It is very easy to label an old film featuring well known, even great actors and made by an able director as a classic when it is far from it and Yellow River is it.The film is routine, confused and contradictory. Maybe if it was made in the 1960s during the era of the counterculture it would had made more sense.The film features a gang of bank robbers led by Gregory Peck who ride into a small town that has only Anne Baxter and her grandfather who have found and hid gold and are forced to share it with the gang but the gang soon turn on each other and Peck wants to do the decent thing with the two people whose lives they have entered. Its clear early on he is attracted to Baxter and sparks might fly.Of course the gang of bad men in a town with one beautiful cowgirl gives you an uneasy feeling especially as one of them has loathsome desires for her and is willing to force himself on Baxter. The others are cyphers but its Richard Widmark who is the only one to rival Peck who stands out as the one who wants the gold all for himself if it came to it and not happy that Peck wants to make sure that Baxter and her grandfather get their share of the gold.How some of the gang switch sides is unconvincing, even Peck's motives are unclear although it might be more to the fact that he is Gregory Peck so he cannot be a complete rotter.The film is a diversion, nice to see actors such as Widmark and Harry Morgan is early roles but it is below par and wrestling with the Hays Code did it no favours.

Yellow Sky is a unusual, moody and magnificent western. I had never heard of it previously and I'm surprised it doesn't have a much higher profile. Six bank robbers on the verge of death after escaping a posse, stumble upon a ghost town inhabited by an old man and his granddaughter. They realise that they may have an opportunity to all make a fortune however group dynamics and greed take over. It makes a change from the usual western plot but this isn't the only thing that makes this film stand well above most of it's peers. The setting is great and the filming is top class with some great cinematography. The acting is excellent from all the cast. I'm not a massive fan of Gregory Peck but he is outstanding in this as the morally ambiguous leader of the gang. There is an early appearance from Richard Widmark and Anne Baxter is captivating as the feisty granddaughter. The brilliant and convincing script sparkles despite there not being an awful lot of gun play. The characters are all interesting and I liked the fact they weren't all clichéd, a failing of many westerns. Considering what has gone before the very ending is maybe a little too twee but this is a minor gripe as the rest of the film is so good. One of the best and most enjoyable westerns I've seen to date and one which is comparable to most of the perceived classic westerns.

Director William Wellman is a clever and innovative guy. Who else would shoot a scene of hoodlums racing their horses away from a bank robbery with the camera placed only a few feet to the side of one horse's legs, almost at ground level, with the other hoodlums visible through the flashing legs of the nearest galloping horse? That takes a kind of reckless talent. You can't help wondering what the camerman was being paid.On the other hand, the script itself, while suspenseful, is a bit routine and sometimes contradictory. The handful of bank robbers led by Peck, establish their bona fides early. There's the fat drunk, the would-be rapist, the naive homesick boy, the greedy gambler (Widmark), and the disheveled but fundamentally decent leader.The dimensions are doled out piece by piece, the way the gang divides the gold they discover in the ghost town of Yellow Sky. Well, it's not entirely a ghost town since Anne Baxter and her Grandpa live there still, having dug up all that gold. The presence of the hip-swinging woman confuses everybody except the would-be rapist, who knows exactly what he wants, in addition to his share of the stolen loot.Yet, the script is confusing too. Here's Harry Morgan -- Detective Bill Gannon or Colonel Sherman T. Potter, if you like -- "Half Pint" in this movie. The gang is stranded in the middle of a vast blazing salt flat with practically no water. It was shot in Death Valley before the company moved to the more comfortable venue of the Alabama Hills, locally called Movie Flats. The thirsty would-be rapist is angry. He might die and be skeletalized in the middle of nowhere. He points to a lizard and complains that even that lizard (Dipsosaurus dorsalis) will outlive him, so he shoots the lizard. Harry Morgan slouches towards him, ready for a fist fight, and says "that lizard wasn't doing you no harm." In other words Morgan has a kind heart. Yet he turns just as cruel and greedy as the others before, at the very end, giving up his villainous ways for no particular reason.It's a longish movie, strung out, and unnerving in the way it shows us the disintegration of the bank robbing community, although there's never much doubt about which way things will turn. (That naive kid was dead meat the moment he maundered on about his folks back in Ohio and developed a crush on Anne Baxter. A thousand years ago, when last names were being handed out for tax purposes, "Baxter" was the feminine form of "Baker". The voices told me to just throw that in.) Peck and Baxter accidentally bump into each other one night in the barn. They don't exactly wrestle with their passions; they immediately get all hormonal, Bartholin's glands become gushers, even though there has been so set up whatever or the scene.Wellman is no poet but he's a craftsman and has an eye for composition. The script may have kinks in it and enter the doldrums from time to time, but it's hard to criticize Wellman's handling of the material. Look at what he managed to do with "Battlefield," a movie about combat shot almost entirely on a sound stage.

William Wellman directed this effective, starkly filmed western that stars Gregory Peck as James 'Stretch' Dawson, leader of a small gang of bank robbers who are fleeing a pursuing cavalry posse when they are forced to traverse an arid salt plains, which severely tasks their resources. When they stumble out of this desert, in dire straits, desperate for water and food, they come into a ghost town called Yellow Sky, where they meet a beautiful but feisty young woman named Constance, or 'Mike'(played by Anne Baxter), who is staying with her grandfather, guarding a gold mine they have been excavating. This gives the robbers(among them actors Richard Widmark as "Dude" and Harry Morgan as "Half Pint") the idea of stealing the gold for themselves, though Stretch refuses, since he has fallen for 'Mike', which leads to a winner-takes-all showdown.Impressive and atmospheric western is quite stylish and well acted, even if the plot is familiar and predictable, it doesn't really take away from this underrated western.