I don't know where this "style" of animation comes from. No, seriously, I don't know. But it seems like a lot of similar stuff was cranked out back in the eighties in shows like "He-Man" or "GI Joe." Every man a steroid-abusing lunk, every woman an astringent big sister. Is that how the world looks to eight-year-olds? I don't know.I do know that what we see here is an alternative Earth where Martian steroid technology was adapted by Nicolai Tesla to enable all men to be gigantic muscle gods. Or something. But the 'roids also cause them to have bizarre behavioral changes--including constant teeth-clenching, weird grimmacing and a propensity to engage in suicidal fights--with each other, with Martians, with inanimate objects. All the actors spit out their lines like they are The Pharaoh cursing the Israelites. "Where're my pancakes!" sounds like a call to battle in this demented world where everything is macho and nothing is...well, um, "un-macho"?It's all about the booming and the bashing and the hitting and the smacking, with unintentional comic relief provided by the tiny (of course)"girl" who has one heck of an anime hair-do. Anything--anything would have helped this dead whale get off the ground, except what they did. In this demented world, everything is based upon the social structure and skills of eight-year-olds. Conflict? Fight! All it needs is music by Metalica to be a perfect example of why maturity is a good thing.Give this one a pass.

This is not a great movie, but it is a good one. Pearson sets out to tell the story of the second Martian invasion, with humanity using salvaged Martian technology and advances in their own to defend the world more actively than last time. He sets this against the dawn of what in our world would be the First World War. That serves only as backdrop, though. The incipient conflict in Europe, the problem of Irish home rule, and other issues get forgotten partway through the movie. That's okay. They were distractions, and would have detracted from the main story. This is a war movie, not a political drama. It has all the requisite elements of Japanese, American, and British war movies, all the tropes, all the conflicts, and manages to deliver them without becoming a muddle. We have the heroic yet damaged young officer proving himself and overcoming his past. We have the somewhat inappropriate relationship between comrades in arms. We have explosions, heroics, self-sacrifice, and triumph but at a terrible cost. The story of the initial invasion is told briefly, in the credits, ending with an atomic shadow on a wall in a burning city. Pearson moves straight from there to the action getting rolling, and keeps the pacing fairly tight, letting the audience catch their breath but just barely before throwing in the next assault. The film contains what it says on the tin. There's a lot to be said for that.And hey, any movie with Theodore Roosevelt firing a heavy machine gun while riding atop a walking tank scores points with me.

Please forget all the "professional" critics who are disgusted by any movie without strong social and political commentary. This is not such flick. This is not movie about weak characters and their development. This is just a non stop steam-punk battle in alternative history. If you want to enjoy father who just wants to hide in a basement, be my guest and watch the War of the Worlds with Tom Cruise. You know it is pretty cool as well.This movie is "just for fun", more for the anime / scifi / steam-punk fans. The plot is somewhat weak, it is very linear - but what? The setting is pretty amazing, the alternative 1914 looks pretty cool and the battles are hardcore. The violence is here but is is actually mild so this movie could be even fun for older children.In a summary: Not great but good enough and fun enough. Thumbs up!

This movie is HARD to review, if anything it is a prime example of a 'mixed bag'.At first the good stuff: The premise of the movie is downright genius. The design of the world (not the character design, later more on that) is wonderful and complaining whether it is steam- or diesel-punk is nitpicking. There are many ideas/designs, that made me downright jealous, why I did not come up with them. At some points I even wanted to point at the screen and say: "They put this historical character in this situation? Awesome!" or "Oh, look at this!", especially when it came to the creative background art. The opening-sequence is wonderful, too (the song accompanying is not). And finally, I enjoyed the action-scenes, despite all the issues the movie has. It is a decent action-flick if you don't have too high expectations. Having that said, here the bad things: Animation: First and foremost, the animation of the characters is bad, 1980s-western-television-animation-bad. It is clunky and the characters convey less emotion, than the puppets from the Thunderbirds T.V.-Show. The phoned-in voice acting does not help either. The bad animation attributes to some serious blending issues the film has. Especially the bad character animation does not go well with the rest of the film. WOTW Goliath feels like the teams of CGI-, classic animation and 'rest' did not communicate at all. CGI is passable.The character design is poor. Many characters have the same stereotypical body-type repeated over and over again. You will also notice that some of the men apparently have their shirts directly painted on their skin. Writing: Although there are some fun ideas in the movie, the writing is something between bland and bad. Many lines and actions stood out as stupid, forced or contrived. You know that you in for sub-par writing, when someone drops the line "As you know..." and then spills exposition to an audience that already knows these facts... an exposition, mind you, that was already perfectly conveyed to the viewer in the 10 minutes prior. The movie devolves into "fight fight fight", with no real character-development after the point the martians have landed, but I don't complain about that – that was what I wanted to see after all. I would guess that this movies was originally planned as an OVA or series, but then got cut down to the length of a movie. Direction: There is one thing that really ANNOYED me: In nearly every shot of this movie the camera is either panning, zooming in or out and/or tracking somewhere. Often this establishes something the audience has already seen before. This annoyed me so much so, I had to think at the 'slanted angles' from Battlefield Earth. I even assume that some people might even get motion sick while looking at it.Conclusion: "Force the Guillermo del Toro to do his take on this."