TOWARDS ZERO (L'heure zéro) Is the updated French version of Agatha Christie's 1944 novel by François Caviglioli, Clémence De Bieville, Roland Duval and Nathalie Lafaurie as directed with style and panache by Pascal Thomas. Instead of England the action is transferred to the breathtaking beauty of Brittany, France. Not only does the magic of Christie's mystery remain intact, but it is enhanced by the significant rugged coastlines of the area (captured beautifully by cinematographer Renan Pollès) as the setting for the mansion overlooking the sea where the action takes place. Guillaume Neuville (Melvil Poupard), the favored relative and heir to Aunt Camilla (Danielle Darrieux) who in her declining years lives in the Brittany estate under the care of Marie- Adeline ( Alessandra Martines) and her servants Heurtebise (Paul Menthe) and Emma (Valériane de Villeneuve) - the latter two making one of the finest comedy teams on film, comes to visit his aunt with his current wife Caroline (Laura Smet) while also inviting his mysterious former wife Aude (Chiara Mastroianni). Aunt Camilla favors the Aude, a fact that throws the tempestuous and obnoxious Caroline into tantrums. There is considerable background history of this family and friends that gradually all comes together in the end. But the incident that triggers the story is the murder of Aunt Camilla, an act that leaves nearly everyone in the full house as a suspect. Enter Le commissaire Martin Bataille (François Morel), who goes about his investigation singing a tune created from the names of Agatha Christie's famous detectives - Hercule Poirot, Miss Marples, and, oddly, Colombo. The murder weapons are recreated, the events of the night of the murder are studied, and gradually the true murderer is uncovered in typical Christie style. There are many clues, versions, suppositions, old family secrets, current interrelationships and pointed facts that leave the audience wondering not only who the murderer is but also the motive of the crime. It is a pleasure to watch the finest French actors (in addition to the ones mentioned the cast includes Clément Thomas, Xavier Thiam, Hervé Pierre and others) have a great time with this story and the sets, costumes, Brittany scenery, and the musical score by Reinhardt Wagner make this a delectable bonbon of a film. Grady Harp

Based on an Agatha Christie story, "Towards Zero" is a thriller in the guise of a picnic. Set in a magnificent mansion on the shores of Brittany, the story revolves around an aging matriarch, her family and the vultures that come with wealth and fortune. Her nephew Guillaume (Melvil Poupaud), an absurdly handsome and easygoing man on the outside, is torn between ambition and leisure. In general, it seems beneath him to even compete, but occasionally, he can't help wanting to win. Good thing there is always another girl to take his pain away: Aude (Chiara Mastroianni), soulful and patient to the point of masochism. Quietly elegant Marie-Adeline (Alessandra Martines), struggling with demons all her own. Gorgeous Caroline (Johnny Hallyday's breathtaking daughter Laura Smet), a loud-mouthed tramp in designer clothes. Then people start getting killed. The girls dance round in a ring and suppose, but the culprit sits in the middle and knows. A lot of fun. Unfortunately, the movie is currently without distribution outside France.

I approached this movie with some skepticism: although France is to be commended for being pretty much the only country in the world right now that still produces films based on the works of Agatha Christie and releases them theatrically (the British Poirot and Miss Marple series are still running, of course, but they're made for TV), "Towards Zero" is directed by Pascal Thomas, whose previous Christie adaptation, the 2005 "By The Pricking Of My Thumbs", was about as dull as a film can possibly be. Thankfully, "Towards Zero" is much better. The main reason for this is simple: instead of being a talkathon with secondary mystery elements like "Thumbs", this is a good old-fashioned whodunit with nearly all of the typical elements of the genre in place: a luxurious mansion, a large but limited number of suspects, a cunning police inspector, family secrets, intense emotions and rivalries, red herrings, etc. The solution is unpredictable, even though it is based on the kind of double-deception that Christie has used quite a few other times in her stories. The cast is good, with the best performance award going to Laura Smet for her infuriatingly impulsive and impulsively sexy character. The locations and the settings are beautiful. A nostalgically enjoyable movie. *** out of 4.

Towards Zero is not one of Agatha Christie's more famous novels, but for a murder mystery lover it is almost an essential read. It has been several years since I read it, but I very distinctly remember how much I enjoyed it as well as the plot and the substantial twist.This French movie adaptation is set in present day Bretagne, but other than that remains - rather surprisingly - true to the book, more so than, for example, the Diana Rigg version of Evil Under The Sun. All important plot points remain intact. Not that this in itself signifies a great movie. Au contraire, vraiment - while the cinematography, setting, music and pacing are more or less good, many of the actors overact their characters to the point of becoming caricatures instead. The shrewish wife or the maid (vaguely reminiscent of Nancy Walker's Yetta in Murder By Death, nevertheless wholly unsuitable for a serious murder mystery) are best examples of this. Danielle Darrieux is, quite unsurprisingly, not among those, and her much too brief appearance as Aunt Camilla is the only real performance in the picture. François Morel as the detective comes close to one, but not quite close enough.Final verdict: Entertaining murder mystery with some hammy performances, fast pacing and a great twist by Dame Agatha herself. Also useful as a French listening comprehension practice, especially if you're as lucky as I am and your copy lacks subtitles.