Zatoichi and the Fugitives is the eighteenth entry in the Japanese franchise about the blind masseur, skilled swordsman and lowly yakuza. The film convinces with gloomy atmosphere, profound characters and brutal fight sequences. Zatoichi comes to a region that is terrorized by a group of cruel criminals and to a town controlled by a greedy boss who treats indebted citizens like slaves. Zatoichi stays at the local doctor's residence and grows fond of the generous man and his kind daughter. Things start getting complicated when an inspector comes to town who is looking for the fugitive criminals and when the leader of these criminals is revealed to be the doctor's disowned son. The greedy boss cooperates with the cruel fugitives and Zatoichi steps up to prevent further bloodbaths. However, the doctor and his daughter get kidnapped and Zatoichi gets severely wounded. The injured swordsman must free his friends, deal with the cruel fugitives and confront the evil boss.This movie convinces on many levels. First of all, it has a quite gloomy atmosphere showing intimidation, slavery and torture. Secondly, the movie's sinsiter tone is contrasted by a few likeable characters such as the generous doctor and his helpful daughter. Thirdly, the fight sequences are among the most intense in the franchise and especially the final thirty minutes when a severly injured Zatoichi takes his revenge are extremely intense. One has never seen Zatoichi as vulnerable as in this movie which only seems to make him stronger. The movie's tragic end is quite a tearjerker and also leaves a big impression.There aren't many negative things to say. Obviously, the story is once again quite predictable but that's the case for nearly all movies of the franchise. The middle section is atmospheric but maybe slightly plodding and could have been shortened by a few minutes for a more fluid and vivid experience.Still, this movie's brutal, desperate and gloomy atmosphere makes it one of the most remarkable entries in the franchise. Fans of old date, occasional fans of chambara films and those who are curious about the massive Zatoichi saga but haven't checked it out yet should appreciate Zatoichi and the Fugitives alike.

Overall, this is the second worst movie of the series after no. 16.After the break of the Chessmaster movie this comes back as a bad choice. Again, there are the fountains of badly made blood, poodles of unconvincing thick blood staying like some common paint, severing of body parts. Let's call them special effects, but such bad execution should be convincing enough for the makers to re-shoot the scenes without the gratuitous gore.From a script stand point this is even worse than the 16th movie of the series. This is some sort of Rocky of Japan. Usually Zatoichi does not wait for too many proofs for bad guys, yet this time waits for all to pile up in an idiotic and unrealistic Hollywood way. And when everything is way too much - he does it badly wounded and after losing a lot of blood. Sure, this turns out to be more of a legend, yet, a legend that needs blood not to keep alive, but to spill some red stuff in a vane attempt to increase drama... this turns out bad.It would have been acceptable if this was the last movie of the series, having him die off screen and try to explain the ridiculous scenes by the last wish.I've given it 5 stars out of respect (Hollywood does something worse in the first movie and the sequels are far worse, yet this is the 18th!) and because it still has a lot more script than most of the movies employing katanas.Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch

From the opening credits and the blaring song that starts the movie, it was obvious to me that the Zatoichi franchise was making an attempt to make a spaghetti Samurai movie. In earlier Zatoichi films, the villains were bad, but they were usually cowardly buffoons hiding behind hundreds of henchmen and the occasional hired gun. In this movie, the fugitives are particularly loathsome: dirty with no respect for anyone. The violence is more brutal and even Zatoichi gets one of his worst beatings in a long time.Unlike the Italian westerns, the violence happens mostly at the end; Zatoichi tries to warn off the fugitives, but even he mutters that these people are trouble. I think his Italian counterpart would have wiped them out as soon as he met them. The typical Zatoichi touches are still there, the twist at the end (which is so obvious, I think even the filmmakers weren't too concerned with making it hard to guess) and the large bodycount at the end, for example. I give the filmmakers credit for trying to stay up with the times and the film is enjoyable but I also feel that some of the Italian "gimmicks" weren't needed (most notably the jarring music).

Don't be lulled asleep by the (typical) orderly pacing of this Zatoichi entry: this is the bloodiest entry in the series so far.Add in an outstanding score from the unsung Hajime Kabarugi, and you have a winner!