David Janssen stars in what might be described as a "mid-'60s sun-baked L.A. neo-noir meets Dragnet-esque police procedural". This was probably Janssen's best big screen role of his career, although the film did still overall have the production values and feel of a made-for-TV movie. I thought director Budd Kulik did well with his blocking and the pace of the film.Janssen, in his usual low-key but effective manner of acting, plays LAPD Sgt. Tom Valens who is accused of the wrongful shooting of a respected Beverly Hills doctor during a late night stakeout. Later, unable to locate the gun he claims the doctor had pulled on him, Valens is first relieved of duty and then must face a grand jury hearing after which the prosecutor played by Sam Wannamaker expresses his delight in "putting bad cops in their place". With all the evidence pointing to Valens' guilt and with few if anyone believing his story, he sets out for himself in search of evidence to prove his innocence. (sound familiar, fans of his most memorable television role?) A number of well known and respected actors and actress of the time would make what could basically be called long cameos throughout much of the movie, as it does seem a bit episodic in some parts. Among those familiar faces would be Ed Begley as Valens' LAPD superior, Lilian Gish as a sweet but forgetful elderly lady, Stefanie Powers as a sympathetic nurse, George Sanders as an investment banker, Eleanor Parker as the decedent's less-than-grieving widow, Joan Collins as Valens' soon-to-be ex-wife, Steve Allen as a blowhard television commentator, Carroll O' Connor as the grand jury judge and George Grizzard as a playboy airline pilot.The ending is a bit weak in regard to a somewhat illogical aspect to it, but overall it is worthwhile.

It seems the late, great actor, David Jansen always chased fame during his cinematic life. On television he was 'the fugitive' and due to its popularity, became not only a household name, but a fixture in American language. On screen, his movies are a thin veneer of what he really could have achieved. As one of his most ardent fans, I always believed he would one day peak. In this film called " Warning Shot " he came awful close to the mark. Within the story he plays Sgt. Tom Valens, a veteran L.A. police officer with a serious approach to his job. However five years prior, he tried to arrest a scared young punk who fired his gun hitting Valens in the gut, leaving him apprehensive about future suspects with guns. As a result, when Valens is assigned to a stakeout at an exclusive apartment complex, he confronts another frightened suspect and orders him to halt. The suspect instead runs suspiciously and when cornered draws what appears to be a pistol, prompting Valens to shoot first. It is later learned the man Valens' killed was not only a revered and social philanthropist, but a highly respected doctor, catering to the poor. Sadly, no gun can be found. Suspended from duty and placed on leave, Valens is advised to enlist a high profile attorney who like most others, advises his client to plead guilty and ask for leniency. Valens states he is a sore looser and opts instead to prove the good doctor was not so saintly as everyone seems to think he was. The film is highly underrated and with the star power has become a cult favorite. Ed Begley who plays Capt. Roy Klodin, Keenan Wynn who plays Sgt. Ed Musso, Carroll O'Connor, Steve Allen, George Sanders and Walter Pideon are among the most notable stars who have bit parts in the film. Together, along with the haunting theme by Jerry Goldsmith they are the reason why this film succeeds in becoming a David Jansen Classic. ****

David Jansen gives a bravura performance as a police sergeant who gets tagged with a "Mad Dog" label after a stakeout turns into what appears to be a bad shoot. Ed Begley is terrific as the boss. Sam Wanamaker gives a convincingly cold-blooded performance. Steve Allen has fun as a blowhard newsman who selects Jansen as his target du jour. Lots of interesting twists, appropriately downbeat music, sharp-edged dialogue, and taut direction by Buzz Kulik make this one of my favorite mysteries of the 1960's, right up there with Harper and Wait Until Dark.

David Janssen, better known to television audiences as "The Fugitive", gives a highly charged performance in this 1967 thriller. While locating the killer of a California doctor, he crosses paths with a motley assortment of suspects: Lillian Gish (one of his patients), Eleanor Parker (his cold-hearted widow), and George Grizzard (as a swinging bachelor). Joan Collins is at her dazzling (and sexy) best as Janssen's ex-wife, Stefanie Powers is stunning as the doctor's devoted nurse, and Carroll O'Connor is properly staunch as a judge. With plenty of plot twists, you don't want to miss this one! Also, check out the psychedelic opening credits!