This film is a loving nod to the films of the late 70's--in cuts, setting and music choices (note the rotary phone, the answering machines, the women's lib and PMS comments, and of course Pam Grier herself--who looks fantastic). Filmed in 2000, it does an excellent job in depicting many of the characteristics of the 70's, though some of the tech and procedurals are of the 80's in a kind of mash-up. The dialogue was a high point with some pretty funny lines: "The only chemistry between you and me is a DNA test..." ; or this: "Did he have any enemies? That depends on how many wives talk in their sleep." It works because it's done perfectly straight, no sly wink at the audience. Many of the complaints were not justified; some of the acting was downright good--especially the interplay between the main characters, and in particular Pam Grier who plays her role with her usual panache. Rutger Hauer is an unusually charming Rutger Hauer which was a nice change, and his acting was better in this movie than I've seen in many of his others--I really don't get the criticism in this regard. Several of the extras/character actors feel flat or come across as slightly off-kilter stereotypes, but given what the film was trying to do, that may have been deliberate. The plot is pretty standard but plays logically with some interesting and rather unexpected twists, and an interesting big-pharma take. Unlike many of these movies, it actually does pay attention to little details--like a uniform giving them a "look" while they're talking (loudly) about their case in the hallway. Admittedly, there are a few--uh, unrealistic moments, but they were original and unexpected (ANY man will have a visceral reaction to one particular murder scene) and fit with the tone of the film, so in that sense, are forgivable. So, take this movie for what it is, an affectionate nod to the past, and overall an unexpected, enjoyable non-cerebral piece of entertainment.

You would think that after starring in "Jackie Brown", Grier would have used the success of that movie to reinvigorate her career. Yet just a few years later, Grier found herself starring in this Canadian made-for-DVD cheapie. To be fair, none of the movie's shortcomings can be blamed on her - even in her 50s, Grier looks and sounds great, and brings in some spunk. But the rest of the movie is a bore. It's slow-moving, with some bizarre editing seemingly put in as an attempt to make it more stylish. I know that the idea of teaming Grier up with Rutger Hauer may sound interesting, but they spend less time together than you would probably think. There's a little chemistry in the few scenes they share together, but it's not enough to save the movie. The funk-sounding soundtrack is a nice touch, probably done to remind viewer's of Grier's '70s movies, but that too isn't enough to make this movie worth watching.

What bothers me in films like this is not the things that don't work in it. It's the thing that could have been done. It's not so much the visual lack of power and effectiveness of it, but the total mental poverty that surrounds it.They picked up two mildly interesting actors, with credits on their hands and assigned them to this total mess, relying that the fact that they're in makes the whole think work on the financial side.This is a total mess, a weak story, about some honest people fighting pharmaceutical interests, against all odds, the 'Fugitive' type. Pam Grier is assigned the extra role of being her past roles, associated with racial concerns and feminism. Both she and Hauer are cashing their checks. They could be doing better things.Trying to get away with such a film is as much a deceit as it is the radioactive tests in the film.My opinion: 1/5 http://www.7eyes.wordpress.com

Considering the cast, and the big corporation against the people story line, the makings of a decent movie were all there. Pam Grier is investigating a series of murder's and links Rutger Huauers character to them, as he's connected to one of them by way of a jilted and bitter romance.He also happened to give her professional advice (He's a Dr) that turned out to be less than life saving. His best friend also works for a big chemical company edging for promotion working within 'the womens medical' dept. All this coupled with the fact that a man resembling Hauer was seen leaving the crime scene.Pam visits the good Dr to see if she can jog his memory and the two end up getting along very well. Its at this point everything starts to fall apart, the film tries to be too complicated, and Griers script requires her to spell everything out for the viewer, but instead of helping coast the story line along, her role in fact stilts the films proceedings, making everything seem slow and boring.Hauer as usual, plays his part perfectly well, but doesn't have the necessary bulk to his role to really do anything other than plod along with the whole dull affair. Basically, the script strives too far into what really should have been quite a simple, enjoyable film. If your the kind of person intent on seeing this because your obsessed by seeing everything ever filmed by Grier or Hauer (and you know who you are)then you'll be mildly disappointed, everyone else steer well clear of 'Wilder'.