As much as I vehemently dislike Mark Wahlberg, I do admit to loving Boogie Nights, in which the Funky Bunch singer played Dirk Diggler, a character loosely based on legendary porn-star John Holmes. Brilliantly directed by Paul Thomas Anderson, the film boasted a sharp script, excellent performances from a talented cast (Wahlberg aside), and a great soundtrack, and perfectly captured the sleaze and decadence of the adult movie industry in L.A. during the early '80s.Wonderland, directed by James Cox, attempts to pull off the same trick, charting Holmes' post-porn involvement in an infamous gangland multiple homicide case; like Boogie Nights, it features a terrific ensemble cast, and effectively evokes the era through its amazing soundtrack, but the film proves a far less satisfying experience overall thanks to a script that proves frustratingly inconclusive, a raft of largely unlikeable characters (the only exception being Holmes' wife, played by Lisa Kudrow), and a glut of gimmicky film-making techniques that simply smacks of desperation.

WONDERLAND is the story of classic "jazz film" star Johnny "The Wadd" Holmes and his involvement in the Wonderland Avenue massacre in Los Angeles' Laurel Canyon in 1981.The film starts with Holmes career already on the down slope that ended with his descent into drug addiction. When he was washed-up, Holmes befriended a cadre of iffy characters to help support his habit. His glory in the porn industry had long passed and he reached a stage where he was willing to abuse, double-cross, exploit and betray absolutely anyone to feed his addiction.WONDERLAND tells its story from this point of his life from several viewpoints; Holmes the man; the victims; and their killers. What marks WONDERLAND as standing above the standard film biopic is its refusal to adhere to the usual "Romance of Redemption" spin that biopic films tend to follow. This could easily have been a ham-fisted, tragic-hero story but instead in WONDERLAND we have a film that pulls no punches and isn't afraid to tell it as truthfully as possible given the available information.I consider myself to be fairly knowledgeable on Holmes' career – after all, what man hasn't watched "those" sort of films and I'm also pretty sure most middle-age guys have heard of John Holmes and what man wouldn't want to be as "equipped" as well as "The Wadd" (minus the arsehole factor)? Having read a whole bunch of stuff about the Wonderland Avenue murders, the movie rings very true to the dismal tale it tells – a rare situation for dramatic biopics that are famous for adding fictional elements for no good reason.WONDERLAND is no morality play and Holmes is presented in anything but the romanticised light that many people were expecting and hoped for. We have two sides of the same story; one from Holmes himself, the other from David Lind, a survivor of the slayings. As expected, both accounts paint very different pictures of each other and how it went down, as well as their mutual enemy, drug-lord Eddie Nash. Cox uses multiple versions of the crime as a clever film device but it's not central to the meaning of the movie, which is nice for a change… one RASHOMON was plenty, thanks, and Cox showboats a tremendous flair rarely seen from directors on their sophomore features.The LAPD labelled the Wonderland slayings as the most gruesome crime scene since the Tate/Labianca slaughter, and here's a spot of trivia for y'all – the sordid and gore-soaked Wonderland house was the first crime scene to be filmed by a video camera (brand new technology back then) by police as a means to collect visual evidence. Incredibly, this uncensored crime scene video appears as an extra on the DVD! After watching it, I was torn between wondering if what I had sat through was in incredibly poor taste or if it's the best damn extra I've ever seen on any DVD.MARRIED WITH CHILDREN's Christina Applegate grew up a couple of blocks from the murders and remembers the blood-soaked mattresses dumped in the streets – a memory that influenced her decision to agree in taking the small role of Susan Launius.The filmmakers tracked down Holmes' teenage girlfriend, Dawn Schiller and his wife Sharon, both of whom served as consultants on the movie, sharing their insights of Holmes' character and the era. Seeing her past relived proved to be a very interesting experience for Schiller and she stated how impressed she was with the boner-load research the filmmakers made and stated, " I really felt that it was going to be an honest portrayal and that the truth was finally going to be told." To the best of my knowledge, she stands by that statement.I had reservations about the choice of casting Val Kilmer in the role of Holmes (Matt Dillon was originally slated for the role but dropped out to direct CITY OF GHOSTS). How wrong I was; Kilmer's performance is spot-on, pitch-perfect and impeccably nails Holmes' physical mannerisms and personality so accurately, I almost forgot I wasn't watching the 13½ inch original portraying himself. In spite of being notoriously "difficult" an actor, Kilmer delivers the goods and I hope that one day he'll get full recognition for what he "pulled off" here (wink).Initially, Kilmer was totally disinterested in playing the character of Holmes – even pleas from his agent and Cox to read the script were met with point blank refusal but his agent eventually tricked him into reading the script by asking him to consider the grittier role of Eddie Nash. Once Kilmer started reading it was a done deal. He changed his mind, signed on for the lead and ended up getting so into research for the role, he spent the night at the Wonderland Avenue crime scene during an anniversary of the horrific killings.On its release, WONDERLAND was harshly dismissed by critics and totally overlooked come Oscar-time. In my opinion and that of the growing audience discovering it, WONDERLAND is easily one of the most underrated films of its decade.There's no doubting Holmes was a scumbag. To quote Rodger Jacobs, co-writer and co-producer of WADD: THE LIFE AND TIMES OF JOHN C. HOLMES, "John Holmes was the epitome of a sociopath, and an antisocial personality in the most broad and extreme definition of the word. He saw other people as 'things' to be manipulated to further his own needs, nothing less, nothing more." Quite an indictment, eh. No matter how you feel about him, Holmes is a true pop culture icon and at last here's a film that tells it as accurately as anyone could ever hope to and I'm pretty sure no one's going to be remaking this one in a hurry, in spite of the fact several Holmes' biopics were in the pipeline… thankfully Cox's mini-masterpiece beat them to it.A classic in the making!

Val Kilmer plays a drugged-out, bottomed-out John Holmes in this loose retelling of 1981's brutal Wonderland murder case. In presenting a number of competing perspectives on what exactly led to the killings, including several mildly different interpretations of the same scene, the idea is to leave ultimate judgment to the audience. Instead, the lack of conviction just results in a hazy, jumbled, inconclusive mess of rumor and uncertainty. Kilmer is miscast as the shady, self-serving loser at the end of his rope, and keeps trying to turn on the charisma when he should be cowering and sniveling. His big-name supporting cast only produces similarly phoned in performances, while a glut of gimmicky after-effects gives the whole picture the kind of sparkly, overproduced sheen that's usually reserved for car commercials. A drab, ambiguous, morally-vacant jumble that rides its barely-famous subjects' coat tails for as long as it can.

I decided to qualify my association with porn by watching this film about the ridiculously well endowed, scatter brained John Holmes.This is the rocking, complex story of his involvement in a brutal gang murder, via lead pipe.We're given differing versions of how the wonderland massacre may have panned out and like any decent crime movie, left me trying to fit the pieces together.Val Kilmer portrays a retro addict constantly fuelling himself with the nearest narcotic, his laid back clownish nature entertains while his mental decline disturbs.Lisa Kudrow plays John's knowing ex-wife who breathes maturity into the story as apart from the cops, she seems to be one of the only characters who isn't off her head on something.I would easily be interested in watching a film biography of Holme's whole life as this isn't the only sensational episode within it and wouldn't mind seeing Kilmer perform in that as well.An entertaining, attractive and cool movie.