Blaxploitation at it's finest. Marloe Monte convey's the despotism and decrepitude of south central L.A. to perfection, a visceral portrayal of what could be considered one of the most ignominious eras in contemporary American culture. The laconic dialogue, consisting in it's finest moments of archaic "jive talk", replete with the obligatory "mutha" every ten minutes, realistically portrays the culture and frustration of Charles (Monte) and his prostitute girlfriend as they struggle to ameliorate their lives in an atmosphere of ubiquitous oppression and exploitation by the omnipresent "MAN". A brilliant concept, brilliant execution, inspired acting...I cannot praise it enough. The sexual tension is as tangible as can be, and the action is incessantly non-stop!

Welcome Home Brother Charles is one of the most unknown blaxploitation films ever to be made. The film has some of funniest scenes I've ever seen and one of the strangest murder weapons ever recored on film. Someone really needs to remake this one.

This film is a gem! Everything within Brother Charles (or Soul Vengeance as I saw it) adds to its effect-- jittery camerawork, sound so murky that most dialogue can't be understood, some really out there dancing and of course, weird action. And boy do I mean weird. Fanakaa obviously was trying for some kind of visual metaphor in this film, but its comic effect overshadows any pretense of seriousness the film may or may not contain. Fans of the genre MUST NOT miss out on this one.

Locate this film. Purchase it if you have to. Fast forward about an hour or so into it then play it. Soon you will see a scene like no other. Thousands of movies may be better but none are more memorable than this student film made by Fanakaa while at UCLA. I will not spoil the scene for you but let's just say the main character uses something very interesting to strangle a man. Its a body part but I will not tell which one.