"Forget you don't stand a chance, and just go for it! Who knows, it might work out of a misunderstanding!"This is Jean-Claude Dusse's seduction advice from French comedy classic "Les Bronzés Font du Ski" and it sounds like the kind of quotes Woody Allen would have delivered in one of his early zany comedies. And ever since his film debut with the 'Splendid' Troop, Michel Blanc has always been a sort of Woody Allen's counterpart, never quite lucky with women, even managing to get bullied and towered by Gérard Jugnot. So he kind of makes a point with this cynical yet well-exposed tactic. Michel Blanc, like Woody Allen, was never cut for the leading man roles: bald, at 5'5 and with rather average looks, but he had a prolific career nonetheless and great films in and behind the screen. Still, he wasn't really love-story material.But his self-derision made him lovable with this self-consciousness that inhabit losers and make them such appealing characters and Blanc such an endearing actor, and the merit of "Je Vous Trouve Très Beau" is to have exploited the best facet of the actor, from the chuckle inducing title. It means, literally, "I find you very attractive", which is one of the French sentences Romanian girls learn in order to compliment their French soon-to-be husbands, but when you have a bitter and grouchy farmer looking like Ayme in front of you, it's hard not to make this sound awkward. Even Aymé is tired of hearing women telling him that he's good looking, and when one of them, named Elena (Medea Marinescu) says that he's not that handsome, well, he's vexed but at least, she seems sincere. The film was made at a time where Romania wasn't in the European Union so I might understand why they were eager to flee to the country of "Tour Eiffel", "Moulin Rouge"… although with Ayme, they were candidate for disappointments at first sight.But Ayme doesn't make himself more likable or sexy, he's rather straightforward about his expectations, he doesn't need a wife but a help, not a body or a heart but hands, and from the way he's seen interacting with his wife, shortly before her death, it's obvious that Ayme never had anything worth someone's love, not the looks, not even the time. But it doesn't matter, Elena doesn't want the fairy tale, she needs money to open a dance school for her little girl. As a matter of fact, she's the closest to a dishonest character, but I wouldn't call her that, because she seems genuinely interested in making Ayme's life better and it's painful to see her attempts and the cute way she brings him food at midday being welcomed with anger. Of course, we know it's a matter of time before Ayme's heart is defrosted, but the situations are so touching and humanly pleasing that the film is better to be enjoyed without really caring for the plot. Indeed, it's only when the story must move forward a little that it gets predictable or needlessly contrived. The film is the directorial debut of French comedienne Isabelle Mergault who was mostly known for being a guest in a TV show, and this is a role no one saw her coming and yet she made one of the most successful films of the year. I'm not surprised because as she said, she was so scared she prepared everything, she had her story set and when she came at the field, everything turned well. I wish she would have trusted her story enough to enrich it with a few subplots. For instance, Ayme never says Elena is his wife, and there's a blooming romance between her and a young farmer that could have lead somewhere. This is a film that is so confident in its simplicity that it almost affords to be surprisingly good at some parts; so good you wish it had tried a little more at others. Also, I felt like some pivotal moments were missing and compensated by needlessly overwritten scenes.There's a moment where Elena puts on a sexy nightgown and waits for Ayme in the bed, but when he comes, he yells at her and calls her a whore, she slaps him and leaves the house. When he comes to her, he apologizes, but then goes to a long speech detailing how he's not angry with Elena but himself. Here I thought the film could have done without it, because the characters are well-written enough so we know the anger isn't directed to Elena, so this part said a lot about the directors' lack of confidence in her material. The irony is that some parts are underwritten, besides the courting young farmer, how about Ayme's friend? When he discovers the truth, I don't see why he doesn't confront Ayme in a straightforward way instead of playing riddles with him. It didn't seem consistent with the niceness of this character.The film isn't very ambitious except in telling a good love story and it does, thanks to the actors' performances, it doesn't take many risks but at least, we feel satisfied at the end, and it is so touching it inspired one of the most enduring reality shows about farmers looking for the great love. One might think that this film has hit a sensitive chord, if it had influenced a reality program that made couples possible and families. Not bad for a directorial debut.

I hadn't expect to like this movie. It deals with things from my country I desperately wanted to escape from - lack of money, desperation, the small price a woman can ask for herself. And I hadn't really liked a Romanian movie eversince I was a child and I was watching silly communist movies. But this movie had good credentials and people close to me had enjoyed it, so when I had the chance I watched it, first with prejudiced disgust, then with interest and at the end with emotion. It is a lovely movie, about not so lovely people that in the end turn out to be just fabulous. It is the first movie about ugly Romania that I actually enjoyed watching. I am grateful for that.

We saw the movie in a sneak preview and therefore had no idea what to expect. Looked like a romantic comedy - we should have left but we didn't. This flick has romantic parts, shows the not so normal life in a small french village, introduces several characters quite friendly and therefore pulls you into it. On the other hand, it really tries to be sweet but does it with an overdose - it is simply too much and far too simple. No twist, no surprise - far too boring to be interesting. Nice little moments with some french humor, though, especially from the main male character. But do they always need a dog, a child and flowers to show harmony? Yes, we understood it long before. It does not always take that much.

I watched this film on an international flight from Frankfurt to Charlotte. Despite the fact that it was in French with English subtitles, I chose it from among the other tacky Hollywood choices of film and sitcoms that were available on the in-flight entertainment system.I have to disagree with the prior reviewer who said, "The plot is simple but interesting, based on two facts: - the difficulty for French farmers to find spouses willing to settle in a farm; - the difficulty for young Romanians to get a decent job in their own country".These situations only provided the context for the film. The true basis for this film is a beautiful and entertaining story of loving after loss, and the strength of human character...peppered with a clever and humorous examination of the differences in the way men and women think (which seems to be universal regardless of culture).As I returned home from 2 wonderful weeks in Europe, the French dialogue and beautiful scenery took me on a mental journey that allowed me to forget for a couple of hours more - the shallowness and wastefulness of American culture.This film is not just worth watching...if you care at all about diversity and you enjoy celebrating the full spectrum of human emotions, it's worth adding to your collection.