In the wonderful world of the well fed children who have nothing to fear but taxes when it comes to having to deal with the state there grows the fairy tale of the Yamakasi. It's fake. It lacks imagination unless for the idea of the tall building climbers. But that thing is going to be done far better in New Police Story three years later.Probably the worse thing in this production is the scenario and the political goals. In a world where young people of low qualification and of foreign descent hardly gets any employment, in a world where most young people of that region can't find steady jobs even with good genes and an education, well, all the Yamakasi are employed if they don't have anything better to do. In this fantasy dimension the police knows them, wants them, yet they can't get them at home as they do in real life France.And if the prototype of the idiot is the cop in most bad taste jokes, the maghrebin cop has no contact with the outside world. He's precisely the virgin who's trying, hard, to run a brothel.Really, if there wasn't the purpose of propaganda nobody would have produced such junk. But, hey, the whole nation can see the darkies have it all: a fair chance for transplant, friendly police and jobs to choose from. It's only their evil nature that stands in the ways of friendship between the white majority and the others. And to keep things simple for the target audience to be able to follow the simple ideas they are fed all the targets live in the area of the same police district and the same cops are on duty on each event.Myself, I'm disgusted.Contact me with Questions, Comments or Suggestions ryitfork @ bitmail.ch

The YAMAKASI are a bunch of kids who practise what is variously known as Parkour and Free Running, a sort of sport/art/philosophy involving the development of skills for the traversal of urban environments in interesting ways (http://www.parkour.com/).YAMAKASI the film is a Luc Besson production that basically provides a vehicle for 7 of these kids to show their stuff, in the pretence of helping a young kid who needs a heart transplant. It actually feels rather like a kids film, with larger than life characters (a bit of a keystone cops thing going on) and a message about being a bit rebellious but in a good way, or something.The group are real life practitioners of Parkour, not professional actors - which kind of shows, though not in a particularly bad way - they're not wooden, but don't exactly express deep or complicated emotions.Given that the film is basically a vehicle for Parkour, it's somewhat disappointing that not all that much of it is shown. There's some building scaling which is impressive but not particularly cinematic, then a bunch of antics where very little "free running" is shown - there are just a couple of scenes which show the potential the film could have had, towards the end. That potential has recently been realised much more dramatically in the film BANLIEUE 13, where one of the founders of Parkour is teamed up with martial artist Cyril Raffaelli for some truly original and sometimes incredible action sequences which show how Parkour could really be the foundation of a whole new action style. It's a shame that YAMAKASI, for whatever reason, didn't seem to know what to do with it. I'm hoping that the semi-sequel LES FILS DU VENT will put the group's talents to better use.

There's nothing noteworthy about the story. Very thin plot--I even felt the story was forced just to have a film on the yamakasis. Plot/conflict is based on an incredible story of a boy needing a transplant because of an accident? Why? There could have been a better plot for the yamakasis since they are not really misfits and/or outlaws. They're just extreme sports lovers who are in it for the adrenalin rush.Enough said about the plot. Yamakasi is basically about amazing stunts and maneuvers. They are breath taking! Yamakasi stunts defy gravity and inertia. True to it's subtitle, "Modern Samurais/Ninja" Who thought flying can be for men too!? For the stunts and (literal) flying... this film gets my thumbs up.

Not a bad movie, but it had some glaring holes. The ending was absolutely ridiculous - "we all tell the same story, we all get off scott free!". Please! The couple of action sequences were cool, but way too choppy in the editing - I couldn't tell at all if the guys were actually doing the stunt or if it was just skillfully edited to look like they did. If this is an action film they need to show more of the uncut action to legitimize the stunts. As a side note, interesting comments from tseepra, but there is a new commercial on TV that kind of pokes a hole in the non-media driven motivation of the parkour originators. The commercial is for the new Toyota Scion, and it presents the Scion against "Freerunners." After a series of stunts, the end of the commercial says "Freerunning by Seb and Jerome." Guess they needed the money?