This movie is the video to the soundtrack of (popular) alternative indie culture. If you compare it to movies like "Juno", this one is brilliant, has character development and plot as well... One might say its a pretentious, poor of a plot, depiction of what wannabe hipsters wanna experience in London - but you could also interpret it as an ulyssian (Joyce) depiction of how is life for house squatters, while the rest of the world is trying to make money.Only watch it if you like indie music, enjoy thinking back of getting drunk with your flatmates and or like rather descriptive love will win in the end movies!

This movie makes me happy. Because the director didn't cave for a crowd pleaser nor a nonsensical festival piece. Intriguing, gentle, wonderful visuals, fantastic dialogue, kick ass soundtrack. The director accomplished to make a moving work that's light, floats but touches. It perfectly leads its naive endearing lead characters through a place and moment where everybody is in transit without being overly explanatory. Tielve & Francois are adorable, Huisman and Goldberg are no less than excellent. The soundtrack might not be your thing maybe but it completely matches the scene it is set in and has some great tracks. It sure is mine and i thought it to be grand. If you liked the movie Cashback you'll love this one too and the other way around:)

Just to reinforce what nicholsd said about this waste of celluloid. If you are one of the many arty-farty snobs that like to portray themselves as intellectual by thinking that you can see something in art that we cannot, then you will love this film. Us real world people who look for a piece of media that will take us out of the boring hum drum hours that generally pass the human race by,well then ten minutes into this film and you will realise that its just another, partial french, long winded, solemn distant stares of deep thought-ed youth drivel with over emphasised background noise, displaced conversations and shaky camera-work for added reality...blahh.Oh and look I'm twenty three minutes into it and nothing has happened, noting is going to happen. Its like "lost in translation" without the benefit of the interesting smile of bill Murray.

It was like a detour, but eventually it would reach the destination. I like the symbol of the maze which Vera talked about at the beginning of her story: she used up all her luck in the maze and then she began to lose direction in real life. Perhaps for Axl and Vera, the recovery process was a detour—avoiding something (love perhaps? love from a lover and love from a father) and yearning for it at the same time. Then Mike's parachute theory unlocked their dilemma: if you cannot do something, maybe it's because you are not ready for it, or you don't feel like doing it now. The film portrays London subculture through foreigners' perspective, which shows the other sides of this metropolis and makes the story and images real and powerful. The music selection and the images are just awesome, especially the bokeh images.