What is the price they have to pay, those who cheat in love, the adulterers? They deserve death? One thing is certain, for those who are cheated, life is not life anymore, it becomes unbearable, it becomes a slow death. I saw Curd Jürgens in many movies and I do not consider myself a fan of. But here I liked it how he lived Ronald Marvelling's character. Rosalba Neri, which usually shows her charms (neither here no exception), shows that she can also play well, she's not brilliant, but convincing. Juan Luis Galiardo is OK in the role of Pietro too. Emma Cohen is also credible in the role of Catherine. Piero Piccioni's music is not amazing, just functional. In conclusion, a good movie, except the end, which is disappointing.

Not only is Two Masks For Alexa an unsatisfactory title for what I have as Two Men For Alexa, or this site has as, Fieras Sin Jaula but somewhere along the line the numeral 2 has become inserted on another site and made this title almost impossible to find. Mind you the film is difficult to find as well. I digress. Marginally a giallo but completely surreal, this really is an undiscovered gem. The beginning strikes as either incredibly bad or intoxicatingly good depending how you react to what seem like totally unconnected sequences crashed together without a thought and completely different colour stock seemingly being used. Then gradually as we become used to the human triangle within the story and the many, many flashbacks, some crazy sort of logic establishes itself before, way before halfway, there is a real surprise and the film appears to be at an end. But no. Everybody is great, including the lovely, Rosalba Neri and Curt Jurgens, the music is fine and the direction...let us say, unusual. If you have any interest in Italian movies of the early 70s, seek this out. Did I mention Ms Neri and her wonderful and numerous costumes!

This movie is about a young woman who marries the wealthy father of a university friend, but quickly falls in love with a younger man. The jilted husband hatches an unusual plan for revenge by framing the adulterous couple with his own murder and sealing them in a room in his isolated villa with his dead body. Since most of this movie takes place in a single location,the movie quickly becomes paranoid and claustrophobic as the young couple fall apart debating about what has happened and what to do about it.This Italian-Spanish co-production to some extent resembles the then popular Italian gialli, but it lacks a lot of the more garish and delirious elements of that genre. It stars Rosalba Neri as the unfaithful wife (who was perhaps a little long in the tooth to be playing a university student). Unfortunately, the dubbed Spanish-language copy I saw edited out all of her no doubt copious nude scenes as Spanish censors at that time was wont to do (Damn Generalisismo Franco! First, he kills hundreds of thousands of people, then he sets up a 40 year fascist dictatorship, and now this!).This was obviously a very low-budget movie and it's very limited in its sets, but at least it doesn't last long enough for anyone to get too bored. The version I saw (on Mexican television) looked pretty decent at least, but I would have preferred an unedited version (and with some English subtitles). Worth a look though I guess.Addendum: I recently saw the French version, which does have some brief nudity from Neri (but still might be cut). Unfortunately, this probably doesn't justify the crappy looking, full-screen presentation, but if you find the English-subtitled version the previous reviewer mentioned, well, maybe. . .