this film is far from perfect but any quibbles don't really amount to much, which is odd because the main quibble is that bob hoskins isn't very good in it. in some ways it doesn't really matter because the young boy playing his co-star is absolutely exceptional. bob hoskins' accent changes every single time he opens his mouth - at first i thought he was just doing a very embarrassing eastern European voice, then it went to his usual geezerish tones, at times he sounded like he was going to elocution lessons, and then there was the bearish grunts. also, his acting in the scene where he thinks he is going to be shot as a spy is dire - his facial expressions just looked like he'd been served with some soggy cucumber sandwiches at a tea party. the other quibble is that occasionally the music tries to milk an emotion when direction is really not needed, although on the whole the music is great. on the plus side is the child actor, & some awful war scenes of what it is like for the average person caught up in a war, scenes of victims, and the concern that how the hell can a child settle back into a normal existence who has witnessed such horror and lived this life

WHERE ESKIMOS LIVE is one of those surprise films that appears out of nowhere, without ballyhoo, not apparently having been on the theatrical release circuit, yet once discovered serendipitously in the video store and watched, makes such an impact that its anonymity is a puzzle. Writer/director Tomasz Wiszniewski (with Robert Brutter sharing the writing credits) has created a unique and brave little film that takes advantage of some unknown terrain and retains the flavor of a country in all manner of representation.The place is Bosnia during the war when entire cities were being destroyed, leaving the children homeless, without parents, fending for themselves in any way possible. They live in squalor, in famine, stealing what they can to survive, yet holding together as a group with some sense of hopeless dignity. Among these boys is Vlado (Sergiusz Zymelka), a street-smart kid always on the lookout for his Down's Syndrome friend while seeking any way possible to escape his fate. Enter Sharkey (Bob Hoskins) brandishing a UNICEF passport and badge (he is from Norway where Eskimos live...!) trying to 'save' one small boy from the war to freedom and protection across the border. He meets all manner of opposition, especially from the military Colonel Vuko (Krzysztof Majchrzak), who decides to let Sharkey pass on the condition that Sharkey take his sole young daughter to safety. Fate strikes, the jeep with the Colonel's daughter explodes and Sharkey narrowly escapes with the Colonel in hot pursuit mistakenly thinking the landmine that destroyed the jeep was engineered by Sharkey. Sharkey encounter's Vlado's gang and eventually Vlado talks Sharkey into taking him as the 'saved' boy, fully realizing that Sharkey's Unicef badge is a cover for his unlawful child marketing. The two bond slowly and in time each uses the other for their private goals and gradually they grow to need each other to survive. Their relationship is radiant and inspiring and leads them to surprising changes in their lives.The cast is extraordinary: Hoskins knows how to make an evil con man grow on his viewer and Sergiusz Zymelka is a gifted young actor. The film is difficult to watch at times because the camera does not shy away from the heinous crimes and gore of war, but that fact only serves to make the story more credible. The dialogue is a bit shallow and awkward at times, but the message is obviously from the heart. This is a fine low budget film from a Polish director and cast that makes us take notice of unknown talents. It is a fine little film! Grady Harp

Let me say right off that this is a wonderful movie and will hear no criticism of it. It is a movie about hope and desperation; about exploitation and trust; about adversity bringing out the best in some, but the worst in others; and about love springing up in the most unlikely of situations.Sharkey (Bob Hoskins) is a fraud, a con-man, a man prepared to exploit children rendered desperate by the diabolical realities of war. Vlado (Sergiusz Zymelka) is one such child, a street kid living rough, forced to survive on his wits and surrounded by death, despair and the horrors of war to such an extent that he is hardened by it all and his survival instincts have totally taken over. When Vlado, desperate to escape to a normal life, willingly becomes Sharkey's meal-ticket, his youthful exuberance, joy of life and practical common sense start to break down stone-clad casing surrounding the man's heart. As adversity pulls them closer together, a growing bond between this unlikely pair starts to strengthen. But will this bond eventually break both of their hearts, or will it prove to be their ultimate salvation? Bob Hoskins was terrific in an unaccustomed role. But Sergiusz Zymelka was a revelation. His performance was nothing short of sensational for one so young. His performance was worthy of an Oscar nomination. One has to wonder why a young actor with this much talent is playing small parts on television in his native Poland, when casting agents from around the world ought to be knocking his door down! Ten out of ten for the movie. The rating for Sergiusz Zymelka is right off the scale. Top ten all-time child actor performance for me.

This film easily ranks as one of the worst movies I have ever seen! And I don't mean that in a "so-bad-it's-almost-good" kind of way. The nicest thing I can say about it was that it was well-intentioned. The plot was embarrassingly amateurish, and relied on several bizarre coincidences. For example, the entire premise (and hence the title) rests on the fact that the boy, Vlado, who has been orphaned in the Bosnian conflict, dreams of escaping to Norway, because that's "where Eskimos live". But, inexplicably, Bob Hoskins' character, Sharkey (who is supposed to be Polish) introduces himself to Vlado by saying he comes from Norway. This is never explained, but we are meant to accept that Vlado somehow trusts Sharkey, because he says he Norwegian. What's also inexplicable is just how bad Bob Hoskins (sublime in films like "Felicia's Journey") is in this film. He didn't phone in his performance - he asked a casual acquaintance to email it for him. Hoskins' accent veered from Cockney to very fake-sounding upper-crust British, to very fake-sounding sort-of Polish. Then he just gave up and grunted like a dyspeptic bear. But the other actors weren't any better. If you want to see a good film about the Bosnian conflict, try "Cabaret Balkan" or "No Man's Land". Just don't waste any time or money trying to get through "Where Eskimos Live".