Y Not Studios and Cloud Nine Productions together have been welcoming new ideas over the screens. It was much illustrious with their previous production 'Tamizh Padam'. Though, it wasn't an excellent movie to boast off, it had some unique values of breaking the clichés of Tamil Cinema. Yet again, the producers are back with a comedy entertainer with a simple theme with a humorous narration. But the filmmakers Pushkar-Gayathri do strain themselves over presenting visuals in a 'caricatured' and 'unnatural' manner. Gaudy colors and unwanted green tones – it's so tastelessly showy.The film opens with the prologue of different characters gonna come across each other at a night time. ATM Thieves, bunch of Anglo-Indian guys doping up in graveyard, Red Light area, a psychotic person burning down bikes, a stranger electrified to death while fixing the light on Goddess Amman's gigantic image. And then comes Sundarajan aka Sura (Shiva) heading to Chennai for his flight to Dubai at early morning. Soon as Shiva meets the job agent, he is blown out of waters to hear certain conditions in Dubai. No Alcohols, No Gals and No Pork. For Shiva, it really matters to have at least ¼ Cutting and he embarks a journey with his yet to be brother-in-law Marthandan (SP Charan) for it. Unfortunately, these guys are not lucky enough to get what they want. Rather they are exposed to unexpected twists and turns that keeps them engaged till the dawn.Don't expect a lot from this film. Make sure you aren't gonna watch the laugh-riot and please say 'No' to logics. For sure, it's not gonna delight the non-alcoholics unless you love creative themes. Well it happens at most cases during mid-night times where Chennaiites rush through the nook and corners of the city. It's a simple them that has been narrated with more characterizations. 'VA' is entertaining at few parts and that's precisely because of Shiva's one-liners. His very introduction watching Balakrishna's Telugu movie in Bus till the climax is hilarious. 'Nee Pakkaradhukku Ghajini Asin Maathiri Irukka' on SP Charan is rib-tickling. Lekha Washington's characterization is okay and the film would have done even without her role. SP Charan's comical looks and his funny character is again a plus. John Vijay's double act is too awkward and he has to avoid the same sort of roles over and again. Arya's cameo as 'Oram Po' auto racer is a surprise. Characters of Anglo-Indian guys and Police are completely unwanted.Technically, the songs are good with 'Unnai Kan Thedudhe' and 'Thediyae Thediyae' turning to be the cherry-picks. But it's disappointing to see the mediocre picturing of 'Unnai Kan Thedudhe'. Hope GVP saves such songs for some mass heroes. Nirav Shah's cinematography is good, but avoiding overdosed greenish tones would have done justice to the visuals.As mentioned earlier, 'Va Quarter Cutting' isn't a big comedy fiesta. But it's a film that will keep you engaged if watched with no expectations. Special appreciations for Pushkar-Gayathri for an interesting theme, but they could have made the film yet funnier.

A bunch of my friends dragged me to this film as I'm really skeptic about Tamil films in general, filled with melodrama and clichés... Surprise! this film was just awesome!Can be compared to the best french comedies, like Andrew Weber's, who I'm a big fan of. What's more, its set in Madras, which gives it a unique flavor and captures the spirit and people there, which no film has ever managed to in Tamil. Another cool thing, is the irreverence with which the directors have handled the characters, as opposed to most films which pack in a pseudo message! All the characters, even the minor ones have a little story/anecdote to say, which gives these characters a unique flavor and depth. The performances and casting is excellent with a whole bunch of newcomers. Some of the lines are so funny and endearing, it brings tears to your eyes while laughing. And, the locations: where did they manage to find so many lovely, colonial structures?! It's not just a comedy, which usually don't have any technical finesse. This film is a visual treat which also sounds great! The entire team should be applauded for making this unique, fantastic film! Am really looking forward to the next film from the team! And guess, I'll start watching more Tamil films, letting go off my snobbish attitude that only European and some American films are worth a watch.

Its a simple tale of 2guys, Suraa and Maarthandan in search of a drink on a dry night in the city of Chennai. But, the way the film has been structured, starting from the different characters involved in different activities in different parts of the city at the same time(6.30pm) and how these fascinating quirky characters come into play through the film is very complex and well structured. It has the style of international movies with picture perfect production design and camera work. Its really delightful to just see each and every frame of the film. The relationship between Suraa and Maarthandan is very tender and comes through a full arch with some sweet performances from the lead cast. Again casting wise, each and every character from Saro, as the dumb school girl to the father son duo played by the same character to the dogs which chase the protagonists are very unique and interesting. Even the Amman cutout, which finally saves the day plays a character! Its rather unfortunate that a lot of people don't seem to get the coolness and intelligence behind such an effort! Hope it doesn't end up as one of those highly underrated, fantastic films! The makers have the finesse and the film looks like its a love child of Jean-Pierre Jeunet, Guy Ritchie and Tarantino! Wow! It's that awesome! This trend is healthy and hope to see more such cutting edge, avant garde films in namma Madras!

WOW! AWESOME,UNIQUE,COOLEST FILM!I have seen Oram Po, the director duo's first flick and was pretty impressed with their innovative story telling on a local subculture.This film, takes it a notch above from bringing on the most unique story and characters alive on screen. Right from the title sequence with 2D animation and resounding rock guitars, the style quotient hits a high and sustains it throughout the film. In an industry where films have loud, on your face jokes, this one comes as a surprise with subtle, smart and intelligent comedy. Even the goddess loosing an eye ( wow, who would ever think of its repercussions in the story?!) is so cool and unassuming! And the opening sequence which flows as a seamless single shot, introducing the different characters, who bump in through the film: definitely this film way out of league for any Tamil, rather Indian film! These guys are the future and messiah for a contrived, stuck up film industry. Good job guys! keep up the good work! oh, and its so funny! COMPLETE LAUGH RIOT! and the colors, the art direction, camera work, music!!!I can go on and on... Its a Wonderful, DELIGHTFUL, FILM!