Light as a feather anthology features a large cast and a premise that was old at the time (among others, Hitchcock had used it before and Dick Van Dyke would come up with the funniest version a decade later on his TV show). Due to a technicality, the marriages of five couples are invalid. Given a second chance, what will they do?The first segment has Ginger Rogers and Fred Allen playing a bickering radio couple whose program is heavy on product placement, light on anything else. It was a version of a popular skit Allen had done on radio with Tallulah Bankhead and predictably proved to be quite funny.Marilyn Monroe pops up in the second segment as a beauty contest hopeful. It has a clever twist at the end and a nice little performance from veteran character actor James Gleason.Eve Arden and Paul Douglas are wasted as a bored couple who prove boring to watch.Obvious is the segment featuring Zsa Zsa Gabor as a gold digger, but Louis Calhern gives a fine performance as her husband.Finally, Eddie Bracken and Mitzi Gaynor go searching for a preacher in what is supposed to be the most touching segment, and which certainly isn't funny in any way.All in all, pretty ordinary.

When Justice of the Peace Victor Moore learns that he jumped the gun in marrying traveling elopers passing through his state it causes great consternation in the lives of five random couples across the USA who discover that We're Not Married. In discussing the matter with the wife played by Jane Darwell he actually comes out with the clever notion that if these folks made a mistake they're getting a second chance at marriage without going through the pangs of divorce.We're Not Married chronicles the lives of these five couples when they learn of the rush to marry mistake caused by Moore when he married them before his commission took effect. Usually the story that gets the most critical acclaim is the one involving Fred Allen and Ginger Rogers who play a nationally broadcast happily married radio couple. That's for public consumption actually these two bicker about everything. Screenwiter Nunnally Johnson was at his satiric best when he spoofed such radio personalities as Tex McCrary and Jinx Falkenberg who did just that kind of broadcast perpetually hawking their sponsor's products.The others are pretty good too. David Wayne and Marilyn Monroe have an unusual arrangement where she goes out and wins beauty contests and he stays home taking care of the kid. The non-marriage throws them for a while as she as just won the Mrs. Mississippi contest, but they make lemonade out of the lemon.Eddie Bracken and Mitzi Gaynor have a more serious problem, he's a soldier with orders for Korea, she's in a family way. It takes quite a lot to get that situation resolved and not an entirely happy ending for Bracken.The weakest episode by far is Paul Douglas and Eve Arden. I was surprised that Arden who usually gets some of the best lines in her films is strangely muted by the script. They play a couple who has settled into boredom and the episode was the most boring of the bunch.But my favorite is Louis Calhern and Zsa Zsa Gabor. He's an oil millionaire with a gold digging wife who has a bottom feeding lawyer in Paul Stewart. What happens to Zsa Zsa and Stewart is classic.The idea of a marriage suddenly not being legal was tried out in one of Alfred Hitchcock's few comedies Mr.&Mrs. Smith with Robert Montgomery and Carole Lombard being the suddenly unmarried couple. We're Not Married increases the idea by a factor of five. I wouldn't say this film is five times better than Hitchcock's, but it's still very good and done by people more at home in the genre.

In 1952 the compendium film that dated back to at least 1932s Rome Express still had a little steam in it and We're Not Married was Fox's second entry in the genre following O'Henry's Full House. The premise is that old chestnut in which several disparate couples learn that their marriage is invalid. In chronological order the couples are Fred Allen and Ginger Rogers and once you get past the still-attractive Rogers settling for Fred Allen it's not a bad start. Allen, who of course made his name on radio and seldom ventured before the camera, very possibly had a hand in the script which is essentially a diatribe against sponsor-heavy radio shows. He and Rogers are the only couple actually seen getting wed (by Victor Moore with wife Jane Darwell as witness) and only do so in order to get their own Mr and Mrs radio show, an obvious take-off of Dorothy Kilgallan and Dick Kalmar. Next is the shortest sequence which is ironic as it is the one featuring Marilyn Monroe, then just coming up but today 'selling' the DVD. She plays a Beauty Quenn 'Mrs. Mississippi' and hubby David Wayne is not a happy bunny because manager James Gleason is constantly whisking her away on PR trips. This sequence typifies the sloppiness of the film as a whole; the letter informing Monroe and Wayne of their illegal marriage is clearly shown addressed to their home in Mississippi yet NO ONE in the entire sequence has a southern accent. The third segment involves two fine players in Eve Arden and Paul Douglas and both are totally wasted. Then comes Louis Calhern married to gold-digger Zsa Zsa Gabor, the good thing about this one is that Paul Stewart is also on hand as Gabors lawyer. Finally we get Mitzi Gaynor married to Eddie Bracken and pregnant. Bracken, a soldier, is literally shipping out overseas and is forced to go AWOL in order to re-marry Gaynor and ensure his offspring's legitimacy (this was 1952, remember). One of the best things about this is the casting, not only the featured players but also the uncredited players, Lee Marvin (with enough lines to justify a credit surely), Byron Foulgar, Tom Powers, Dabs Greer and Emile Meyer. Far from great but equally far from chopped liver.

WE'RE NOT MARRIED was a terrific film--highly enjoyable and in a format very reminiscent of a great old film, IF I HAD A MILLION (1932). Both stories have many small stories that are all connected by a common theme. In MILLION, a variety of strangers are given a million dollars and the impact of this on their lives is explored. Here in WE'RE NOT MARRIED, the theme is that six marriages turn out NOT to be legal! It seems that the justice of the peace jumped the gun and married these couples just before his license took effect! You hear about the first case they discovered and then the rest of the film follows the remaining five couples. Most of the stories are comical and even the more serious ones still have a funny twist.Each story is excellent, though probably the weakest of these is the one, unfortunately, that gets the most attention when you look up the title on IMDb. This is because it happens to co-star Marilyn Monroe. While she is just fine in the film, she really has little to do other than to look pretty and her role is one of the smaller ones in the film--so naturally publicity department guys plastered her all over posters and video cases!! In fact, no one star dominated in the film--it was truly a group effort. And, fortunately, none of the stories were poor and a few were simply terrific (especially the Louis Calhern/Zsa Zsa Gabor one as well as the Eddie Bracken/Mitzi Gaynor ones).By the way, one of the other better skits has an interesting story. The Fred Allen/Ginger Rogers story is quite good, but Fred ALSO used this bit on the radio and made it a good bit funnier. Along with Tallulah Bankhead, Fred did the same sappy and commercial ridden bit on the radio. Then, he did the same bit again with Tallulah assuming the couple were having a really, really bad day. They slap the kid and call her names, they shoot the canary and have a thoroughly miserable morning. Having this story end this way in the film would have been great, but instead a more conventional ending was used. And by the way, I am NOT old enough to remember this radio bit--but I heard it on a record album a while back featuring great radio bits.