Va Quarter Cutting is one of those full-fledged comedy flick which are a rarity in the Tamil cinema scene. Director duo Pushkar and Gayathri has delivered another unique comedy flick after their debut film, Oram Po.The story is simple. A man who goes on a search for liquor before he leaves for Saudi Arabia. He comes across various characters in the quest for liquor and certain incidents ensues as a result of it. The most unique thing is, all these happen from 6pm to 6am on a certain day.The highlight of the film is definitely the lead characters. Shiva as Sura, SPB Charan as Marthandan and Lekha Washington as Saro. Their performance is simply superb and Shiva as usual manages to make us laugh with his funny dialogues and reactions. Not to forget the double act performance by John Vijay as King and Prince. He presented both the role well.Music by GV Prakash Kumar is good and adequate for the film. The BGM is well suited for the scenes. Nirav Shah's cinematography has captured Chennai's nightlife well. Anthony has done a good job in editing and ensured the film proceeds at a perfect pace.Va Quarter Cutting might not strike a chord with the majority of the audience especially the family ones but it will have its own cult followers, just like Oram Po. For me, it is a excellent storytelling attempt and Pushkar-Gayathri has dished out a feel-good film.

WOW! AWESOME,UNIQUE,COOLEST FILM!I have seen Oram Po, the director duo's first flick and was pretty impressed with their innovative story telling on a local subculture.This film, takes it a notch above from bringing on the most unique story and characters alive on screen. Right from the title sequence with 2D animation and resounding rock guitars, the style quotient hits a high and sustains it throughout the film. In an industry where films have loud, on your face jokes, this one comes as a surprise with subtle, smart and intelligent comedy. Even the goddess loosing an eye ( wow, who would ever think of its repercussions in the story?!) is so cool and unassuming! And the opening sequence which flows as a seamless single shot, introducing the different characters, who bump in through the film: definitely this film way out of league for any Tamil, rather Indian film! These guys are the future and messiah for a contrived, stuck up film industry. Good job guys! keep up the good work! oh, and its so funny! COMPLETE LAUGH RIOT! and the colors, the art direction, camera work, music!!!I can go on and on... Its a Wonderful, DELIGHTFUL, FILM!

I simply thought this was the most perfectly made and wonderful film, I've seen in a long time! Really really funny, totally unique and its good to see such cutting edge stuff! Can't believe in our times, we've got to see such a cool, great tamil film! the amount of effort and detailing which has gone into the film is unmatchable! Simply superb and you will miss out on a lot if you miss this film. Wish I could meet the director duo and share my appreciation! Thoroughly enjoyed this flick and for people who don't know tamil, should watch it with subtitles to get a whiff of the local flavors of India! The little details go past in the first time, so I wanted to watch it more and more! After seeing it for the 5th time, it still has some little surprises for me This is a huge step forward for Indian films and hope more such little gems keep coming out!

As Sura walks past the departure gates, he sees a pair of Arabs and sarcastically utters "I'm on my way to your country." An erstwhile attempt is made to invent black comedy and Va – Quarter Cutting succeeds with zeal. But, the zeal is lost in its interstate highway-like screenplay. Writing-directing duo, Pushkar and Gayathri intertwine many story lines and keep the characters in sketch while a few get left away. The characters in the film have a thirst to quench. Sura (Shiva) needs a drink, Marthandam (Charan) needs a clean slate to impress Sura's sister, whom he claims to marry, and Saro (Lekha) needs an answer from the occupants of heaven on why she has consistently failed her exams. This eventually forms the resolution after an action-packed climax.Pushkar and Gayathri infuse characters ranging from a hitchhiker en route to Chennai, to Anglo-Indian Bikers. They quench their thirst by adding scenes that are meant to evoke humor. While some of them succeed, most of them don't. On learning that the bar is closed in a five-star hotel, why didn't Sura and Marthandam go looking for another five-star hotel? Questions arise as you notice numerous flaws.G.V. Prakash's BGM is a Guy Ritchie rip-off. But, he manages to hide it by reworking on them, whether it's the 80s disco song or Hans Zimmer's Academy Award nominated tunes from Sherlock Holmes or the closing song of Snatch or RocknRolla's opening track. There's not much in Va that amuses us. The predictable screenplay makes hay at nighttime.