I was weaned on the cartoons of Tex Avery, the master of the grotesque but never gruesome. This was the first cartoon I saw from Bill Plympton back in the late 80's; obviously I was fascinated/ couldn't understand it - but I still laughed like a drain. Over the years since all the daft and savage work from Plympton I watched began to make some sense until I now regard this as somewhat of a classic; some things take time. And it's only 3 minutes long too!A caricature of a crooner warbles a weird Your Face Is Like A Song while his face contorts in utterly mind (and head-)boggling ways - that's all there is, what more could anyone want from a spoiler? It's literally side-splitting sometimes and eye-poppingly gruesome at others, although actually Plympton was holding himself back and got even more grotesque later. I needed some final barbarity at the end of the cartoon though; did the Earth merely have to smack its lips after swallowing up the crooner? My personal Plympton favourite was 25 Ways To Quit Smoking mainly because it was very apt for me at the time... although generally the advice given in either that or How To Kiss are best ignored! He can be very hit or miss at times, but is so quick and bizarre he's usually worth a look - this is the best starting point.

While this isn't one of Bill Plympton's best cartoons (it's way too "normal" compared to many of his shorts), it is amazing to watch--especially when you notice that this is all done with what appear to be colored pencils--a rather labor-intensive process. I really liked his insurance ads from a decade ago more--they were very violent yet charming--but still, this is pretty good stuff. Plus, after seeing the PLYMPTOONS DVD, I realize that it's the first film he made that is the classic Plympton style.The concept is simple: a guy's face and upper body are all you see and rather annoying operatic-style music plays as his face begins to do mega-strange things. His lips pop off and move about, his face repeatedly turns inside out, etc. Also, oddly enough, I thought the guy looked a lot like President Lyndon Johnson.Very captivating and deceptively simple. You just can't stop watching the weirdness once it begins despite there really being no plot.

As odd as this may sound, I first saw "Your Face" on the Lifetime Channel as I was laying in a hospital room, recovering from major surgery. "Your Face" seemed to fit then and it seems to fit now and always.Although Plympton had made several cartoons prior to "Your Face," this is the fist time we see the style his work is noted for: impossibly grotesque body deformations done for laughs, and funny, too. We watch and see everything that could possibly happen to the singer's head, including abstract reduction. All through the strange looking singer seems blissfully unaware of what's being done to him as he sings a song that is a perfect parody of the ballad and touching, as well.As with later films, Plympton does little if anything to signal us if we should laugh, be horrified, or just creeped out. This sense of subtlety is what makes his films so enjoyable to me.Although only three minutes long, this is a perfectly complete, self-contained masterpiece of animation.Bill Plympton rules!

This cartoonist is absolutely brilliant. His work is more fun than nitrous oxide and more beautifully disturbing than the root canal that comes with it. This piece is a must-see for anybody pursuing a career in the animation/cartoon field, and probably also for anybody who ever liked looking at stuff.