White Lightnin'
White Lightnin'
R | 19 January 2009 (USA)
White Lightnin' Trailers

Deep in the heart of the Appalachian Mountains in West Virginia, where every man owns a gun and a moonshine still, abides living legend Jesco White, "the dancing outlaw". As a boy Jesco was in and out of reform school and the insane asylum. To keep him out of trouble, his daddy D-Ray taught him the art of mountain dancing, a frenzied version of tap dancing to wild country banjo music. After his father's death, crazy Jesco dons his father's tap shoes and takes his show on the road.

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Reviews
marek-joann

The story of the White family is enthralling with it's history, drama, tragedy and loss. I was hoping that this would be a good theatrical version to the documentary that was done on the family back in 2009. Some of the story was good and pretty close to what was said by the true main character in the actual documentary. The acting wasn't too terribly bad but the death of his father is completely fictional. Jesse was with his father when they where fired upon. Both received gunshot wounds, his father passed from a gunshot wound to the chest. The fact that it is supposed to be based on Jesse White's life story and such an important part of his life was changed. A major event such as the death of a father is usually life altering, so the details of such should be maintained in a "loosely based true story". For what reason it was altered I have no clue, except for the shock factor of a dragging death. Personally it ruined it for me.

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amarsh18

I was very surprised by this film's quality. The directing was very well done. The aesthetic reminded me of a 90's music video, maybe Nirvana.The edit was expertly put together. There was never a dull moment in this film. The music was layered in nicely and heightened the tension in a good way.The acting from Edward Hogg left a lot to be desired in my opinion. It's not that he performed badly, it was a good performance of some character, but that character wasn't the embodiment of Jesco White. A Brit shouldn't have been selected for this role. They don't get the inherent hopeful humor even the darkest of us in the USA have. Brits are typically too cynical.Jesco was way too serious in this film, even as a child. A big part of what makes Jesco cool is his nonchalant attitude. Sure, I think there is part of him that was like Hogg's rendition. I just think the character that Hogg portrayed was two dimensional. There was probably something within him that was frightened by Jesco White to fully embrace his character. In that fear he acted out what scared him of Jesco. His violence, his intensity...but where was his humor? Where was his softer side? Even when he's talking about Cilla he seems more like Charlie Manson than Jesco.I thought Carrie Fisher did a great job as Cilla. The rest of the cast was excellent too. Even Hogg brought something meaningful to life, but there's a difference between meaning and truth. Meaning is the treatment of a symptom, truth is when many meanings come together leading to pure health.

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danjuscar

White lightnin' is a work which exudes originality. That first and foremost must be said from this reviewer who is personally tired of the vapid humdrum which is usually churned out by Hollywood on a regular basis. Watching this film, I felt contented that there are still filmmakers out there who display boundary pushing ingenuity in there craft and who are not afraid to disturb the living hell out of you. Dominic Murphy has showed that he is one such director capable of telling you gut wrenching stories without descending into the usual path of incoherence in which so many of these types of films do. White Lightnin' is a film in which the plot never once lost focus of telling the story of the mountain dancing, gas huffing Jesco White. And while the violence, as my previous reviewer noted, is gratuitous and revolting, I never once felt it was incongruous or irrelevant with the story trying to be told. It is also of importance to note that viewing WL is like peering through a window into the destitute "white trash" culture of the poverty-stricken Appalachia. A way of life not assiduously examined through the medium of film. This in part presents the film with a particular boldness that was exhilarating to view.

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ilona

technically , let's say it was pretty different, black and white picture, quick cuts, very dynamic and engaging. lots of violence at first but then you realize it was not that obvious and direct. study of state of mind of a man who is definitely sick and out of control. i had no idea who jesco white was. i read afterwards about his talent and being an artist.i didn't catch it at the first and i have an impression it wasn't that important, however the film forced me to dig deeper in his story. you may either love the movie or hate it. nothing between is possible. the music is worth listening. it perfectly matched the picture and i can't imagine it could be different.

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