Trouble Every Day
Trouble Every Day
NR | 30 November 2001 (USA)
Trouble Every Day Trailers

Newlyweds Shane and June arrive in Paris for their honeymoon. In the process of trying to find a cure for his strange, bloodthirsty disease, Shane stumbles upon the story of a doctor and his flesh eating wife.

Reviews
Seth_Rogue_One

I don't know where to begin with this movie, it's just such a drag of a movie that seemingly goes on forever and focus on all the wrong things for the more part.I tried watching it one 2 other ocassions but I just couldn't get into it so I switched it off and put on something else.On the third I decided to just stick with it so I've at least watched it once, and kinda wished I hadn't.A lot of long boring everyday scenes of people doing much to nothing or walking from point a to b or Vincent Gallo playing the fiddle (metaphorically speaking... yes just that, not once but twice in the movie we witness this, luckily nothing too graphic there at least).There is a little gore but only in a couple scenes so the poster if a all bloody woman is a little misleading if you ask me.And those scenes tbh feel a bit random, but then I suppose everything in this movie does, and there doesn't seem to be much point to anything (although I'm sure it does I just didn't have the patience or desire to translate some potential symbolisms as it was just boring simple and plain).Beatrice Dalle is the only redeeming factor and why I give this a 2 instead of a 1.

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GREENWOOD_96

The whole movie is strange, slow and disturbing. In a way you enter in the world of two cannibal in pain, because cannibalism is a illness (Béatrice Dalle) deliver a great performance, she very credible and tight. (Vincent Gallo) (bufallo 66) play the role of the other cannibal, with a life, he like he is under control of his animal instinct but like the girl cannibalism is a very troubling and dangerous disease and he no that fact. The movie is very animal, the character seem to be posses by instinct. The story is a bit confusing, there not much dialog in it (its a good thing) and there not a lot of thing reveled. The light, the effect, the cameras, the photograph is awesome. There a lot of inventive and in a way its refreshing to see an original movie. Don't wait.

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Michael Kerjman

Voodoo-practitioner – Afro-French male doctor's sex-toy creature allowed leaving her locked room by a hypnotised curious intruder being consumed during copulating, is overpowered by a strong American happened to drop in into a doctor's house at the timing, who had since then fallen into her footsteps of a thirst for blood and flash during orgasm.A perverted love of "Dracula" mixed with an unstoppable quest for sadist sex of "Frisk", framed with Parisian charm makes this terrific film realistic to a degree of a potential usage by anti-AIDS and pro-obscenity campaigners.Highly recommended.

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i1011i

True the movie was rather slow but it is European and you kind of have to expect that. A movie doesn't need to be about speed anyway, if you just relax and really let the imagery throw, its quite amazing.There was beautiful cinematography if noticed. The blood dripping from the blades of grass in the field Core was using as hunting grounds. The harsh lighting and color use in some of the lab scenes. the fragile jigsaw of brain matter being sliced and dissected in petri dishes. The wall and Core after she has eaten the boy who brakes in. Both were so intense you couldn't help appreciate the experience. The pace of the film was crucial when considering the character development and the slowly dawning knowledge that Core wasn't alone in her insanity, that Shane was falling further into madness too. Both the victims of their own prior experiments. The realization the audience must go throw, that each character is not going to avoid a grotesque end physically or emotionally. That everyone they touch is doomed to walk on a knife edge of danger as Core has and Shane is growing more animalistic and less human by the day. A stunning piece.

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