Treacle Jr.
Treacle Jr.
| 06 October 2010 (USA)
Treacle Jr. Trailers

A middle aged man, Tom, walks out one day on his wife and baby boy and his seemingly happy life with no explanation. He opts to live on the streets of London. Alone in a park at night he is set upon by a gang of violent thugs, in his bid to escape he accidentally runs into a tree. In A&E Tom meets an extremely happy, fast-talking individual, Aidan, the complete opposite of Tom. Too polite, or too weak to ask him to leave him alone Tom tries to get away from him but to no avail, Aidan sticks to Tom like glue. Tom reluctantly becomes involved in Aidan's life and he quickly realizes that this child like man clearly has his own problems, except Aidan can't see them, his shiny optimism blinds him at every turn, even from his 'girlfriend' the dangerous and volatile Linda.

Reviews
Ian Hunter

Okay, I watched this late the other night not expecting much but sometimes these low budget films deliver and I was so glad I watched it.Firstly Aidan Gillen (Game of Thrones) absolutely steals this film, his delivery of his character is acting gold! His character (again called Aiden) is one of life's lovable downtrodden people who refuse to give in and feel sorry for themselves, no matter what. Aiden sees the good in everyone and continually smiles at the daily difficulties that's thrown at him and you'll immediately warm to him, this is the immense power of his incredible acting abilities. The film shows Tom who has left his life behind cross paths with Aiden and how they sort of 'mend' each other.If you love a film that doesn't conform to the usual stories or just want a masterclass in character acting then this film is a total joy.Loved loved loved this little treasure.

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franglaisreview

This is a top UK independent film which really shows what the genre is capable of. Quality performances and an excellent script make Treacle Jr.one of the most memorable and interesting films I've seen for a good while. Its characters are good as on fire, there is an energy on the screen that leaves a knot in your stomach, an engaging sincerity that is neither overdone nor leadened over by any sort of hipster-esque apathy. This is what independent film in the UK is capable of doing, and what it should be doing. It can be proud of this kind of talent and I hope it will reflect this in its support of UK cinema in all its diversity.

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dog_lover_twelve

No one does slice-of-life drama and acerbic humor like the Brits, and the curiously named "Treacle Jr." showcases this, as well as some damned good acting from the cast, particularly Aidan Gillen ("Queer As Folk," "Game Of Thrones,") as Aidan (it seems kind of cheap when the screenwriters can't come up with their own names, anyone agree?"Treacle Jr., as it so happens, is a kitten, Aidan is a childlike man in an unhealthy relationship, and Tom (Tom Fisher) steps quite by accident into the situation, in the process of getting out of another.Unable to bear for another minute the responsibilities of parenthood and Family life, Tom (Fisher) walks out on his wife and baby and, after running out of cash, seeks new means of livelihood on the streets of London.Inexplicably, he is attacked and injured by a gang of thugs, and while at the police station, he meets Aidan, who is comparing the woman at the front desk's hair to an Irish Setter's in an attempt at flirtation.Aidan's the kind of guy most people stay away from. He's earnest, hyper, and completely free of any social graces. Aidan's naive and enthusiastic to a fault, but Tom soon discovers he has problems too- namely Linda (Riann Steele,) his 'girlfriend,' a volatile bag of nuts who beats on Aidan, dubs him a 'retard,' and in one painful scene, tries to rape him. She's a barrel of laughs.People who find this situation unlikely need only think again. What does society think of men who hit women? If Aidan were to so much as take a swing at Linda in self-defense, she'd need only pull a pouty face to the police and Aidan would be sent up to the big house. Maybe it's a bit of an exaggeration, but it's something to think about.The story chronicles the meeting and eventual friendship between the two men, despite Tom's initial urgent attempts to get away from Aidan, who has the boundless enthusiasm of a horny beagle. Now Aidan, he's an interesting character. Devoid of the marketability of endearing innocents like Forrest Gump, he is good-hearted but entirely oblivious to his effect on people. He was not written to be liked. I liked him.If this was to be remade in America, there would be some adjustments mad. Linda's race would be changed (she is African-American,) because a cruel black person is against the politically correct agenda we are spoonfed nowadays. The gender roles would be switched, and the movie would become a feminist power flick. But it will not be remade because it was not highly successful, and a good thing, too. "Treacle Jr." intrigues and challenges, doing what British films do the best.

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Framescourer

Treacle Jr. is a film about a single personality. The inexhaustible gregariousness of Aidan Gillen, who plays his namesake, is enough to carry the role and so the movie. His lovable, ham-fisted optimism eventually overcomes our resistance to his rather claustrophobic, manic volubility. Perhaps Aidan's like a socially marginalised version of Happy-Go-Lucky's Poppy.The first Mike Leigh film one brings to mind for comparison though is Naked. Here is another flight from the North, yet more eventful search for refuge on the streets of London. Only Tom is neither forced to flee, nor does he answer the itchy question, why?. This is because Tom isn't important. He's there to enable Aidan, to throw him into relief and catalyse his fluctuating fortunes. It's upon this drama's surface that Aidan's effervescent consciousness fizzes. It's also this narrow focus that leaves the film rather dry.Writer-director Jamie Thraves tells the story decently enough and works hand-in-glove with Gillen's portrait of Aidan. Yet Rhian Steele's lively Linda aside, the rest of the production is pretty average, from acting and shooting to editing. Admittedly, the film is an exemplar of pragmatism and economy, given that it was made for only £30,000. But too much was sacrificed or allowed to slide. There's no connection between Aidan's social awkwardness and the mute, middle-class breakdown that brings Tom and Aidan together; no exploration of that chink in Linda's manipulative street-facade. To make a very unfair comparison, this is a paddling pool of characterisation besides the reservoir of Michael Winterbottom's South London magnum opus Wonderland. A nice story but nothing more. 4/10

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