police are covering up the true motives behind the massacre. He soon launches his own private investigation, which uncovers something worse than he could ever have imagined. The days when British Hammer Horror features were at the forefront of the genre have long since passed and UK cinema has yet to produce a slasher movie to rival its American brethren. It comes as some surprise that the closest they have come is with this made for TV thriller from the early nineties. Chimera combines a gripping story with the standard clichés to create an entry that sticks in your mind long after the closing credits have rolled. Mixing shady government conspiracies and genetic engineering with approachable characters and a bogeyman that splits the viewer between moods of sympathy and hatred, Stephen Gallagher's script generates enough complexity and terror to allow it to stand as a memorable viewing experience. The opening massacre borrows heavily from Halloween and its sequel, and in a further nod to the cycle, the killer sports a red striped top ala Freddy Krueger. As Chimera was made for television, the gore is kept to a bare minimum, but Clark's sharp and rapid direction and a plot that successfully delays the explanation to the psycho's identity keeps the tension running fluidly. John Carpenter has stated that one of the reasons that the original Halloween towered so prominently over the quality of its sequels was the excellent dramatisation of 'the shape' by Nick Castle. It's easy to underestimate the importance of a chillingly portrayed bogeyman, but it's something that Clark was aware of and Douglas Mann does an excellent job of giving the killer a distinguishing characterisation. In the lead, John Lynch fails to take advantage of a multi-layered plot and delivers a half-hearted colourless performance, whilst the majority of the cast members never leave the comfort zone of b-grade television dramatics. Only Kenneth Graham emerges with credibility, portraying the ruthless Hennessey with a vicious guile that offers the viewer a genuine hate figure. The fact that Chimera is based on Gallagher's novel from 1982 - a time when the genre was at its most productive - explains why the plot is so knee deep in slasher references. But to classify Chimera as just another cycle entry would perhaps be an injustice, because it falls into a huge number of categories. Part Sci-fi, part detective mystery and a huge part stalk and slash, Clark's opus is an altogether interesting feature that never outstays its welcome.It's somewhat surprising that as of yet there's no official DVD of the original four part series, but the feature length Monkey Boy VHS still deserves to be seen.

Two things let down this prophetic drama; poorly-shot special effects and a long, unnecessary setting-up sequence about a nurse getting a job that takes up most of the first episode (apparently it was originally scripted to start right in at the clinic but the producers insisted on adding the extra material. obviously a long bus ride is their idea of a good time.) But once the real story starts we're into a very dark and uncompromising meditation on cruelty and humanity that was considered science fictional back in 1991 but which has moved within reach today. The identity and status of a creature with an animal physique and a human mentality is a matter for urgent and ongoing debate, and the drama dared to imagine that such a creature might not be denied a voice in its own fate.

This is one of those films that will have you thinking. This isn't so much a horror film, more of a 'messing with nature' story. Throughout the film I couldn't help but feel sorry for Chad, the creature who is half man, half ape.What some people don't understand about this film is that it is not some cheap, English horror, but about the type of stuff that goes on without public knowledge. It tries to say that if you screw with nature, it will screw you in return. Chad is badly treated by the scientists who created him, so it isn't a wonder that he takes out some revenge on them.!!SPOILER!! The very end of the film points out a stupidity factor in science. When Chad is destroyed, you see the remaining scientists back in the lab, along with six, newly created chimeras that get to grow up in the same environment that Chad did. How clever.