Believing that a tribe deep in the African jungle has gold a ruthless woman by the name of "Marilyn Blanchard" (Marla English) and her boyfriend "Rick Brady" (Lance Fuller) manage to manipulate a guide named "Ted Bronson" (Mike Connors) to take them to this village. What none of them realize is that there is a mad scientist named "Dr. Roland Gerard" (Tom Conway) who has been staying there and learning the black arts which he hopes to combine with western science in order to transform a female into a monster he can control with the power of his mind. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this is clearly a low-budget, grade-B film from days gone by which most people probably won't like or appreciate. However, to suggest that this is one of the worst films ever made is probably a bit of a stretch too. In any case, having grown up with movies like this in my early years I personally didn't think it was that bad and for that reason I have rated it as about average.

Random thoughts that popped into my head while watching "Voodoo Woman":1) Poor Tom Conway. Either he thought this role was beneath him (but took it anyway to keep the wolf from the door) or he was completely out of his depth, because he gives a completely squirrelly and disconnected performance where he is obviously reading from cue cards most of the time. Plus...that HAT!!! 2) Poor Lance Fuller. The guy had a certain way about him, but alas his talent is strictly 3rd tier, and it doesn't help that the character he plays is a greasy slimeball.3) Poor Mike Connors. He pretty much carries the movie, but he should have carried it straight out the door and into the dumpster.4) The lead female - someone should have gently taken her aside and told her the difference between "tough noir temptress" and "irritating, hateful harpy". She actually looked pretty good in the role, but every time she opened her mouth, I wanted to punch her.6) The final scene where the murderous harpy tries to retrieve the final remaining chunk of gold from the edge of the volcanic pit where it came to rest, only to lose her balance and fall in...is the single most badly staged and unbelievable choreography of a "fall" I can remember seeing. Apparently it never occurred to the poor lady to bend her knees.7) This wasn't nearly as bad as earlier AIP fodder like "Beast With A Million Eyes", and I am sure someone had fun watching it as the bottom half of a Drive in double feature...but 40+ years down the road, it has not aged well. Good AIP/Corman stuff almost always had the germ of something interesting and creative driving them...but this poor cast- off just comes off trite, rote, and derivative.8) At the end of the day, people who were trying to make a living in the movie business got paid. At least there's that.

Voodoo Woman (1957)* (out of 4) Really bad film about a mad scientist in the African jungle turning a woman into a monster by using voodoo. I love these old "B" movies and AIP was always one of the best but this film here is just downright boring, slow and not interesting in anyway. The film is full of dialogue, which is poorly written and slows everything down. The performances are all equally bad but not bad enough to where we can laugh at them. The film is bad from start to finish but it never gets to the point to where you can laugh at it, which means the film is just hard to watch.

Let's not kid ourselves, this atrocity is not Plan Nine or Cat Women. It is bad, period! The performances vary from drama school theatrics (Marla English) to a 'couldn't care less' walk through (Tom Conway). The photography (even in a good print) is so murky it is occasionally hard to see what is happening. The real problem, however, is the aimless, pointless, nearly plot less story and the leaden, paceless direction. At a brisk 77 minutes it still feels endless.The screenplay is especially inept. There are two story lines that only intersect at the very end of the picture. Tom Conway is trying to create a super race, using voodoo and modern science (although there is little science in evidence) which he can control telepathically. He is keeping his wife prisoner (for no discernible reason). Meanwhile a couple of petty crooks and a white hunter type guide are trying to find the village in which he is working, in the expectation of gold and jewels. When they finally arrive, Tom Conway decides that one of them, the woman, is the perfect subject for his experiments. She is turned into a monster, kills Conway (natch!) and then reverts to normal. She sees a gold statue half drowned in a boiling pool, tries to retrieve it and falls in the water and apparently drowns. The white hunter rescues the wife. In the final shot we see the supposedly drowned woman emerge as the monster again; threatening a sequel (now that really is a scary thought!).The AIP producer, Samuel Z Arkoff, in a lecture included on the DVD, prides himself on spotting the teenage niche market and satisfying it with ingenious low budget movies. However, it is difficult to see how anyone could think this rancid concoction would satisfy any sort of audience. What appeal do they think it could possibly have? The monster appears so rarely that it could hardly be called a horror film. The jungle action is tepid and tedious. There are no teenagers in it and no characters that teenagers could be expected to identify with.The producers exposed 77 minutes of film, but they didn't make a movie. This is a con trick and Arkoff should be ashamed of his association with it.