Sharp, searing, witty, vile, nasty, satirical, idiotic, thought-provoking, juvenile, sublime, absurd. Any and all of these labels can be applied to the genius that is Brasseye. Chris Morris co-scripts and presents a viciously satirical attack on the media in the modern world, tackling various subjects - all controversial, but to varying degrees - to get his point across.Several moments have entered the annals of TV folklore, including the infamous 'Cake' sequence (the 'made up' drug from Czechoslovakia), the masturbating Senator, and the Paedogeddon special, a Daily Mail baiting episode which caused a flurry of controversy when first aired, including calls for Channel 4 to be prosecuted for promoting the idea of paedophilia. Talk about people missing the point!Love it or hate it, Brasseye took us to places no other TV show had dared before, luring unsuspecting celebrities to whore themselves with mindless scripts, or to fake support for a charity organisation, just to show how much they 'care'. The finest example of this is the Capitol Radio DJ who describes a charity as "A fabulous organisation", little realising that it doesn't even exist!Never dull, always provocative, a must see for anyone with a mind.

Any show which brasses off the editor of 'The News Of The World' is OK by me. The furore that surrounded the notorious 'paedophilia' special has ensured that 'Brass Eye' will not easily be forgotten. What was amusing was the way Rebekah Wade missed the point; it was not 'sending up' paedophilia', you can't do that, but rather the lynch-mob mentality of publicity-seeking tabloid rags. The rest of 'Brass Eye' was great too; particularly 'Drugs'. When Noel Edmonds uttered the phrase 'Shatner's Bassoom', I nearly died laughing. Top marks to Chris Morris for managing to trap so many D-list celebrities and charlatan politicians into making utter fools of themselves. As with 'The Day Today', the use of graphics and music is both clever and imaginative; an image of Peter Stringfellow was mocked in the 'Sex' episode. If 'Brass Eye' still shocks nearly a decade later, it is a testament to the genius of its creator. And it proved that the success of 'The Day Today' was not all down to Steve Coogan.

What can be said about Christopher Morris that has not already been said. He is one of the most talked about comedians and satirists to come out of these shores in a long, long time. Everyone has an opinion on him, whether it be good or bad. Whatever it is he is doing his job. He is making people talk about the issues of media manipulation and sensationalism and the power of celebrity.With his Brass Eye shows, not only did he cover a diverse range of subjects (everything from animal cruelty, paedophilia, sex and drugs) but also mimicked and mocked a wide range of media (such as the talk show, investigative reporting made famous by Roger Cook and his Cook Report and the CrimeWatch appeal shows seen within the 2001 controversial special. But as with any comedian, he has to be funny and he certainly is that. Whether it be a 25 ft wicker phallus or the Virgin Mary driving a car, you just can't help but laugh. The subject may be deadly serious but the subject matter certainly is not. Morris does not mock the subject itself but the media's handling of the subject and what lengths B-list celebrities will go to get into the spotlight. You can't help but laugh at Phil Collins wearing a Nonce Sence T-shirt or NIck Owen talking about fake electricity. How these people don't realise they are talking rubbish is anyone's guess.Whether he is doing television, radio or writing Christopher Morris will always be etched on the minds of the British public in one way or another. Who said British television was dead when we can produce programmes as innovative as Brass Eye.

I wish to God that Channel 4, in all their infinite wisdom, would see their way clear to releasing Brasseye on video... Just look at the sales of the Day Today videos well over five years since the series was topical...For anyone unlucky enough to miss the TV airing, I must echo the sentiments of previous commentators in saying how spot-on Morris' parodies were. TV execs now loathe him as much as the celebrities he mocked; being too much of a hot potato, but students and the disaffected love him.PLEASE RELEASE BRASSEYE ON VIDEO!!!! (Maybe we should set up some kind of petition?)