Aftershock: Earthquake in New York
Aftershock: Earthquake in New York
NR | 14 November 1999 (USA)
SEASON & EPISODES
  • 1
  • Reviews
    Amy Adler

    Thomas (Tom Skerritt) is the fire chief for NYC but, he is about to submit his resignation. He has bones to pick with the city's mayor (Charles S. Dutton) and rather than work things out, Thomas is set to quit. The mayor has a beautiful, intelligent daughter who serves as a topnotch public defender but who is also being courted by a top law firm. Her latest case involves a man accused of murdering his wife, but the would-be killer proclaims his innocence. Can she get him acquitted and then land the more lucrative job? Also in the city is a lady named Dori (Sharon Lawrence) who suffers with acute guilt over an automobile accident that left her young son with a limp. Her husband (Mitchell Ryan) is dismayed that she still has not gone back to work or that she will not renew their mutual hobby, mountain climbing. Meanwhile, aspiring ballet dancer, Diane (Jennifer Garner) still has to ask her parents for money to make ends meet, something no family member likes, including Diane. Crossing paths with these folks are a Russian immigrant cab driver, the mayor's caring but aging mother, a poor teenager, and a businesswoman with eyes for Dori's husband. Suddenly, a deadly earthquake strikes, in NYC for goodness sake. Some folks are trapped in the subway, some on the street, and some in the upper levels of buildings. Who will survive? Does anyone care? This film is a very poor affair, suffering from implausability and stupidity, too. It's as though someone said, let's have an earthquake strike Manhattan because having people trapped in a subway system would be cool. No matter if the chance of an earthquake hitting NYC is slim to none, let's do it. Add on a fire chief who orders men into dangerous and avoidable situations, a mayor who can take time for a chat during a disaster, and a rock climbing mama who is the only one able to rescue her son and you have a film that goes way beyond credulity. The lame acting by nearly all thespians (Sharon Lawrence starts off well but loses her believability, too) does not help matters, either. The special effects are uneven, sometimes being quite good, and at other times, totally laughable. Costumes and production values are average at best, too. If you have a yen for disaster flicks, then you might take an interest in watching this one. For, in truth, it is a double dose of dire, once as an earthquake flick, and once as an extremely poor-quality film.

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    Bob Stout

    I'd avoided this movie for years. Unlike the writers, I understand the geology under NYC, so I was expecting it to be every bit as bad as "Volcano", based on a similarly silly premise. Finally, last night I needed some mindless entertainment to help me get to sleep so I tuned in.Yes, the premise is just as silly as it sounds. However, the writers, while technically clueless, did craft one of the best disaster flick scripts I've ever seen. The acting is uniformly excellent, and the direction, after the typically slow disaster flick setup, was taut and effective. The special effects were quite decent for TV - certainly better than most SciFi channel made-for-TV films. Unlike "Volcano", the characters are sympathetic and believable. After the viewer has swallowed the basic premise, everything else goes down well. Altogether a very involving film, which is, after all, the goal of all disaster flicks.Given a chance, I will watch it again (I missed the first 10 minutes or so). Heartily recommended for disaster flick fans, conditionally recommended for everyone else.

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    fiera121

    For those of you who enjoyed the 'disaster' movies of the 70's such as The Towering Inferno and The Poseidon Adventure, you'll love this movie. Although it's quite long (just under three hours), my attention never wavered. It had several sub-plots going on simultaneously, including a love story, the resolution of an old rivalry, and a parent's fight to absolve herself of guilt over a two-year accident. Yet the storyline was never blurred or confusing and the characters seemed real to me. Perhaps most importantly, not all the little sub-plots had fairy-tale endings; some ended happily and some did not, but you don't know which is which until it happens. All in all, this is a movie well worth seeing!

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    mozart827

    I was VERY disappointed in this film. No, that's not quite true. I didn't have great expectations for this TV movie, but it did not even live up to those meager hopes for a decent disaster flick. The characters, for the most part, were uninteresting and whiny and unsympathetic. The special-effects are not exceptionally good-- no better than most films today. And the story was lacking in excitement and depth. In addition, the lack of destruction was 1) rather unbelievable, and 2) annoyingly sparse. After an earthquake in a city that is mostly unprepared for such an event, one would think there would be a great deal more devastation. Like ASTEROID, GODZILLA, VOLCANO, and to a lesser extent, DANTE'S PEAK and ARMAGEDDON, AFTERSHOCK has relatively little in the way of physical damage. Now, far be it for me to want total devastation and loss of life, but really, can't we get a little more than a few toppled and cracked old buildings? I realize that special effects are expensive, but to me, the directors and script-writers of these films don't seem to want to make any effort to make a truly "disastrous" film.(One last point, NY City seems to get picked on a great deal in disaster films: AFTERSHOCK, DEEP IMPACT, ARMAGEDDON, GODZILLA, FAIL SAFE, INDEPENDENCE DAY, and others such as DIE HARD 3, and THE SIEGE.)

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